ThiefHott Too much of everything

Cathardincu Surprisingly incoherent and boring

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.

Paul Magne Haakonsen I found this movie on Amazon in one of my continuously ongoing quests for finding Asian movies that I don't have in my collection. I wasn't initially expecting too much from "Gun Crazy: A Woman from Nowhere", so there wasn't much to live up to from the movie.And now having seen the movie, I can say that this is indeed an action movie, and nothing else. The story in the movie was so weak and thin that it was more transparent than air. This is basically about a woman who comes to a small military base where corrupt people control everywhere, and she must clear out the 'trash' and seek the revenge on the leader here because he wronged her when she was a young girl.Yeah, that is it. Then it is all action, fighting and guns shooting for the rest of the money. Oh, and I almost forgot about the hidden rocket launcher inside a prosthetic leg. Yeah, one of those in the movie too! Forget about acting, because there is very little of it in the movie, but then again, the action and shooting does make up for that and make up for the lack of a properly coherent story. And the dialogue, well, let's just say they tried to put in some - let's leave it at that.One of the most memorable parts of the movie were the Westerners at the military base. Let's put foreigners in a Japanese movie, and have them come off a cocky, arrogant people lacking intelligence."Gun Crazy: A Woman from Nowhere" is a movie where you just sit back and disconnects your brain entirely, just watching the shooting and action unfold on the screen. The movie requires absolutely nothing from your mental capabilities. And it is actually an enjoyable enough result, and I have orders more movies from the series.

gridoon2018 "Gun Crazy: A Woman From Nowhere" is a Japanese female action film along the lines of the "Zero Woman" series, only considerably better. It is just as violent (which means VERY violent), less sleazy, and more action-packed, fast-moving and stylishly-executed. It's still a low-budget shot-on-video film, so don't expect anything flawless (for one thing, a lot of the characters sure could use a little more shooting practice), but it does not lack ambition (there are strong music and plot homages to Sergio Leone's westerns). Ryoko Yonekura is an impressive heroine (and probably one of the most beautiful women in the world - there is also a bad girl who is a stunner herself), and "Mr. Tojo" is a cruel, sadistic and smart villain. Worth getting if you like this kind of stuff. **1/2 out of 4.

indianmansteamer Another one for the Babes & Bullets crowd. The story is much edgier than any other musical I have seen: cannons hidden up the missing legs of females, and places each generatively in the other in a way that comes closer to intelligent comment than we might expect for the locale. More effective than contemporary 'drama.' It is hard identify with a woman who keeps a cannon up her pants -- in lue of leggage. Pretty remarkable if you consider the context.Despite the cannon up the leg thing providing 90% of the surprises, this film also chronicles how greed supersedes all other considerations in the lives of a group of yakuzas who pursue a woman who keeps up her leg a concealed cannon/rocket-launcher (hence no group shower scenes or thongs) The hidden projectile-launcher which is pulled out from the behind the protagonists back, seemingly from nowhere, in miike's Dead or Alive (1999), The torch brought forth out of thin air by the heroine towards the end of the original Tomie (2000), or the harrowing flame-thrower scene in Sunny Gets Blue (1992), all testify to an almost third-world Cantinflas-esquire influence in the contemporary Japanese cinema, of which I am at a loss to explain, but cannot complain.You won't see good quality movies of this essence made in Hollywood, its all but extinct and with cheap crap they pump out for a cheap thrill, is all but laughable. This is a true film and while its great in its entirety, the ending is a brilliant, if not unblatant rip-off of certain Sergio Leon pictures, involving cannons where legs should be, and certainly is appropriate!

bmw3racer The story of "A Woman From Nowhere" is rather simple and pretty much adapted right out of a Eastwood Spaghetti Western: A mysterious stranger comes into a lawless town run by a kingpin and starts shooting up the place. Even the opening credits and music have that spaghetti feel: Sergio Leone and Ennio Morricone would be proud. The really interesting twists are that the stranger is a beautiful (!) woman, Saki (Ryoko Yonekura) on a Harley, and the location is in a town somewhere in Japan.In this actioner, there's a considerable amount of gunplay, some of it good, some predictable, and other spots somewhat hokey, but it's a whole lot of fun. Ryoko handles her guns with believability and aplomb and gives the thugs their due. It wasn't much of an acting challenge for her as it was a physical challenge, but she handled things very well. She shows her acting skills much more as Otsu in the NHK drama, "Musashi."I'd highly recommend film if you're a Ryoko Yonekura fan (which I adoringly am) and/or a "girls with guns" movie fan and it does hold up to repeated viewings. To me, there's something eminently and inexplicably appealing about "girls with guns" movies like "La Femme Nikita" and "The Long Kiss Goodnight." And to have a gorgeous gal like Ryoko starring in it as well is just gobs of icing on the cake.