SnoReptilePlenty Memorable, crazy movie

ChicRawIdol A brilliant film that helped define a genre

Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Scott LeBrun Silly, sometimes juvenile, but generally amusing adaptation of the Edgar Wallace story by producer Harry Alan Towers, using his screen writing pseudonym of "Peter Welbeck". Fading sitcom star Robert Cummings plays Bob Mitchell, a naive American playboy on vacation in Hong Kong. He soon gets dragged into various matters of international intrigue, while a dedicated police commissioner (Rupert Davies) and his associate (Roy Chiao) work the case. The "five golden dragons" of the title are criminal masterminds who are due to meet each other in person for the first time.This is a moderately fun, rather lightweight mystery. It's not a great one by any stretch of the imagination, but it sometimes delivers some entertainment. It lessens its impact by going on too long, and losing some momentum, and it really does get too positively goofy for its own good. (The falling death of a henchman is played for laughs, for one thing.) What helps matters a fair bit is the exotic setting. The movie is shot in Techniscope and Technicolor and looks absolutely gorgeous. And now that the word "gorgeous" has been brought up, it must be said that the female cast looks ravishing: Margaret Lee as the devilish singer Magda, and Maria Rohm & Maria Perschy as a pair of sisters. The songs & score are catchy.The international cast of superstars gives it curiosity value. Cummings supplies both heroics and comedy relief, and he's likable enough. Davies and Chiao (the two of them utter quotes from Shakespeare appropriate to various situations) are excellent. Klaus Kinski is a hoot as always as the nefarious Gert, but fans might bemoan not seeing him get to do more. Giving the film a shot in the arm late in the game are the special guest star appearances by Dan Duryea, George Raft, Brian Donlevy, and Sir Christopher Lee, who play four of the five golden dragons. Still, one may rightly think that to see them so briefly is a waste of talent. Japanese pop star Yukari Ito makes a musical appearance.Enjoyable, to a degree, but also largely forgettable. One highlight, or low point, depending on your point of view, is seeing a supposedly dead body blink several times.Six out of 10.

bensonmum2 I've gone back and forth on how to rate Five Golden Dragons. On one hand, I really want to like this movie. It's got an infectious 60s vibe that really worked with me. On the other hand, it's got a lot of problems and is, in all honesty, a mess of a movie. So, I'm stuck with giving it a wishy-washy 5/10.I'm not going to do the normal plot summary. There's no point because there's not much of a coherent plot. None of it makes any sense at all. I'll just say that there is a lot of super-secret spy type stuff going on in Hong Kong and it all surrounds a group of five guys who call themselves the Five Golden Dragons (hence the title). What they do or who they are is as unknown to me now as it was before I watched the movie. All I know is that they want to sell-out to the mafia (I think) for $50 million. And there are some other people who would quite naturally like to get their hands on the money. Be warned that all or part of this could be completely wrong – I just don't know.One of the big draws of Five Golden Dragons is the cast. George Raft, Dan Duryea, Brian Donlevy, and Christopher Lee are prominently listed in the credits. However, their combined screen time is about 10-15 minutes and all they do is sit around a table, put on and take off some goofy looking gold dragon masks, and spout some of the most inane dialogue I've ever heard. The whole thing looks like it might have been filmed in an hour. Their acting is also pretty funny. They all seem to go through a range of emotions ranging from bewilderment to confusion to amusement to impatience. It's obvious they realize how bad this thing really is.Most of the rest of the cast is, however, very enjoyable. I really enjoyed seeing Klaus Kinski, Maria Perschy (wow), Maria Rohm, Rupert Davies, and Sieghardt Rupp. All are capable and do the best with what they have. But the highlight for me was Margaret Lee. Any movie with Margaret Lee is automatically better than it would have been without her. A lot of the movie is more than competently filmed with some very nice shots of Hong Kong. The chase scene through the harbor was especially nice. The movie's pacing is all over the place. In spots the action is great and the movie has a nice flow to it. But, in others, the film really drags. Finally, after going through some of the good and bad I found in Five Golden Dragons, I'm left with writing about the one thing that almost ruined the movie for me and keeps me from rating it at least a point higher. And that is Robert Cummings. He's so bad! I don't know when I've seen an actor irritate me like this. Part of the problem is that much of the time he seems to be acting like he's in another movie. The comedy he brings to the film is most often completely out of place. His reactions to most everything going on are usually the exact opposite of what you would expect. Also, he's 100% wrong for the role. Here's the IMDb summary for the movie, "A naive young American playboy in Hong Kong finds himself caught up in the middle of an international crime." Young! Are you kidding me? At 57, Cummings isn't young by a long shot. And his bad dye job doesn't help. Some of his scenes with Maria Perschy and Margaret Lee are embarrassing. Also, at 57, he's way too old play "naïve". His stammering, stuttering schoolboy is laughable. Completely and utterly ridiculous! I'm willing to forgive a lot of the faults in Five Golden Dragons, but Cummings isn't one of them.

dsewizzrd-1 B grade British film set (and made) in Hong Kong, although the leads are American. The Five Dragons are a confederate involved in illegal activity in Hong Kong, when they decide to dissolve the confederate. A professor meets some young women at the pool and becomes involved. The story is simple comic book stuff, and not particularly carefully made, but the film is livened up by many period scenes in Hong Kong and the comely Magda. There is a song by a contemporary Japanese star called Yukari Ito. In one scene a (new) Toyota Corona turns into an (old) Morris Oxford before blowing up.

MARIO GAUCI Going into this, I knew not to expect too much from it (having watched any number of low-brow espionage fare from the era) but I was still disappointed by the way it wastes a star cast and is compromised besides by the fatal miscasting of the central role! Harry Alan Towers made several colorful thrillers during this time, often set against an exotic backdrop and filled with beautiful girls; oddly enough, then, he went and repeatedly shot himself in the foot by choosing a Hollywood veteran (read: way past his prime and usually forgotten) for leading man – I thought this practice had died with the British B-movies of the previous decade! In this case, we get Robert (sorry, Bob!) Cummings – introduced sunbathing near a pool! – who really must have thought he was appearing in a comedy, since he never takes the mayhem going on around him seriously (despite the constant threats to his own life)! The producer probably felt he had made a coup by securing the services of a two-time Alfred Hitchcock hero (albeit perhaps his lightest ever): on his part, the actor probably merely thanked his lucky stars he could still ogle gorgeous half-naked chicks at his age and, for better or worse, this turned out to be his final theatrical film! Anyway, the titular figures are 5 powerful industrialists from different areas of the globe who join forces – without, however, knowing one another's identity! – intending to control the world's economy (or some such grandiose scheme obviously doomed to failure by the generally oblivious intervention of our happy-go-lucky hero!). When they finally appear, or rather 4 of them (as the fifth remains a mystery till the very end), they are supposed to justify the presence in the film of Dan Duryea, Brian Donlevy, George Raft and Christopher Lee – who subsequently do nothing but present themselves to one another (after removing their golden-dragon masks) while sitting at table and opening a box in front of them with one of two keys which, were they to adopt the wrong one, would end up shot dead! Convoluting this basic plot is the interaction between Dragon minion Klaus Kinski, a couple of sisters (Maria Perschy, who had fled from service with the Dragon conglomerate, and Maria Rohm, the producer/writer's wife), two vaguely antagonistic others involved in running a nightclub (the girl being "Euro-Cult" babe Margaret Lee), not forgetting the Shakespeare-quoting British Inspector stationed in Hong Kong (played by Rupert Davies) who, when he gets stuck or slips on the Act/Verse front, a local aide butts in half-mockingly (yeah right, like I know Confucius!).Though the Widescreen print looks very good, it all goes for naught when one is never really drawn into the various intrigues, not due to its proving mystifying but rather because it is so sketchily-presented as to barely matter! Along the way, Cummings receives a cryptic note from a man killed by Kinski's henchman, is chased by the latter and his men along the river banks and later atop a temple (cue totally inappropriate cartoonish sounds accompanying the dull and protracted action itself!), framed for Perschy's murder and eventually sent, in the guise of No. 5 Dragon (pardon the lapse into Charlie Chan lingo!), to be eliminated himself at the climactic meeting of the charade-happy big-wigs! Like I said, very few of the stars are given anything substantial to do – of the Dragons, only Duryea gets to utter more than a few dumb lines; Kinski, too, is underused; as for the girls, Rohm's basic lack of experience is evident (this was only her third film), Perschy does what she can with the frightened-lady stereotype, whereas Lee sings and plays the sultry villainess adequately enough but, entering proceedings at the 45-minute mark and appearing thereafter only intermittently, it results in a 'too little too late' scenario!