Hellevator: The Bottled Fools

2004
5.9| 1h36m| en| More Info
Released: 28 February 2004 Released
Producted By: Aries [jp]
Country: Japan
Budget: 0
Revenue: 0
Official Website:
Synopsis

Luchino's routine morning elevator ride up from her subterranean home on level 138 to her school many stories above turns horrific when the elevator operator is ordered to pick up two passengers from floor 99, the maximum security level. What starts as psychological manipulation soon turns wholly physical as both the cruel convicts and Luchino's own dysfunctional past are unleashed. And then every passenger must fight for his or her survival.

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Aries [jp]

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Reviews

Moustroll Good movie but grossly overrated
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
Alexander Bondarenko Hellevator... is quite simple, the whole movie could go good and end in 45 minutes as it goes, but 'enough' is not enough here and It goes on. Probably it is some source of hard to watch, you gotta be ready for a 60 minutes one room only movie. I was expecting something else, but it went great. The ending was the best, it actually makes you think about all you saw in the 90 minutes.Acting was cool, very good acting. Characters are 'original' you can hate them if you want, it looks like they want you hate them. And the main character, i felt like i was going to go wild if she kept her persona, she's annoying.Overall Hellevator was kind of a letdown to me, but STILL is good film i would recommend.6 out of 10
Splattii I went into The Bottled Fools hoping for a lot. I knew it was low budget, but the trailer and synopsis had me very intrigued. I guess that's why companies have marketing departments. It's probably the only way to sell this film.The set/feel to the movie reminded me of the mid 70's Dr Who show. It was very low budget and almost looked like it was shot on a camcorder. This didn't really bother me however, it's more I'm letting others know what to expect. I've seen my share of low budget productions and I've grown to learn that a strong story or cast can take a movie much more powerful than it's CGI effects.So now I'll get into the story. While the concept was somewhat good, the execution was not. The story seemed pretty basic after the first 30 minutes, however upon the 45th minute passing I realized I was wrong. I guess the writer wanted to make a statement on human interaction, so he decided at the expense of the audience to keep the film going much after one would have assumed this disaster would have finished. I won't ruin the film by saying what happened, but the final scene made my laugh out loud.Not something I'd suggest anyone waste time on. I'm guessing Tokyo Shock made a killing on this one as the hype around the DVD was fairly good. I'm starting to wonder if they may have got the rights for this film for free. I wish I would have got my copy for that price.
niz The low-budget origins and "arty" look initially had me worried this would be another Shinya Tsukamoto-esque Japanese film, high on style but low on content. Thankfully, HELLEVATOR is a very accessible, very watchable science fiction flick that is not trying to answer the meaning of life, just deliver 90 minutes of first class entertainment.It resembles CUBE in that respect, making the absolute most of its location, and building the tension around the personalities of the characters accidentally thrust together in a high-stress situation. In fact, it could be seen as an ultra-minimalist riff on that film, confining the action to just one single room, but providing breathing room via the schoolgirl's telepathic "visions", and varying the tone via the comical parade of passengers getting on and off.Great fun.
Stan_S_Cud I just saw this at the (excellent) Raindance Festival.Psychic girl Luchino sets off for school in a dystopia future japan where the society is based on huge great building of 200 stores connected by elevators. She accidentally causes an explosion when escaping from being caught with an illegal cigarette by the Surveillance Bureau.She boards a lift on 135th floor and as she rises towards the lower-numbered levels, she is joined by a microbiologist with a briefcase full of money and something else; a woman with a pram that she says has a baby in it; a young guy whose headphones and dark glasses seem to cut him off from his surroundings; and there's a smartly dressed and very efficient lift attendant. Then on level 99 - Penal Colony - a rapist and a bomber and their guard get on. Of course things go wrong.Like all good Japanese horror, they don't waste time unnecessarily resolving stuff. And Luchino's visions provide us with all the exposition.Paranoid, violent, gory and genuinely compelling. Visually and aurally stimulating.