VeteranLight I don't have all the words right now but this film is a work of art.

Steineded How sad is this?

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.

Irishchatter To be honest with you, I thought the film was really boring to follow through.However the relationship between the boys would give you a really warm fuzzy feeling!The actors were spot on but it's just the storyline wasn't really that interesting nor the best really. By the way the film poster looked, it would probably be like an exciting romance film. It was a little disappointing by the fact it can trick you!I can't say anything more really because there wasn't much action going on so it would be pointless to say much of the film!

JackTy8655 This is an unusual and hypnotic short film about the relationship between two 18 year old boys in small-town Arkansas. There are few characters and very little dialogue, most of the explanations come from narration by the 2 boys, one of whom is about to leave for college. There is no angst about sexuality, or bullying from other kids. When a teacher asks how long they have been together, Luke simply replies "Forever. We've known each other since we were 4". These are two 'old souls' with a profound, calm and absolute love for each other.The film is primarily narrated by Luke, who describes himself as a slow learner. He is devoted to the brighter Jonah, and superficially sanguine about his inevitable departure for college. However, in one brief scene we see Luke alone in bed, faced away from the camera, apparently crying.In a rare piece of narration by Jonah he tells us how he idolises his boyfriend, "I think he's perfect, I would give up everything for him". He describes how some people feel comfortable in one place, while others feel trapped. Superficially this backs up Luke's belief that Jonah will move on to a better life, and outgrow him. But I wonder if the gifted Jonah isn't actually making an oblique reference to a person, and not a place. He tells us, "The grass is always greener, but not for everyone". Is he describing his relationship, and how he could never abandon Luke?The ending is ambiguous, leaving you to imagine your own conclusion. But I think Jonah has already told us what he will do.

ekeby Two life-long friends and lovers face their first parting when one heads off to college. That's it. Period. And we really only know that because that's what we're told. If that hadn't been spelled out for us at the beginning of the movie, we'd have no idea what was going on.Both boys seem unrealistically pragmatic about spending one last summer together. What most kids in this situation would consider traumatic doesn't seem to phase these two. Maybe knowing each other since third grade has left them with nothing more to say. Because they don't say much, and what they do say is curiously devoid of emotional content.So it leaves you feeling a little hollow, even though the overall artiness more or less demands that we value the content of this film. It's like, "this is art, dammit, and you WILL appreciate it!"Well, I do and I don't. Much of the photography IS striking, but what we see mostly are scenes that might as well be stills, and most of those are in close up. The actors are so immobile I couldn't help feeling they were trying to help the DP keep the shot in focus. I didn't hate this, but I can't say I enjoyed it. It's pretty, the boys are pretty, and, mercifully, it's only 66 minutes long, so, you know, why complain? Well, because it doesn't add up to much.

michaelmouse1 Mark Thiedeman's stunning movie is a breathtaking work of art. This moody, nuanced film is something quite special to experience. Far from the madding crowd of commercial 'Gay' themed movies, this sumptuously photographed and delicately under-written work indicates clearly this Director is one to watch. It is essentially a love story that portrays the two lead character's relationship in a filmic essay of great beauty.Thiedeman's structural choices in setting up scenes is reminiscent of perhaps a more European sensibility than the more common obvious American Studio system's insistence on the dumbing down of everything. Here we definitely have a case of 'less is more'...the camera tells much of the story. And with great beauty. Like a fine wine, this movie is one to savor and relish. A comparison to James Bolton's 2008 "Dream Boy" could be made, but that would be unfair to both Directors, as each is unique in style. But if you enjoyed 'Dream Boy' you are likely to absolutely love this film. The two extremely handsome leads beautifully interpret the script and provide the viewer with intelligent and mature performances. If you need fast paced action or voluminous amounts of dialogue to tell you a story, this film is not necessarily for you. It gently meanders, but always meaningfully and with an end-point in mind. Distributors of exceptional films need to sit up and take notice- It's criminal this one didn't get a major cinema release. It's every bit as marketable as any 'Brokeback Mountain'. Stunning!