First Yank into Tokyo

1945 "A REVELATION OF JAP ATROCITY!"
5.4| 1h22m| NR| en| More Info
Released: 05 September 1945 Released
Producted By: RKO Radio Pictures
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Budget: 0
Revenue: 0
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Synopsis

A U.S. pilot undergoes plastic surgery and drops into Japan to get a captive scientist's (Marc Cramer) atomic secrets.

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Reviews

Onlinewsma Absolutely Brilliant!
Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
Kayden This is a dark and sometimes deeply uncomfortable drama
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Brian Washington During World War II, Hollywood tried everything to boost the morale on the homefront. Some films were great, but other films reached into the bottom of the barrel especially this one. This has got to be one of the most racist films in the history of the medium. What especially was disturbing were lines like "You all should be put in cages", the film makes it seem like that they are trying to portray the Japanese were less than human. I don't mind movies that try to boost morale, but there is no place for racism in the movies.
JWyrozumski I swear when I watched this movie as a child it was called " I Was a Jap for the F.B.I." Does anyone remember that or am I thinking of something else? I remember that the main character undergoes plastic surgery and the only way the Japanese are able to discover him is by watching films of old American college football games when he played and noticed he had a habit of twiddling his thumbs which he is still doing during a secret meeting with the Japanese.
Robert J. Maxwell I agree that a movie -- or almost any other cultural artifact -- should be judged on the basis of the times and circumstances of its production. It's unfair to judge what people have done in the past through the prism of our own prevailing prejudices. Barbara Field, the African-American historian, was critical of Lincoln's deciding to wait until after Antietam to announce the emancipation of slaves -- this in Ken Burns' documentary on the Civil War. That sort of statement has always irritated me, brimming over with self righteousness. (I wonder how historians will judge us a hundred years from now. I hope they're kinder to us.) So I am willing to take the temporal context into account. The simple fact is that a movie that humanized the enemy would not have been made in 1945 -- or for years afterward for that matter. Steinbeck's script for "The Moon is Down" was criticized for turning a German soldier into something resembling a human being. And in "The Desert Fox" (ca. 1950) James Mason's touching performance as Erwin Rommel was blasted. In the later "The Desert Rats," playing Rommel again, Mason was forced to resort to the usual stereotype. How would you feel if you now saw a movie that included a partly sympathetic portrayal of a member of Al Qeda? Given all that, this movie is pretty crummy. The crumminess is not only in the script, although it's certainly there too, but especially in the performances, and most notably in Tom Neal's. He was out of his depth, although the part was simple enough. (He was IN his depth in "Detour".) He doesn't even get the Japanese bow right. The bow is face down, smart and snappy, in real military life. Neal bows slowly from the hips down, keeping his face up all the time, as if involved in some particularly outre tai ji exercise. The make up job is astonishing. And his speech! He evidently has a set of false teeth (all Japs are buck-toothed) which make him sound as if he's speaking through a mouth full of tooth paste. On top of that he struggles desperately to impose a "Japanese" accent which consists mostly of substituting [r] for [l] and vice versa. Let's just say he speaks his lines memorably. Sure it's a racist movie, but it WAS wartime, and it's understandable -- a lot more understandable than rounding up Japanese-American families and shuffling them off to internment camps. THAT manifestation of racism is less justifiable. But the movie is pretty bad nonetheless, unless you can enjoy it as pozlost.
cbonjior When this film is mentioned at all, it is generally with a sneer. It has a reputation for being "cheesy," mostly because it feature Tom Neal in "Japanese" makeup. It's easy to judge movies from the past with today's eye and say they are racist, insensitive, etc., but keep in mind this was made while we were still at war. The disjointed ending is a result of the A-bomb being dropped before the film was finished. A new finale was thrown together so the whole thing made more sense. Not a great movie, but not bad...not bad at all.