Ferdinand the Bull

1938 "Ferdinand only wants to stop and smell the flowers."
7.1| 0h8m| G| en| More Info
Released: 23 November 1938 Released
Producted By: Walt Disney Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

This Oscar-winning short tells of a bull who preferred to sit under trees and smell flowers to clashing horns with his fellow animals. As luck would have it, an untimely bee reveals Ferdinand's ferocious side via pained howls and wild stomping. This lands him in the bull-fighting arena amidst characters based on Walt's animators with a matador reportedly modeled after Walt himself.

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Reviews

Steineded How sad is this?
Onlinewsma Absolutely Brilliant!
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
OllieSuave-007 Ferdinand is a bull that likes to sit under a tree in the forest and smell the flowers. He doesn't hang with the other bulls and chooses to be by himself, perfectly content with his independence. When he was taken into a bull arena to fight a matador, he does not engage in the battle and, instead, smell the flowers that were tossed from the crowd.A great story - reminds you that you can be perfectly content with the simplest things in life and you don't need to be part of the in-crowd or have materialist things to be happy. You can also be carefree and release yourself of any distractions in life.Grade A
TheLittleSongbird Ferdinand the Bull tells the story of a bull who likes smelling flowers, instead of fighting like a typical bull in a bullring. Ferdinand himself is a very charming character, and is well drawn. All of the other characters are well done, with the exception of one or two lifeless backgrounds. Then Ferdinand is sent to Madrid, where he is expected to fight a toreador, but that isn't what Ferdinand wants to do. The music is also good, and Don Wilson's narration was very satisfying indeed. It is such a shame that few people know more about this gem, I don't think it is the best short in the world, but it is certainly entertaining and I would definitely watch it again. 9/10 Bethany Cox.
didi-5 Munro Leaf's original story comes to life with the pictures of Walt Disney and his artists, who give personality and life to the characters of Ferdinand, his fellow bulls, and the bullfighters. Ferdinand himself is a sensitive soul, who has no desire to fight and just likes sitting under his favourite tree and smelling the flowers. The other bulls do nothing but fight and cause a racket, but when the bullfighters come looking for the fiercest bull for their show, guess who by some odd circumstance gets picked?This little cartoon is a joy from start to finish, and Ferdinand is one of the cutest and funniest characters ever created in an animated short. Highly recommended!
Spleen "Ferdinand" has the same lush art direction and is based on the same kind of sweet parable as a Silly Symphony, and was released while that series was still going (it would end on a high note with "The Ugly Duckling" in 1939), but it's something else altogether: the first of Disney's "storybook" cartoons. It is, in fact, based on a children's storybook, but that's not the point. The point is that there is spoken narration, and the drawings ILLUSTRATE the narration, much as they would illustrate the printed text in a picture book.So far as I know this is the first cartoon from ANY studio to attempt this kind of thing. It's not the best; narration and illustration are too independent of one another. I'm not saying that Disney should have used any of those old cartoon gimmicks - characters arguing with the narrator, etc. - which postmodernists delight in as though they weren't half obvious; such gimmicks would not, in a sincere work such as this, have worked. But words and pictures should partner each other in a subtle dance; each should know when to withdraw and place the narrative burden upon the other. I can't put it more precisely than this; but watch two "storybook" cartoons that Disney produced later - "Lambert the Sheepish Lion" from 1951, "Pigs is Pigs" from 1954 - to see the dance perfected, resulting in an animated storytelling sessions that FLOW, from beginning to end.To be fair, unqualified successes like these are rare. Most of Disney's later "storybook" cartoons also get it wrong, some of them are dreadful, and not a single one apart from the two I've named can match the charm of the first.