Karry Best movie of this year hands down!

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Cooktopi The acting in this movie is really good.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Benedito Dias Rodrigues The official DVD just came out officially in nice restored picture,based on a true story this movie is a proper vehicle to the great Burt Lancaster's type,interesting story of how the greed changes behavior of the peaceful native people,nice portrait of 19th century in south seas,apart from Burt the supporting casting is marvelous like Andre Morell,Abraham Sofaer and Benson Fong...very entertainment movie!!Resume: First watch: 1996 / How many: 2 / Source: TV-DVD / Rating: 7

James Hitchcock Captain David O'Keefe was a real-life person, a 19th century Irish-born adventurer from Savannah, Georgia, who made his fortune in the copra trade on the South Pacific island of Yap. This film is a fictionalised version of his life-story, and as one might expect takes a few liberties with history. In the film O'Keefe becomes king of Yap and defends his people against the incursions of aggressive German colonisers. In reality, when O'Keefe arrived on the island in 1871 it was a Spanish colony and the newly-united German Empire had no interest in acquiring colonies in the South Pacific or anywhere else. Yap did not become German until 1899, well after the date at which the film is set. This change was possibly made because in 1954, only nine years after the end of the war, American audiences would have been more accustomed to seeing Germans than Spaniards as cinematic villains. The film does, however, provide one "good German" in the shape of O'Keefe's friend Alfred Tetens, another real-life person. O'Keefe did indeed marry a local girl as shown here, but the film tactfully omits the fact that their marriage was invalid because he already had a wife in Savannah. The Production Code officially forbade the depiction of racially mixed marriages or romances, but by the fifties there seemed to be an unofficial relaxation of this rule in force. Relationships between white men and non-white women could be shown provided (a) the girl was described as being of mixed race and (b) she was played by a white actress. This rule was applied in "Showboat" and "Love is a Many-Splendoured Thing", and is also applied here. O'Keefe's sweetheart Dalabo, supposedly of mixed European and Micronesian descent, is played by the Derbyshire-born Joan Rice. Dalabo has a rival for O'Keefe's affections, but the said rival, being pure- blooded Yapese, has to lose out. Rice, although undoubtedly decorative to look at, is never really convincing as a native of the South Seas, or for that matter of any part of the world further south than Derbyshire. Burt Lancaster, however, makes an agreeable hero, and receives good support from André Morell as Tetens. Later in his career Lancaster could be a very intense actor, often appearing in dramas with a serious social, political or philosophical purpose, but in his action films of the early fifties his style of acting was generally much more relaxed, and so it is here. Many film-makers of the early days of the cinema were reluctant to venture too far away from a Hollywood studio, even when their films were ostensibly set in some exotic part of the globe. This attitude still prevailed in some quarters during the fifties; for example "Brigadoon", also made in 1954, had to be shot on MGM's sound stage, against a vast painted backdrop of Scottish-style scenery, because Dore Schary was reluctant to stump up the cost of transporting cast and crew all the way to Scotland, or even to some part of America that looked like Scotland. In other quarters, however, attitudes were changing as the studios began to realise that local colour and authentic scenery could be useful weapons in their battle against the new enemy, television. "His Majesty O'Keefe" is a case in point, as much of the film was actually shot on location in the South Pacific. This doubtless increased the budget, but I think that the decision was the right one, as the result was a colourful, visually attractive film. Byron Haskin is unlikely to feature very highly on any list of Hollywood's great auteurs, but he was capable of producing some very decent and enjoyable adventure films (his 1953 version of "The War of the Worlds" is probably the best known) and this is another in that category. 7/10

Robert J. Maxwell Rowdy, masculine, adventurer David O'Keefe (Lancaster) sees millions of dollars of copra ready to be harvested from the coconuts on Yap, a South Sea Island. The local representative of a German trading company (Andre Morell) is sympathetic but hopeless: the "natives" are too lazy to work because they already have everything they want, and money is not among the things they want. Lancaster finally finds out what motivates the natives to work -- "fei." It's a kind of local currency, but it's stone, harvested from a distant island and involving a dangerous voyage to and fro. Using dynamite instead of hand picks, Lancaster brings them more fei than they can eat, and the Yapese elect him king. He and his supporters defeat incursions by Bully Hays and the German trading company (at the cost of Morrell's life) and he marries a Caucasian girl and everyone lives happily ever after.It's a bully movie, full of the kind of raw capitalism that produced Diamond Jim Brady and the Gilded Age of McKinley and colonialism generally. It's marvelous seeing Lancaster do his own stunts. And Joan Rice is a perfect innocent virgin.Lancaster has a tooth damaged in a fist fight with Bully Hayes. He is taken to a Chinese dentist and is asked whether he'd like expensive gold, that will last longer, or cheap tin. "Tin," replies Lancaster in the dentist's chair, "and drive it in to last." Most of us wouldn't have said that. The film was shot in the 1950s in Fiji, in Melanesia, not in Yap, in Micronesia. There are physical differences between the populations, but it doesn't affect the fun of the movie.Lancaster was never more fit than here. He bounces around with his Hollywood-shaved pectorals, and defeats every physical challenge. It's only the moral questions that finally leave him nonplussed.I saw this in Elizabeth, New Jersey, as a school kid with my date, and she translated the German for me. Now, after having spent two years studying the natives on a Polynesian Island as an anthropologist, I can follow the native language about as well as Eleanor followed the few words of German. What curious twists Clio, the muse of history, provides us.For what it's worth, the story of fei is real. Fei was valuable for the same reason that gold (or any other mineral or gem) is valuable. It's hard to get. You had to work like nobody's business to find some. It's called the "value added" theory of goods. You add value to some commodity because of the labor that has gone into the getting of it, as Freidrich Engels and others have pointed out. (Fresh air is worthless because no value had been added to it, so nobody charges you to breathe. Compressed air at the gas station costs money because it has been worked on.) Fei is made of stone. On Yap, in real life, a boat with some fei was sunk offshore, but the fei was not lost. Since everyone knew it was out there, although at the bottom of the ocean, it was still used as currency. Well -- why not? Is it that much different from our printing more Treasury bonds when WE need money? Just substitute paper for stone. The danger illustrated in this movie is that if you use modern mining methods to collect fei, you get too much of it and it becomes worth less. Ditto for printing too much money. How did I fall into this disquisition? End of confusing economics lesson.This is something more than just another action flick in an exotic setting. It puts Lancaster in something of a dilemma. Which is more important -- profit or social responsibility? The question has resonance.

Dawnfrancis This film is not Lancaster's best but is enjoyable if you enjoy watching him in his athletic prime. Beautifully shot, it captures the exciting times of adventure on the high seas and island exploration. The plot is fairly insubstantial and there's nothing new here but at just over 90 minutes, the story never drags. Definitely worth a look if you're a fan of Burt's.