Linbeymusol Wonderful character development!

Micitype Pretty Good

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

juneebuggy Not exactly the happiest movie, it's a suburban drama along the lines of The Ice Storm or American Beauty combining dark humour with tragedy just not quite as well as those movies did.Still strong performances especially from Sigourney Weaver who gives a penetrating portrait as the mother of this dysfunctional clan as we follow year in the life of her family, left devastated by the suicide of the eldest son, a champion swimmer. Jeff Daniels is, wow, quite an a-hole here. Very unlikeable and unredeemed by the end. He shows his pain by verbally striking out at his family. Emile Hirshe is young here but does a fantastic job and I really enjoyed the relationship he had with his mother. 8/20/14

maxpower03 Another slice of darkness and denial hiding beneath the surface of American suburbia, Imaginary Heroes chronicles the lives of the Travis family, all recovering following the suicide of their eldest son.The pair at the center of the film is mother and son Sandy (Sigourney Weaver) and Tim (Emile Hirsch), both acting out in different ways as a result of the death. While Tim experiments with prescription medication and his own sexuality, Sandy regresses to her former self, smoking marijuana and coming to terms with an old act of infidelity.The relationship between Sandy and Tim is explored well, especially when references are made to both of them being outcast from their own family: Sandy due to her affair and Tim, initially, due to always being in the shadow of his more successful older brother. Considerably less time is allowed for Sandy's husband Ben (Jeff Daniels) who, in a devastating depiction of denial, orders Sandy to make an additional plate of food for his dead son and place it in his old spot at the dinner table. Michelle Williams' older sister Penny is underwritten and could easily be taken out of the film.Despite its long runtime, Imaginary Heroes doesn't explore its many subplots as much as the individual stories deserve, while some of the movie's black comedy doesn't translate as well as writer/director Dan Harris may have liked. And the depiction of a disturbed family dynamic isn't depicted as strongly as the many other films out there with similar ideas. But despite some issues, the central performances from Weaver and Hirsch are stunning, and easily carry the film to its successfully subdued conclusion.Rating: B-

moonspinner55 The somewhat-belligerent brother of a suicide finds that he and his mother grieve in much the same way (by acting out) but that Dad is morose and blaming himself. Writer-director Dan Harris gives us a dysfunctional family torn at the seams, characters with question marks hanging over them, and then lays all the story-points out in the most obvious terms: Suicide! Secrets! Gay shame! Family sickness! Ultimately aiming to wrap things up with a tidy bow, Harris wants to make sure we don't miss a trick, initially giving us thoughtful material to ponder but then spelling everything out in an elementary, sentimental fashion. Sigourney Weaver's bemused performance as the family matriarch is dryly disengaged and she's a joy--that is, until Harris gives her a make-over (complete with sensible new hairstyle). It's the cinematic equivalent of a condescending pat on the head. ** from ****

graham clarke "Imaginary Heroes" takes us through that often treaded path of a suicide in the family and its aftermath. Dan Harris directs a strong cast which manages to redeem his extremely lacking screenplay. It's a screenplay littered with holes and devoid of any real emotional logic. But still I found myself watching till the end, largely thanks to the performances.Jeff Daniels is in unshaven, hangdog mode. We've seen in all before, but it is effective. Emil Hirsh basically reprises his role of both "Wild Iris" and "The Mudge Boy". Yet another teenage boy detached and lost following a death in the family, with the added twist of an uncertain sexuality. He's an appealing young performer and does well in the role, but it is definitely time to let go and try something else.And then there's Sigourney Weaver. After too many forgettable roles in equally forgettable movies, one could be forgiven for forgetting just how good she can be. Somehow in this deficient vehicle, Weaver manages to create a wonderfully accurate characterization. It's a subtle, often humorous and always convincing performance and the only real that I stuck with "Imaginary Heroes" to the end.