Dotsthavesp I wanted to but couldn't!

Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

TheLittleSongbird I love the films of Merchant Ivory, especially The Remains of the Day, and Maurice is no exception. It is not my favourite of theirs, there are one or two occasional dull spots for me, but I cannot deny that Maurice(adapted from EM Forster's autobiographical novel) is beautiful. As always, the production values are truly immaculate with the cinematography skillful and the scenery and, costumes and interiors/exteriors gorgeous. The music is also hypnotic and of real beauty, the film is lovingly directed, the script is superbly written and the story is compelling and resonates emotionally with me. Also I think Maurice deals with the theme of homosexuals very well. The acting is excellent, James Wilby especially is very powerful, but I shouldn't dismiss Simon Callow, Patrick Godfrey, Judy Parfitt, Hugh Grant and Rupert Graves either, they are all wonderful. So overall, Maurice is a beautiful film. 9/10 Bethany Cox

hughman55 I really liked this movie when I first saw it in 1987. I like it even more today. This is the story of two gay men in the early 20th Century, how they fall in love, how they fall apart, and how they eventually take very different paths. One that leads to a life of sadness and regret. The other to acceptance, love, and fulfillment. James Wilby gives a powerful performance as Maurice, a middle class gentleman who discovers his homosexuality while away for college at Cambridge University. It is there he meets and falls in love with Clive Durham, played brilliantly by Hugh Grant, an upper class gentleman who lives in a decaying English manor, called Pendersligh Park, that was built by his grandfather's grandfather. They enter into a passionate, albeit sexless, relationship that most viewers will see as doomed from the start. Maurice, once he overcomes his internal conflict over who and what he actually is, is drowning in love for Clive. Clive on the other hand, though he is in love with Maurice, is perhaps more in love with the idea of Maurice, than Maurice himself. When outside circumstances intervene, their world together comes crashing down, and the results are painful for both. One of the plot devices that I found intriguing, and not having read the book I don't know if it is part of the original story, is Simcox, Clive's butler, played menacingly and effectively by Patrick Godfrey. He informs the viewer of the disapproval and judgment directed at Maurice and Clive that IS Edwardian England. Simcox delivers even the most banal lines with an almost imperceptible sneer. Even when he has no lines he is lurking in the background of the scene with a stone cold gaze that says, "I know what you're up to." He is the warden. Edwardian England is the prison. And Pendersleigh Park is Clives cell.I missed many of the finer points of this film the first time I saw it in 1987. Back then the ending disappointed me because I identified with Maurice and I felt like he waked away with the second prize, Alec Scudder. And Clive caved to the pressures of Edwardian England and entered into a marriage he was never suited for. All of that was true then, and is still true today. However, with 20 plus years of maturation behind me I now understand that when the credits role at the end of this film Clive is as deeply in love with Maurice as he ever was. The finale of the film is a window into the lifeless, hopeless, longing, that is Clive's future, contrasted with that of the fulfillment and joy that will be Maurice's. After Clive and Maurice have their final words, Clive returns to his waiting wife inside Pendersleigh. Simcox asks, "will there will be anything else sir?", and then proceeds to close the house shutters for the night. You can almost hear the sound of cell doors closing for lights out in a penitentiary. Clive approaches his wife, who is seated in front of her vanity mirror. He leans in to kiss her cheek and they look up together into the mirror in front of them. They expect to see a happy couple. They don't. There is a sadness in Clive's eyes that they are both unprepared for. It is more shocking to Clive because now he is no longer fooling even himself. He pulls uncomfortably away from his wife and like a prisoner resigned to his confinement, he finishes closing the shutters, (the cell doors of Pendersleigh) one by one. As he comes to the last one he takes a final look out the window at freedom. Clive has chosen to accept society, and turn its turmoil toward him inward where he will always be conflicted and never know a moment of peace. Maurice has decided to accept who he is and deal with the turmoil in the world outside. It is heartbreaking. James Wilby carries this movie from start to finish. As Maurice it is his story to tell and tell it he does. From adolescent bewilderment, to revulsion with Clive's initial advances, to falling in love with Clive, then heartbreak, and finally to his own sunset to walk into. He never has a foot out of place. It is an honest and compelling performance. But it is Hugh Grant's complex and multi layered Clive that you're left with ricocheting around in your soul. When Clive says to Maurice, "It's like the good blundering creature that you are to try and comfort me, but there are limits," Grant conveys a sense of defeat, resignation, and emptiness that is almost too difficult to watch. At times he stares very far away. Probably to the place where he wishes he could be, but seems impossible to reach. I think because initially I was so personally disappointed in his characters evolution throughout the course of the movie, that I missed what a brilliant performance this was. Forgive me Mr. Grant. You are a truly talented actor.This is a brilliant film. It's all there: beautiful story, beautiful landscape cinematography, great script(small problem though with the editing and non-sequitur dialog when Scudder meets Maurice in London), great direction, perfect score, and above all two brilliant performances from James Wilby and Hugh Grant and many others in the supporting cast. This one is a must see.

Gordon-11 This film is about a upper class English gentleman called Maurice, and his quest to find the love of his life beyond the societal constraints of Britain in early 1900's.Though the pacing of "Maurice" is very slow, it successfully engages the viewers and hence never feels boring. The main characters, Maurice Hall and Clive Durham are very well developed. Their words, emotions and actions are beautifully portrayed in much detail that I feel close to them. Maurice Hall's immense dedication to find love in Clive is intense, but their love does not come to fruition due to oppressive societal pressure. Though Maurice finally finds solace in Alec, the ending is bittersweet.

bkoganbing E.M. Forster (1879-1970) as a gay man lived long enough to see the Stonewall Rebellion happen across the pond the year before his death at the age of 91. Though close friends knew he was gay, as prescribed by the mores of the times, Forster led a quiet, discreet, and circumspect life. He was not a political person, first and foremost he was a novelist, though in his writings you can some trenchant comments about the political, never more so in his A Passage To India.My guess is that if Stonewall didn't happen here and other developments such as the Wolfenden report recommending decriminalization of homosexuality in the United Kingdom hadn't happened, Maurice might never have seen the light of day. My guess is that Forster would have opted for a time capsule, hoping this novel of young same sex love would see the light of day in more enlightened times. He got to see those enlightened times come before he died, so Forster's novel Maurice was published in 1971 and came to the screen in 1987. Forster's protagonist is Maurice Hall a young man with some unwanted gay feelings, unwanted because at the time those things were not discussed. Young Maurice forms an attachment with school chum Clive Durham. To put it in more modern terms they're the British boarding school equivalent of Ennis Delmar and Jack Twist. And they view their relationship differently as did Jack and Ennis. Maurice truly hates the stifling conformity of Edwardian Great Britain, but Clive wants to put it behind him, get married and do as proper British society demands of him. James Wilby is Maurice and Hugh Grant in one of his earliest roles is the shallow Clive. Maurice takes a path that E.M. Forster took in life as a gay man, as open as he could be, but most discreet. I do wonder who the Clive character was based on. I also wonder if in the future, the proper Mr. Clive might have been giving the toe tapping signal in some bathroom stall looking to satisfy his real and closeted lusts.There is also a great performance by Rupert Graves as Alec Scudder the stable-hand at Clive's estate who Maurice eventually does establish a relationship and some measure of happiness. It will be a tough road for them, not very many places on the earth will be that hospitable in the years just before World War I.Maurice was written around 1910, a decade or so after the Oscar Wilde scandal and six years before Roger Casement's diaries were opened to the public to justify hanging him as a traitor in the Easter Rebellion. The gay baiting there was a deliberate tactic by the British government to shake popular support away from the rebels in Ireland. These were not good times for Gay/Lesbian/Bisexual/Transgendered people. E.M. Forster wrote the novel and tucked it away. It's a beautiful work and a beautiful film made from same. I'm glad in the final couple of years of life, Forster saw the more enlightened times come so we could have a glimpse of what life was like for a young gay male in Edwardian Great Britain.