Micitype Pretty Good

Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

JohnHowardReid John Wayne (Bob Adams), Gwen Gaze (Pamela), Don Barclay (Elmer Davis), Pat Somerset (Archie), Major Sam Harris (Colonel Armitage), Charles Brokaw (El Kader/Muffadi), James Bush (Don Adams), Arthur Aylesworth (Logan), Earl Hodgins (Blake), Jack Mack (Graham), Franklyn Parker (Parker), Frank Lackteen (Mustapha), Olaf Hytten (Sir Herbert), Keith Kenneth (sergeant major), Abdulla (Abdul), Richard Tucker (man). Director: ARTHUR LUBIN. Screenplay: George Waggner. Original story: Bernard McConville. Photography: Harry Neumann, Stanley Cortez. Film editors: Charles Craft, Emma Horsley. Art director: E.R. Hickson. Music director: Charles Previn. Technical advisors: Major Sam Harris, Sheikh Al Rowaf. Sound recording: Joe Lapis, Jess Bastian. Associate producer: Paul Malvern. Executive producer: Trem Carr. Copyright 22 June 1937 by Universal Pictures Co., Inc. New York opening at the Globe: 1 August 1937. U.S. release: 2 May 1937. U.K. release through General Film Distributors: 17 January 1938. 69 minutes.SYNOPSIS: An Arab revolt in Mesopotamia is crushed by a couple of American newsreel cameramen. COMMENT: Wayne plays with an agreeably light touch, but the script drags a bit - underlined by a ponderous music score - and the direction is largely routine, save for three or four shots doubtless inspired by the photographers. I could be wrong, but my feeling is that Neumann did all the exteriors - California aptly masquerading as Arabia -plus some of the first half interiors, whilst Cortez handled the more spectacular studio stuff, including those extraordinary shots in the film laboratory.

MartinHafer Most of John Wayne's roles before he became a big star were mostly as B-movie cowboys. However, he made a few Bs for Universal in the late 30s and early 40s and these roles were far less cowboy and far more adventure films. While none of these were great films, they were enjoyable. However, "I Cover the War!" is one I could never find until now...and it's available through YouTube.In many ways this is similar to Clark Gable's "Somewhere I'll Find You" as the leading man plays a reporter who is in competition with his brother. In this case, John Wayne plays Bob Adams, a newsreel cinematographer and his brother, Don, is SUPPOSED to be off in college but he quit school to become a newsreel guy like his brother! Both end up in a fictional British colony in North Africa* and Bob does NOT welcome Don...he wants him to have a better and more responsible job. Ultimately, an evil man posing as a newsreel man uses Don for his own ends...and nearly is responsible for wiping out the local British outpost! Can Bob somehow figure all this out, save the day AND get the girl? It's Wayne...so what do you think?!This is an enjoyable formulaic movie with modest B-movie pretenses. In other words, it's a short film with no stars (apart from Wayne) and represents the sort of productions Wayne was doing in his pre- megastar period. Worth seeing if you love Wayne, otherwise an easy one to skip.

gordonl56 I COVER THE WAR – 1937This Universal Pictures B-film has a 30 year old John Wayne as its headliner. Wayne and his pal, Don Barclay, are newsreel cameramen who specialize in getting film on the various wars and conflicts of the era. They are sent by their boss to cover a hot spot in the Middle East.The pair are sent to Samari, a small British Protectorate, located beside Iraq. There is trouble brewing with the local Arab tribesman and their shadowy leader, who goes by the handle, Muffadhi.On the aircraft taking them to Samari, Wayne makes friends with the only female on board. The woman, Gwen Gaze, is going to see her uncle, Sam Harris, who is the officer in charge of the small British garrison. Also on the post is, her fiancé, Pat Somerset.Once Wayne and Barclay are in Samari, they discover that the men they are replacing seem to have met with a most untimely end. Their sound and film truck has more than a few bullet holes in it. Oh well, it will not be the first time the pair have been in a dangerous spot.Also in Samari are newsreel crews from several other companies. Everyone wants to be first on the scene for that big shot. Wayne and Barclay move into the only hotel in town and wait for some news to break. Running the hotel is local slime ball, Charles Brokaw.Now arriving on the scene is Wayne's younger brother, James Bush. Bush has quit medical school and wants to become a newsreel guy like big brother. Wayne is bound and determined to ship him back to school in the States. This of course leads to more than a little animosity between the brothers.While out on patrol the British come up on the village of a friendly local tribe. Everyone, men, women and children have been killed. Now Wayne and Barclay drive up with their truck and start shooting film. The British grab the film and tell Wayne that the massacre is not to be mentioned.The British are most worried because they have found empty shell cases from a heavy machine gun. This means the bad boys have heavy weapons, and this will make the British mission more difficult.Wayne's brother gets involved with a rival newsreel crew and heads out into the desert with them. The rival crew, led by Arthur Aylesworth, have a rather lucrative sideline. They are running guns to the rebel forces. Nobody suspects the camera crews would be up to anything so diabolical.It also turns out that local hotel proprietor Brokaw is really the leader of the rebel faction. He tricks Wayne and Barclay into taking a trip out to his secret camp. He wants his victory over the British to be recorded. He has an ambush planned to wipe out the British the next time they are on patrol.Brokaw and the rebels launch their assault and soon have the British force trapped. Wayne and Barclay pull a fast one on their guards and escape in their camera truck. Both are however wounded in a hail of machine gun fire.They just barely reach town with the info about the ambush. The Brits get on the horn and call up the RAF. They send in a squadron of heavy bombers the next morning. The rebels are blown all to hell and their leader, Brokaw killed.Wayne and Barclay survive their wounds and are now recovering in the military hospital. Wayne also gets the girl, Miss Gaze as her engagement to Somerset is ended.All this is done in a quick paced 68 minute runtime. Not a world beater by any stretch, but it makes a decent low rent time-waster.The director here is Arthur Lubin. Long-time Universal Pictures helmsman Lubin worked mainly on "B" films with the odd lower end "A" film thrown in. He was the number one moneymaking director at Universal for several years. He scored with a series of early Abbot and Costello films. These, as well as several of the popular Jon Hall and Maria Montez films made Universal a bucket of cash.The cinematographer on this film was the two-time Oscar nominated Stanley Cortez. Screenplay was by writer, producer and director George (The Wolfman) Waggner. Waggner would end up directing Wayne in several later films.

tedg Before Stagecoach turned John Wayne into a celebrated wooden actor, he was a an ordinary uncelebrated wooden actor in a series of odd projects. Probably the most interesting of these odd deals is this movie. It doesn't seem to be rentable.In terms of the actual production, its the standard mess, made a bit worse by the fact that you have to portray war and Arabs. There's lots of fun in it though. Wayne is a dummy and there's less wrapping on that. The setup has to do with Brits and Arabs and has plenty of stuff to chew on: occupation, resistance, duped natives, gunrunning, subterfuge... all things that resonate differently now.But what interests me is the folding. It was a great adventure of the industry to discover different means to write themselves and the viewers into the film. All sorts of different things: writers in the story, actors, filmmakers, con men. One of the most interesting to me is the newsroom center, something that has energy that we have in no other place today.A cool slant on that was the newsreel crew. More dangerous, more relevant to the folding notion. Here, Wayne's character is making movies that are fresh and dangerous. There capturing of the images is folded into the drama of the story — no matter that the story is trite.Its a curiosity that to me is more interesting than any of the celebrated Wayne movies.Ted's Evaluation -- 2 of 3: Has some interesting elements.