Crwthod
A lot more amusing than I thought it would be.
Ava-Grace Willis
Story: It's very simple but honestly that is fine.
Portia Hilton
Blistering performances.
Guy
GOODBYE FIRST LOVE hits on a subject which everyone (hopefully) knows about; the gaining and loss of one's first love. It starts with a 15 year old girl, who naively falls in love with a boy in her class. When he leaves for Latin America she is bereft. The film then carries on through her life, into a workplace relationship, before her first love returns, posing the question of which man she will choose. As in so many French films this is done in an especially naturalistic, organic fashion without the obvious beat-sheet structure of so many American films. That said, it's also fairly dull and in common with many coming of age stories, it's more useful to those living through them than to those past them. Sweet but shallow.
Arash Mh
one of the best romance movie I've ever seen. it shows a story of an ordinary girl in Paris that her first love had some effect on her. Cammile believes in her love and always says she can't live without love. she's just a 15-year-old girl when finds her love and wants to keep it forever. but, the boy left him and pursue his happiness without her. throughout the movie, we don't hear much dialogs. but the different scenes talk to us about the life of the main character. Cammile is not kinda girl who mingle with different people or be talkative. you can just find out her feelings from her eyes. this movie is good for whom wants to see the real life of people. you cannot expect happen something thrilling or extraordinary from this movie. it just shows us the truth of life. someone may dislike the movie because of the slow pace of the movie. however, this is the feature of this kinda films. the slow pace lets you think about the feelings of the main character at the mean time. it ends in the best way that you can't anticipate it before. everything was natural and I really enjoyed it.
Shahroze Khan
Being a fan of French cinema, Goodbye first love was a terrible disappointment. I had to witness some very abrupt cuts throughout the movie. The characteristic of female protagonist gets monotonous within just the first twenty minutes of watching which then continues for another 85 minutes. The movie lacked continuity throughout. The story which could have otherwise been presented beautifully has been treated awfully and looked more or less like a student's work which is yet to be reviewed and scrutinized by the professor. The story although based on a very common subject and not so different from many others that I've watched, lacked necessary details. There are sudden appearances and disappearances of characters(existing and new) without any necessary introduction or reason. I'm surprised as to how the producer managed to find the distributors. Not worth your time.
oOgiandujaOo_and_Eddy_Merckx
Louis Garrel recently made his first feature film as director, Le Petit Tailleur, in an interview afterwards he admitted that his film was of a Paris that did not exist anymore, where the young went to the theatre to see Kleist. His film, as this one, contains a nostalgia for the New Wave. This is tacitly admitted in Goodbye First Love when Sullivan mentions that he went to a party in the suburbs where kids went to have sex and take drugs, a piece of shrapnel that doesn't fit in the jigsaw of this movie. The young of the developed world live with their eyes burnt out.Goodbye First Love tells the story of Camille, in love with Sullivan, and how she copes with losing that love and moving on with her life. There's something pristine about the way that young animals love and lust together, narcotic and somewhat illusory, but on the threshold of paradise; and actually the most astonishing part of the film practically occurs in an Eden. One its successes is the casting of two actors who have an obvious sexual compatibility, which lends credibility to the treatment.Mature love comes, but lies in the cradle of shared creativity and mutual respect, which should represent a superannuation of first love; but flesh is not just. For Camille, riding on the pannier rack of Sullivan's bicycle and grasping his body will always be the seed of her crystal.Goodbye First Love, by the way, is an incredible aesthetic treat (my favourite part may well have been when the two rake over the ashes of their love, lying together likes ravens in a shattered tower, all a creation of capturing colour carefully). I felt privileged to have watched it, to have been let inside what's a meagerly-camouflaged auto-biography from Mia Hansen-Løve. I may well love and be loved back one day, but it won't be the Hamelin song that Mia has let me see, and I'm grateful to her for this facsimile.
