Stevecorp Don't listen to the negative reviews

Limerculer A waste of 90 minutes of my life

Humbersi The first must-see film of the year.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

oldblackandwhite So you've seen Scarface, the Public Enemy, Little Ceasar, The Roaring Twenties, and G-Men. You're in the mood for another rat-a-tat-tat 1930's gangster movie, but you think you've seen them all over and over again. Then up pops Let 'Em Have It on a sparkling Classic Media/Sony DVD, and it's just the ticket! This tough, no-nonsense cops and robbers movie, showcasing the newly reorganized FBI's battle against organized crime, parallels Warner Brothers' classic G-Men in theme and presentation. It may therefore seem derivative, but only because G-Men is better known. If fact the two movies were released only two weeks apart in May 1935, which means the two were being filmed at the same time. Apparently neither had any influence on the other.In some respects Let 'Em Have It is a better picture than G-Men in spite of a "B" cast and production by a small independent Edward Small with distribution by United Artists. More restrained and therefore more believable than the flamboyant Warner Cagney vehicle, Let 'Em Have It is directed with style and dash by the great Sam Wood. Thankfully the training stage of the three young FBI agents, Richard Arlen, Harvey Stephens, and Gordon Jones, is handled with a few brief scenes instead of taking up a third of the running time as in G-Men. Certainly Arlen is not as dynamic a leading man as Cagney, but he's sincere and quite competent. Jones, usually in a clown role, plays it more straight here with only a few jokes as a character named Tex. But he's serious and deadly when on the trail of the crooks. Stephen's character, an Ivy League type formerly engaged to the leading lady and early intended kidnap victim Virginia Bruce, adds a touch of class to the trio of feds. The gorgeous Ms Bruce is a much better love interest for Arlen than Cagney had for G-Men in frigid Margaret Lindsay. Never mind the action sequences, the gowns worn by the statuesque Virginia Bruce are the excitement in this show! Wow! She could act, too.But this picture is carried by Bruce Cabot's performance as the cruel but charismatic leader of the murderous gang of kidnappers and bank robbers. He is totally ruthless, yet capable of acting slick, harmless, and innocent when it suits his purposes. His poor old honest mom, like the mothers of all delinquents still thinks he is "a good boy." Cabot had an occasional lead roll in his long career, most notably King Kong (1933) and Flame of New Orleans (1941). He could handle a good guy roll, but like Mae West, he was much better when he was bad. He's bad, bad, bad in Let 'Em Have It. His rendition of the scummy, amoral, murdering, unredeemed, yet fascinating criminal is up with Cagney in White Heat (1949) and Bogart in The Desperate Hours (1955).Every gangster has to have his moll, and Cabot has two here. Joyce Compton is suitably hard-baked, no-class dame as the fatally fashion conscious accomplice in the gang's crime spree. When she gets captured by the cops, her place in the head thug's affections is taken over by a young Barbra Pepper, looking incredibly like a "B" Jean Harlow. Fans of TV screwball comedy series Green Acres will remember the aged Ms Pepper as the "mother" of the world's smartest pig Arnold Ziffel.Let 'Em Have It is a well-acted, well-directed, well-filmed crime melodrama, precisely paced with plenty of action, good dramatics, intelligent script, and crisp dialog. While no doubt produced on a low budget, it never looks cheap. Sets are first rate with lots of outdoor scenes, many night scenes. Refreshingly absent is the official voice-over that often mars later police procedure pictures of this type. First rate in every way, it compares favorably to most of the Warner Brothers gangster cycle. Smooth, enjoyable entertainment from Hollywood's classic era.

kidboots For an independent production (Reliance), this was a superior, hard hitting gangster movie that followed hard on the heels of Warner Bros. "G Men". I first saw it on television in the 60s and I will never forget the shocking sequence when Bruce Cabot agrees to have plastic surgery with disastrous results. The scene were Cabot takes his bandages off - you don't see his face but you see the faces of his gang members as they recoil in horror - it is a truly frightening scene. The movie, directed with flair by the under rated Sam Wood, was highly effective at pitting the FBI investigating methods against the more exciting underworld adventures of Joe Keefer (Bruce Cabot) and his gang.After quite an interesting beginning showing the recruitment of ordinary men into the FBI to cope with the growing spread of lawlessness across America - the movie focuses on three men from different walks of life who become friends. The three are advised of a kidnap plan involving socialite Eleanor Spencer (luminous Virginia Bruce), an old girlfriend of Van's (Harvey Stephens). When the plot is foiled and the gang, including the Spencer chauffeur, Joe Keefer, goes to jail, Eleanor pleads for Joe's release, feeling he had nothing to do with it. After he is freed, he then rounds up his gang and goes on a reign of terror throughout the Mid West. Meanwhile Eleanor's younger brother Buddy (Eric Linden) ditches his law studies to become a G man. Eleanor is horrified and blames Mal (dashing Richard Arlen) (she has become romantically involved with him) for not trying hard enough to talk him out of it. The plot is very involving and meticulous, especially Buddy's hunt to find the person who owned the shoe that was left at the scene of one of the holdups. From the very start the action never stops, it seems so realistic - you feel this was how gangsters really operated then. I don't know whether there was any location shooting but the scene where the gangsters were rounded up from their hideout in the woods looked pretty real.Bruce Cabot played Keefer with an almost psychotic zeal. He seemed to play a lot of movie heels and it was nice to see him get his comeuppance in this movie after being so horrible to Irene Dunne (in "Ann Vickers") and Helen Twelvetrees (in "Disgraced"). Eric Linden's film career had started with so much promise ("Are These Our Children" (1931)) but by 1933 he was completely fed up with Hollywood and announced his retirement. After a year spent traveling and writing he returned to the screen in "Let 'Em Have It", playing his stock in trade - an idealistic young man who wants to make good.Highly, Highly Recommended.

ackstasis 'Let 'em Have It (1935),' a taut 1930s gangster flick, has since fallen out of all popular recognition, but remains worthwhile viewing – if you can find it – thanks to the capable direction of Sam Wood, an undervalued workman who gave us two Marx Brothers comedies ('A Night at the Opera (1935)' and 'A Day at the Races (1937)') and the wonderful, unforgettable 'Goodbye, Mr Chips (1939).' This particular gangster thriller plays like a good version of Mann's 'Public Enemies (2009)': a group of young men (Richard Arlen, Gordon Jones, Harvey Stephens), having been recruited into the Department of Justice, must bring down murderous bank-robber Joe Keefer (Bruce Cabot), who is crossing the country looting and murdering at will.The elegant presence of Virginia Bruce promises some romance for the ladies, but 'Let 'em Have It' is at its best when revelling in the intricate details of forensic procedure, whether it be matching the ballistic markings of a firearm, or reconstructing the profile of an assailant from teeth-marks left in an apple. The heroes occasionally seem like over-excited boy-scouts, especially Eric Linden as Buddy, but Richard Arlen has a quiet, brooding presence that offsets the occasional moments that resemble a thinly-veiled advertisement for Edgar J. Hoover's newly-named F.B.I. As Keefer, Bruce Cabot is also excellent, gradually spinning an innocuous small-time criminal into a murderous outlaw worthy of Dillinger or Baby Face Nelson. There's one scene that precludes the plastic surgery in Delmer Daves' noir 'Dark Passage (1947),' and a bandage unveiling that cannot be missed.

dlatkong33 "Let 'em have It' was released in 1935, the same year as "G Men" starring James Cagney. Both films celebrate the exploits of law men working for the newly formed FBI under J. Edgar Hoover. Our heroes are played by Richard Arlen, Harvey Stephens, and Gordon Jones, with Virginia Bruce in the female lead. The early part is typical of the time, showing the FBI recruits undergoing training in detection methods, shooting skills, etc. The movie gains momentum when they go after vicious gang leader Joe Keefer, very menacingly played by Bruce Cabot. Keefer is on the lam and forces a doctor to change his face by plastic surgery. When the bandages come off - wow! It's worth the price of admission.