Illusion

2004 "The only person who could change the story of his life...was the father he never knew."
7.2| 1h46m| PG-13| en| More Info
Released: 25 October 2004 Released
Producted By: Illusion Productions LLC [us]
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.illusionthemovie.com/
Synopsis

A once-powerful, but now ailing movie director nears the end of his life. As he awaits death, he slips into a "dream" and is shown three "snippets" of the movie of his son's life. At first suspicious, then curious, and ultimately captivated, he watches his son's growth from mid-teens to mid-thirties as the son pursues his life-long love, Isabelle. The two constants through these snippets are his pursuit of Isabelle and the imagined voice of his father, telling him that he is worthless and unwanted. It is not until the story reaches its conclusion, that the old man discovers the surprising truth about his son and himself.

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Illusion Productions LLC [us]

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Reviews

Clevercell Very disappointing...
Solemplex To me, this movie is perfection.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Janis One of the most extraordinary films you will see this year. Take that as you want.
Phil (ROC-7) I do not know what or why Kirk Douglas or the innocent audience members could possibly have done to be punished to be held captive watching such amateurish drivel of a script and performances. Mr. Douglas despite his speech impediment due to his stroke is still light years away from this excercise in complete inanity and is the only bright spot in the whole proceedings. The script's contrivances are so obvioous that they cause unexpected laughter. When your main hero is a clod and heroine a cloddess there is very little to root for along with such arch melodramatics from the varied clichéd antoganists ie: performance arts villain, corporate nerd villain and gas station meanie villain. It gives one hope that death will release all of us from this hideous collection of vignettes that are suppose to give us a morality tale to take to heart. I would advise to take to the hills if ever you meet this mess of a movie again!
Buff2001 This is an outstanding film that will probably be seen by very few people. It is a film festival type movie. That translates in this case to a movie that is thoughtful, well written and performed exceptionally well.I found this movie and many others like it, including a lot of short films, through the Spiritual Cinema Circle, which I have recently joined. Illusion was on their monthly DVD - Volume 5 2007.Illusion is a delightful departure from the computer graphics, violence, and sameness prevalent in current popular movies. If you are a true movie buff like me and want to enter the world of very different movies, this is a great place to start.
Richard_Doyon This film is wonderfully moving and beautifully crafted. Kirk Douglas's performance was near perfect as the hard-headed businessman producer, a man's man, who has an experience that penetrates to the depth of his vulnerabilities. The scenes between Douglas and Ron Marasco as Stan are wonderful with captivating and moving performances on both sides. Writer/director Michael Goorjian was nicely understated in his role as Douglas's son and Karen Tucker was charming as Isabelle.We need more of this type of film. It has an uplifting message that leaves one smiling. It could have easily become saccharine and sentimental but does not. It made me smile.We saw it paired with the short, "The 100% Perfect Girl" by Greg Boudreau, a marvelous combination.
ericsjam The "Illusion" reminds me of Cinema Paradiso and Broadway Danny Rose in that it challenges the viewer to suspend its belief and follow the fantasy of second chances and missed opportunities. This is done in an effective manner with the main characters played by Kirk Douglas and Mike Goorjian.The challenges of the film are evident in how much to show both the viewer and Douglas' character without giving away the whole truth. Goorjian's character is consistently interesting in that with no direct intervention of a patriarch, he is destined to attack life in unconventionally original ways. An example of this is the wooing of his first and only love by round-robin poetry. Douglas is very engaging, searching for his son through the only medium which he can relate-cinema. Understandably, neither character changes, until the very end. It is a sad statement on the affairs of father/son relationships. Not being able/unwilling to relate seems to be the common theme in this film. However, when it counts, a true father's voice will always ring loud and clear. The performances are consistent and distant at the same time. This is clearly a complex film which simply describes lost relationships rediscovered in the only medium that can truly impacts everyone. Yet its appeal can translate to all ages. This film should be seen all and I feel that Kirk Douglas may finally have found his first Oscar.

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