Scanialara You won't be disappointed!

Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

csteidler George Sanders makes his last appearance as Gay Lawrence, aka the Falcon, in this fun if fairly standard B mystery. There's a corpse in an ocean liner stateroom; the victim is apparently Tom Lawrence, the Falcon's brother; Gay Lawrence goes aboard and quietly identifies the body. Not surprisingly, it's not as simple as all that.A clever shot introduces Tom Conway as the Falcon's brother: First we watch the Falcon, just off of the ship, race off in a taxi following another taxi as the cops hop into their car to follow him. Then, over in a shadow, we see a dark figure strike a match and light a cigarette, his face lit up just for a moment before the match goes out and he is in darkness again. It's the Falcon's brother—not so dead—watching it all from the shadows.Eventually we learn that the plot involves Nazi espionage, some South American spies, and a fashion magazine. The cast of characters includes the usual grumpy police inspector (Cliff Clark, this time, as an Inspector Donovan) and dumb assistant detective (Edward Gargan back as Detective Bates, always saying "Sorry, Chief").Jane Randolph is lively and funny as the usual spunky girl reporter who sticks her nose in and helps out: "Well, I'm only a fashion reporter," she admits early on, "but I'll get a police beat someday!" Conway is good as the new Falcon, stepping into the role quite confidently. Sanders, on his way out of the series, is perhaps a little less interested…but fun to watch nevertheless, especially in the couple of scenes he shares with brother Conway.

robert-temple-1 This is the fourth of the Falcon films, in which both George Sanders and his real life brother Tom Conway appear. It was the occasion for the handover of the role. Sanders and Conway have many scenes together, and vie to out-do each other in suaveness and urbanity, and it is a tie. Then Sanders is knocked unconscious and spends much of the film in bed, which he doubtless found restful. At the end, Sanders sacrifices his life in the struggle against Nazism (it is after all 1942 and the plot deals with German agents) and presto, Tom Conway is and for the remaining series of films will be the Falcon. This film has a higher budget than the preceding ones (there is even a ship), the plot is complicated, it is all more solid and convincing. In fact, it is a very entertaining tale. Keye Luke has now become the falcon's butler, adding his own charm and wit to the team, and doing amusing impersonations of pidgin English (he was Chinese) when he wants to put off 'dames' who phone too often. The falcon's sidekick is now played by Don Barclay, which like the addition of Keye Luke is a great improvement. This film was edited by Mark Robson, later to be a famous director, and the improved editing shows. However, because the screenwriters have changed, all the great gags and one-liners have disappeared, there is no more crackling dialogue, and the Falcon series is no longer a laugh a minute.

blanche-2 George Sanders plays The Falcon for the last time in "The Falcon's Brother," a 1942 programmer starring Sanders, Tom Conway, and Jane Lawrence. The intricate plot focuses on a fashion house and a fashion magazine, poisoning with cigars, mistaken identity, and lots of other things in a mere 1 hour and 10 minutes or so. It's 1942, so you can also expect Nazis to be involved. "Something changed after Pearl Harbor," a character tells Gay (Sanders). "Most things," he agrees.This film was the transition so that Sanders' real-life brother, Tom Conway, could take over the series. Sanders was somewhat smoother than his brother, more suave and handsome, but Conway was a serviceable actor, and their speaking voices were somewhat close. There was just something about Sanders that made him so good as the Falcon and the Saint - panache maybe. Both Gay and Tom go after the women like crazy in this one. Always fun and light entertainment.

tico-4 Of all the Falcon movies, this is probably the most tongue-in-cheek, or just plain "corn", but engaging nevertheless, and you had better pay attention to every bit of it or you'll be lost. The main reason for the film is that George Sanders wanted out of the role (this was the fourth in the series), and stipulated that he be killed in the plot, therefore avoiding any returns in the future. His real-life brother Tom Conway, fell heir to the series and went on to make nine appearances as the Falcon. In this offering, a dead body appears almost immediately, first thought to be that of the Falcon's brother. Not so! The ship that he was supposedly on also carried an assortment of spies and shady types, who weave in and out of the plot, giving both Falcons plenty of opportunities for sleuthing and woman-chasing. After sifting through all the South Americans, Mexicans, native New Yorkers and high-society women, the original Falcon (Sanders) gives his life shielding a foreign diplomat from an assassin's bullet. Just as it seems that it's all over for Falcon lovers, and brother Tom is about to head for home, he receives a telephone threat, so he decides to stay and become the Falcon himself! Nine more movies evolved in the series, now starring Tom Conway.