BootDigest Such a frustrating disappointment

Mjeteconer Just perfect...

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Red-Barracuda Kika is a movie whose plot sounds tasteless beyond belief if merely read aloud. After all it features an extended rape scene played for laughs; the rapist himself is a porn star who has sexually assaulted so many girls that his sister forms an incestuous relationship with him to take his mind off raping even more women. This is hardly typical comic fare it has to be said. Imagine if in 1979 Mel Brooks had decided to make a spoof of I Spit on Your Grave, the results would have been an absolute travesty. That's what the synopsis of Kika makes you think of. However, Kika was made by Pedro Almodóvar and for some reason he seems to be capable of making even the most grossly offensive material so completely ridiculous it comes at you in reverse and can be alarmingly funny. The rape scene in Kika is comedic and before watching the movie I simply could not understand how such a thing could ever be.The film is named after the cosmetologist played by Veronica Forqué. But the movie is not really her story, it has several memorable characters. Ramón is a young photographer whose mother commits suicide. Nicholas is his womanising step-father. The latter hires Kika to work on the corpse of Ramón, who comes back to life unexpectedly and embarks on a relationship with Kika. Kika's maid Juana is a lesbian who is in love with Kika, her brother Pablo is the porn star rapist. All the time in the background on the television is Andrea (a.k.a. Scarface) the host of a reality TV show that celebrates real life tragedy, death and destruction. The movie concludes with an unexpected serial killer plot strand.It's true that the story is somewhat chaotic. There are so many separate ideas in here that the film seems a bit unfocused. But because it is essentially a comedy this isn't really so much of a problem. While there is a lot of silly humour, the film is mainly a media satire. With this in mind the most important and memorable character is Andrea who is kitted out in some fantastically over-the-top Jean-Paul Gaultier outfits, including her street gear which includes a helmet with attached movie camera. Victoria Abril is really excellent in this role. She is simultaneously wicked and sexy at all times. The scenes of her broadcasting her show from a stage are the most visually iconic in the movie. She roams the streets of Madrid intrusively filming scenes of grieving people and aftermaths of violent encounters. She is the black heart of Kika.Despite the controversial moments it's simply impossible to take the events depicted at all seriously. Almodóvar's typical colourful aesthetic is present throughout and the tone is consistently absurd. This means that he gets away with material that would have been contentious otherwise. As it is, Kika is very entertaining.

kimbleanne This film was the worst piece of garbage I have ever seen. The worst Almodovar film by far (and I've seen every one but Flower of My Secret and High Heels). No character development whatsoever, the film drags for the first 3/4ths of it, then is wrapped up haphazardly in the last 20 minutes. Rape is again treated nonchalantly by Almodovar, and Veronica Forque, who I'm told by my film professor was supposed to emulate Marilyn Monroe, is both irritating and flaky. Warning: this film has no cinematic value. A real bomb for Almodovar. Watch at your own risk.

Spleen Maybe this isn't as good as the bulk of Almodóvar's output: not having seen the bulk of his output, I'm in no position to tell. I do remember that there was general disappointment in 1993. As I recall - obviously, one could find out by checking primary documents whether or not my recollection is correct - every critic and his dog took the opportunity to say "This time Almodóvar has gone too far", which meant, depending on the critic, either "Almodóvar is being too silly", "Almodóvar is trying too hard to get our attention", or "Almodóvar has finally lapsed into morally reprehensible sexism".I find all of these reactions hard to understand. "Kika" is such a sweet, such an INNOCENT film! Maybe you didn't have fun, as I did; but how could anyone OBJECT to it? Far from being hard to like, the characters were such that I found myself warming to the worst of them: Kika herself is completely adorable, the outrageous Andrea turned out to have a heart, of sorts - certainly she had an ethos -, and even Nicholas and Ramón revealed some human traits. If I have a complaint about anyone's characterisation it would be Ramón's. When we first meet him he's just a cold fish; not a bad man, but we can't like him. By the end of the film I found myself wondering if the mild warmth Almodóvar discovered had really been there all along, or if he it had been smuggled in when we weren't looking. No matter: the film isn't about him, anyway.There's nothing gruesome about "Kika", nothing cruel, nothing hard to watch. (Well, maybe a touch of blood in one final scene, but I can forgive that.) There's a lot of sex, no doubt, but none of that terribly EARNEST stuff one finds in American movies...[I'm about to reveal something. Stop reading now if you haven't seen the film.] ...One of the things I'm sure many critics objected to was the rape scene. Almodóvar played it as a comedy, in the way that so many directors will play an armed robbery - and it was a kind of armed robbery - as comedy. At first we wonder if Kika is so clueless that she doesn't realise she's being raped. But in fact she's just postponing her shock, in a way that is - well, ludicrous, but also commonplace. The entire extended sequence of which the rape is part is so delightfully ridiculous BECAUSE, not in spite of, all the characters' perfect clarity of purpose.If this IS one of Almodóvar's lesser works I shouldn't hesitate to see the rest.

Private Ryan-2 I had the feeling that Pedro Almodovar's creativity went downhill in the mid-90s, after "Women at the Verge..." Since that wonderful film, Almodovar has done nothing but to provide us with weak stories and movies with extremely unrealistic situations.I personally consider "Tacones Lejanos", "La flor de mi secreto" (yuuuck!), and "Kika" his less consistent work. Here Pedro Almodovar tries to stick to his formula by copying himself, recycling characters and situations he already sold to us.Besides the incredible plot-holes and unrealistic scenarios, "Kika" has two things that I really disliked in the film: First, Veronica Forque as "Kika." Ms. Forque has to be one of the most annoying actresses I've ever seen. She just will not shut up! Good lord! Second, seeing Peter Coyote poorly dubbed into Spanish is almost laughable. If you want to enjoy some good Almodovar, see any of his previous stuff. This movie is weak.