Lovesusti
The Worst Film Ever
ShangLuda
Admirable film.
AshUnow
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
TheLittleSongbird
Elvis Presley was a hugely influential performer with one of the most distinctive singing voices of anybody. He embarked on a film career consisting of 33 films from 1956 to 1969, films that did well at the box-office but mostly panned critically (especially his later films) and while he was a highly charismatic performer he was never considered a great actor.That review summary may seem like a subjective statement, as there are people that like 'Kissin' Cousins' or don't think much of Elvis' earlier efforts, but count me in as somebody who considers Elvis' films before 'Kissin' Cousins' pretty good. 'Wild in the Country', 'Girls! Girls! Girls!' and 'Fun in Acapulco' were average or just slightly above that, but 'King Creole', 'Flaming Star', 'Jailhouse Rock' and 'Loving You' in particular were close to great. Elvis certainly made worse films than 'Kissin' Cousins' but there is a lot here that made his later films less good.Of course, 'Kissin' Cousins' isn't unwatchable. Glenda Farrell is sweetly affecting as Ma, while Arthur O' Connell makes much of little as does a suitably blustering Jack Albertson. Yvonne Craig has a pretty vapid role but has a perky charm and shares decent chemistry with Elvis. Didn't think much of the soundtrack this time round, but there are a few good ones with the title song, the rousing "Catching on Fast" and aptly named "Tender Feeling" coming off best.Despite singing beautifully, Elvis himself looks awkward and disinterested in a dual role that do nothing to play to his strengths (quite the opposite). His hillbilly character especially is a waste of film celluloid. While there are bright spots in the cast, most of them are at best forgettable as tamely stereotypical characters. A few good songs aside, the best the rest of the soundtrack gets is eminently forgettable, with "Smoking Mountain Boy" and especially "Barefoot Ballad" worse than disposable.'Kissin' Cousins', unlike Elvis' earlier films, doesn't even have the distinction of looking good, with the film evidently looking as though it was made in a rush and on the cheap judging from the phoney and un-evocative sets, Elvis' tacky blond wig and scrappy photography and editing. The script is badly out of date, unfunny and sappy sitcom-level, while the story feels over-stretched, sluggishly paced and painfully predictable. Gene Nelson directs without interest, energy or distinction.All in all, not unwatchable but a misfire. See Elvis' earlier efforts to see that he was capable of a good performance when allowed and that he did make good films. 4/10 Bethany Cox
Dave from Ottawa
Elvis returns to the military comedy genre a few years after 'GI Blues' in this hillbilly romp about a pilot recruited to help convince his kin folk to let the S.A.C. put a missile silo on their land. Elvis also plays a secondary role as his look-alike hillbilly cousin. The material is straight out of Li'l Abner - man-crazy half-dressed hillbilly females, disgusting possum based cuisine, a mournful coon hound and a patriarch named Pappy, not to mention moonshiners with a powerful dislike for 'Revenuers'. It's pretty familiar stuff, but dished up with enough energy and amiability that for once the whole exercise manages to rise above the usual (low) formulaic quickie level of the 'Elvis movie'. There are a few half decent songs and a couple of rousing musical numbers in the spirit of Seven Brides for Seven Brothers (albeit much less elaborately choreographed). Of interest - leading actress Yvonne Craig became famous two years later as Batgirl.
MARIO GAUCI
It should come as no surprise to anyone that, before now, I was only familiar with the two best-regarded of Elvis Presley’s films, namely JAILHOUSE ROCK (1957) and FLAMING STAR (1960). However, since this year marks the 30th anniversary of his death, I made it a point to watch as many of his movies I could lay my hands on…a sort of “it’s now or never” type of situation, if you will! Actually, I had caught the beginning of this one on local TV several years ago, where it was shown as part of a mini Elvis retrospective. The “citizens vs. missile-base” plot line here is basically the rural version of Leo McCarey’s RALLY ‘ROUND THE FLAG, BOYS! (1958) but, as it turns out, the hillbilly antics get tiresome pretty quickly – especially whenever the man-chasing Kittyhawks turn up, which is too often for my tastes! The best gag, then, is when Captain Jack Albertson suddenly leaves the farmers’ dinner table – after “Ma” Glenda Farrell describes the stomach-turning contents of the “delicious” meal he has just partaken of, and “Pappy” Arthur O’Connell asks his soldier kin Elvis if something has come up, to which the latter matter-of-factly quips, “Not yet, but I think it might”! For what it’s worth, the songs are variable and unmemorable (except, perhaps, for the title tune) and even Farrell gets her own maudlin number! This film is perhaps best-known for offering a dual role for The King, one of whom is a brown-haired layabout, but this eventually leads to an unintentionally hilarious ending where the two characters share the screen doing a number, but every time one sings, the other conveniently turns his back to the camera and a longshot exposes Elvis’ double all-too-clearly!
Tomas1701
Would Elvis in dual roles double the fun? Divide it by two is closer to the truth. This time he is both an air force lieutenant and a blond hillbilly. He manages to fall in love while belting a few country tunes such as "Smokey Mountain Boy" and "Barefoot Ballad"
