Hellen I like the storyline of this show,it attract me so much

Ceticultsot Beautiful, moving film.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

andrecarmoporto After seeing the first movie I bacame a fan of the series. However, the 3rd, 4th and mainly the 5th film were a disapointment... so my expectations on Hellraiser Inferno weren't very hight. Thankfully I was wrong. This movie is completely different and innovating to this serie. More like a psychological thriller and not only the "killing demons", this movie make you suspect and try to guess the story, make you go from suspected to paranoid and, mos importantly, make you stay glued to the plot. A change like this was, in my opinion, all that was needed. Enjoy the film!!

breakdownthatfilm-blogspot-com After films that perform abysmally at the box office, very rarely do franchises survive later on. And this doesn't always mean sequels either. Sometimes films fail right at the start before things get going. Sequels on the other hand are reminders that if a franchise is not taken care of, the critical reception will tend to dip. For Clive Barker's Hellraiser (1987) series, the final theatrical nail in the coffin was Hellraiser IV: Bloodline (1995). With a troubled production of studio interference, inconsistent direction, poor critical and financial reception, it was finally time for the series to enter the home video market. Although the home video market is considered to be films of lesser quality, there tend to be the occasional surprise here and then. Five years later, it seems to have stepped up. This doesn't mean it blows all expectations away, but there are differences between this entry and Hellraiser III: Hell on Earth (1992) and Hellraiser IV: Bloodline (1995).Sitting in the director's chair for this release was Scott Derrickson in his first long running movie. Derrickson also worked as the writer along with another usual associate being Paul Harris Boardman. Boardman also wrote for The Exorcism of Emily Rose (2005) and Deliver Us From Evil (2014). The story here is much more peculiar than previous entries. Joseph Thorne (Craig Sheffer), a seasoned detective is on the trail of a serial killer whom his first victim opened the Lament Configuration and left a child's finger behind. Hoping to find the child before it's too late, Thorne and his partner Tony (Nicholas Turturro) dig deeper. Unfortunately as the two continue searching for answers, Thorne begins heading down a path only he can travel. The premise itself is quite good actually, but there are other issues. The most noticeable flaw is that this movie makes no attempt to connect this one to any of the previous films in any way. That also doesn't mean forcefully inserting references but the story could have lead to areas of past events.Along with that is the amount of time that focuses on Pinhead (Doug Bradley) and his fellow cenobite followers. The plot is more of a horror thriller with a smattering of cenobite flavor. Who doesn't want to see more cenobites? As for detective Thorne, his motivations seem to contradict his actions. He gives reasons as to why he makes certain decisions, but not all of it is clear. Thorne has a wife (Noelle Evans) and daughter, yet sleeps with a hooker (Sasha Barrese). There was no sign of his marriage in trouble to begin with so what gives? However for the story, those are the prominent issues. Even with its writing related problems, the whole mystery killer plot is gravitating. On top of that, the end result produces a moral lesson involved with deeper meanings that reference other films like Bill Murray's Groundhog Day (1993). As for characters of significance, Thorne is of main focus. His partner does receive some attention but over time he's dropped. There's also a psychologist played by James Remar that adds some depth to the story.Although Craig Sheffer's role isn't totally clear, his ability to convey the right emotion is acceptable. Considering he also was in Clive Barker's Nightbreed (1990) a full decade earlier, it feels all the more appropriate. Doug Bradley as Pinhead continues to have all the memorable lines especially towards the finale. The following cenobites such as the Wire Twins and the Chattering Torso all have their moments of grotesqueness and work effectively in being scary. For a budget of only $2 million and being a home video release, the special and practical effects look fairly decent. Even the horror end of things look credible. The gore and violence used throughout isn't always shown on screen but there's still a lot of blood spilled throughout the running time. The devices used for these violent depictions are what you would expect from a Hellraiser film - hooks. Except these hooks are little more practical in their use. Instead of them hanging from the ceiling majority of the time, now they're used as a flail. Ouch.Working as the cinematographer was Nathan Hope. Mostly having experience in the small screen, Nathan Hope has done a few big screen productions like this one, Mimic 2(2001) and The Fog (2005) remake. By far though, his most recognizable expertise shines through on the crime show CSI: Crime Scene Investigation from 2003 to 2007. For this movie, Hope's camera-work is still for 80%, but gets shakier near the finale. Thankfully the one technique that Hope avoids that previous DP Gerry Lively used were wide-angle lens shots. Those felt unnecessary. Composing the film score to this sequel was Walter Werzowa. Impressively Werzowa created a score with an hour full of music. The music itself sadly no longer has any main theme close to Christopher Young's but Werzowa makes new ones. Plus, the sound mostly consists of organic orchestra featuring strong deep strings and massive pipe organ cues. Seriously though, who uses pipe organs in their film scores anymore? That's one of the best parts and the score also contains very little jump stings.Script wise the characters still lack clarity in motivations and connections to the previous films. Also the cenobites don't feel utilized to their potential. Yet somehow this sequel is better than the last two with a more intriguing premise, decent effects, believable acting and appropriate music.

steeledanton so is this a situation in which the guy that hosts the TONYS is seemingly given a script that says Locked in a box and some other stuff pertaining to the series of hellraiser? anyways.. I know a little bit about hellraiser, just like I know a little bit about the serpent and the rainbow as well as Lost highway.I was interested in watcvhing some hellraiser and purchased this movie in a box set...I haven't seen craig Sheffer in awhile. so seeing him gave me a depiction of Robert downey junior a little I guess.Nick Turturro immediately looked familiar, but I could easily get him confused with joe pescis character in Home Alone series. I was upset that Craig is a sneaky cop who got with a hoe and then fo0und the hoe all fuckt up..i mean he found some cocaine and he was like in La La land on the toilet taken back in time to like his moms house or something for awhile.... and after the sex scene and murder, and dialogue between nick turturro and craig, I just said, I think i.ve seen this, this is going slow, and I gotta shut it off.

badfeelinganger Hellraiser: Inferno is just what this series and the Horror genre in general need a double helping of style and substance.Scott Derrickson, the director of "The Exorcism of Emily Rose" and the remake of "The Day the Earth Stood Still" had to get his full-length horror/sci fi film genre chops somewhere. He did that by directing and co-writing "Hellraiser: Inferno," the fifth film in the "Hellraiser" series. Not only is this film on par with Clive Barker's original nightmare, it shamefully went straight to video.Craig Sheffer is outstanding as Joseph Thorne, our anti-hero. He is a Denver detective with a knack for solving complicated puzzles and cases. He also has a knack for snorting cocaine, stealing crime scene evidence, and visiting prostitutes. He ignores his wife and young daughter, wrapping himself up in every case. His partner, Tony (Nicholas Turturro), is more grounded, with a wife and two kids of his own. In the beginning of the film, the pair investigate the brutal murder of an acquaintance from Joseph's high school years. The man was literally torn apart, and also found at the scene was the finger of an unidentified child, and a strange wooden puzzle box. Joseph takes the box, later picks up a hooker, and after another night of debauchery, solves the puzzle box in a seedy motel while the hooker sleeps.Derrickson has crafted an ugly looking film along the lines of "Seven." He crosses the taboo line in that children are victims of this world (and the afterlife). He also rivets the viewer, as the case's turns become more and more unexpected. Derrickson co-wrote the screenplay with Paul Harris Boardman, and they come up with both a clever police procedural as well as a spooky demonic film.Joseph's voice-over narration is as necessary as Harrison Ford's in "Blade Runner," "Hellraiser: Inferno" is by far the strongest entry in the series, full of horror and interesting ideas, as well as some excellent performances and suspenseful plotting. Good stuff all around.Pinhead: It's all a puzzle, isn't it, Joseph? Like a game of chess, perhaps. The pieces move, apparently aimlessly, but always towards one single objective: to kill the king. But who is the king in this game, Joseph? That is the question you must ask yourself.