BlazeLime Strong and Moving!

VividSimon Simply Perfect

Konterr Brilliant and touching

Justina The film never slows down or bores, plunging from one harrowing sequence to the next.

Eric Stevenson Maybe I've gotten to the point where I've seen so many movies I have a hard time telling them apart, but this movie was extremely dull. It was about a bunch of people who were committing crimes like murder and I guess radar was being used to find them. This film mostly suffers from being boring. It's sad to see a film so old that's so dull. I guess these times weren't necessarily the golden age of movies. At least this one didn't have giant animals or killer animals like every other bad movie released in the 1950's.The worst part is how I simply didn't care about what was going on. The characters had no depth at all. When you have a story where everyone looks the same, that's a huge problem. I understand why people had a hard time telling the good guys apart from the bad guys. This whole thing is pointless and adds absolutely nothing unique to the wide variety of movies in existence. It was hard to tell what was going on and I didn't care. *1/2

Panamint You see, Bulldog Drummond and Dick Tracy (actually two aging actors who at one time or another played those roles) are working as "Radar Agents" of the government. I wonder if they had badges that said "Radar Agent"?"Our beams have all the roads covered" the head agent says, so we are reassured that radar can solve any crime. Everybody knows that radar beams aimed at all the streets catches criminals, right? So, ordinary crimes that would have been solved by regular means are solved by radar machines instead, presumably at a great waste of taxpayer dollars. And a black Chevrolet runs around town with a silly metal dome bolted to its roof. The director of this movie really did a lousy job, and the acting is poor except for Tom Neal who is convincing as a bad guy. Buxom Adele Jergens has the role of a blonde gang moll, but I still haven't figured out why her character is in the script at all. John Howard, as Radar Agent Travis, has exactly the same expression on his face throughout the whole film. I guess he thought "why bother" to smile, frown or emote at all. Absolutely nobody involved seems to care that they are in this film, but all they are asked to do is just read their lines and get in and out of cars. If you are a fan of any of the actors involved, or even a fan of Lippert Pictures (which made some far better movies than this), you should just skip "Radar Secret Service".

blanche-2 Poor John Howard - once Bulldog Drummond, once a supporting actor in The Philadelphia Story, now starring in a Kit Parker film with a budget of 50 cents - about the power of radar.He's not alone. Tom Neal, Adele Jergens, Myrna Dell, and Sid Melton join him in this Mystery Science Theater travesty.I was no science whiz, but so far as I know, radar could never do any of the things shown in the film - find guns, fight crime - why, the police department has a Radar Division.Some crooks steal radioactive substance, why I don't know, and it's up to those g-men to track them down. Someone described this as futuristic - there actually was one futuristic thing in it and it was called a telemeter, which worked like a minicam. Of course it was run by radar (I guess). To me it's always interesting to see things like that in old films, such as what was basically a fax machine in Call Northside 777.This film was done so cheaply that they would show a guy driving a car who momentarily would look up at a helicopter, for instance, and five minutes later you would see the same identical clip again. Ditto two guys riding in a car. This is the kind of film where if it made $10 it made a profit.John Howard smartly moved into television where he had an extremely prolific career until he retired. Adele Jergens did TV but kept her hand in B movies, as well as the rest of her. Sid Melton, whom I now find annoying since watching these films, had a successful TV career, and Myrna Dell worked in TV.And Tom Neal? Well, he beat Franchot Tone to a pulp and put him in the hospital, then he went on trial for the murder of his wife. And his life was much more interesting than this film.

InzyWimzy Once you see Lippert, you know you're in for a slab of cinematic torture.Radar is your friend. It is responsible for everything good and sacred in society. No evil intentions can be hidden from the pervasive eyes of the almighty radar.RADAR THIS!!!Instead of a story, you get lots of black and white shots of guys standing around, inane conversations, bleak settings and even bleaker faces. You can't even tell the good guys from the baddies....oh wait, EVERYBODY was bad in this one. I knew my eyes were viewing this horrific monstrosity despite the periods of coma induced blackouts and the experience can be compared to vacationing on the sun without SPF 5,000,000. Why the pointless scenes of helicopters flying over open roads? I cannot recall one character from this poopiefest except for inappropriately named Blackie. Oh, remember that hilarious comedian guy, Sid Melton? Because I DON'T!! Instead, his attempts at humor left scarring impressions and hopes of his quick sniper death.You see, this one just hurts...on so many levels. Nothing happens, there's no interesting story so the useless dialogue serves no purpose. This was only an hour long! I swear Father Time was yawning during this drivel. Even Mike and the bots reel from the effects of this one. Damn that Hypno Helio Static Stasis!