Linbeymusol Wonderful character development!

Comwayon A Disappointing Continuation

Salubfoto It's an amazing and heartbreaking story.

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Allan Ritchie a quirky movie its a testimony to human capacity for ruthlessness and Marilyn Monroe does well to play the part of a woman only concerned with her interests but one thing continues to puzzle me about the movie I found on the street how does cotton figure out the success message of the bells ringing their what they say is their special tune? I watched three times but still couldn't see it shown how he figures it out ,in summary one of the best movies ever made i ONLY JUST SAW IT FOR FIRST TIME EVEN THOUGH I'm 65 ID OF NEVER SAW IT IF i HADNT FOUND ON STREET i WATCH MOVIES RARELLY expected this to be junk but was surprised how unique it was

prs51 Coming late to assessments of Niagara on IMDb I see most of the themes that impressed this reviewer have been well canvassed. A middling to good rating as an entry in the film noir/thriller genre. One of the first full blown depictions of the hyper-curvaceous, iridescent lipglossy and figure-huggingly clothed Marilyn Monroe persona that became standard. The expert use of the wonderful Niagara Falls backdrop to the story. The unsettling(poor) performances of Max Showalter and Don Wilson. But just like cadillacmax@msn.com , the thought that was most insistent to this elderly male reviewer throughout was – Boy, would I love to be on a honeymoon with this Jean Peters.

SnoopyStyle The Cutlers (Jean Peters, Max Showalter) are from Toledo, Ohio on their long awaited honeymoon in Niagara Falls, Canada. They arrive at the Rainbow Cabins to find their cabin still occupied by Rose Loomis (Marilyn Monroe). She's a former beer hall waitress in a volatile marriage to George Loomis (Joseph Cotten) who suffered battle fatigue in Korea. She contacts Ted Patrick for some nefarious reason. George goes missing and Rose is hospitalized from the shock. The Cutlers move into the cabin. George surprises a half-asleep Mrs. Cutler. Later at the bottom of the Falls, he tells her that he killed Ted in self-defense and now wants to disappear as a dead man.There are two stars in this movie. It's the power of Niagara Falls and the attraction of Marilyn Monroe. In another age, Monroe would have dined out as a noir femme fatale. She is magnetic on screen. She is convincing as a woman who could drive men crazy and Joesph Cotten embodies that madness. Every men turn their heads when she walks in and the camera focuses on her mercilessly. Jean Peters is a beauty in her own rights but she is downright plain Jane in her presence.

mbrachman This nifty thriller represented one of Hathaway's few forays into noir (he was largely known for Westerns). It was unusual for noir in being filmed in shimmering Technicolor rather than the pallet of grays, blacks, and whites more commonly associated with the genre, but then, given the resort setting, this was almost inescapable.The storyline is straightforward: an amiable Midwestern couple, the Cutlers, Polly and Ray (Jean Peters and Max Showalter, billed as Casey Adams) arrive at the Falls to find the cabin they've reserved is occupied by another, more fractious couple: the Loomises. George (Joseph Cotten), the husband of the latter couple, could be nicknamed "Gloomy Loomy" given his downcast and cynical demeanor; we learn that he spent time in a psychiatric hospital for war veterans. His ravishing and none-too-faithful wife, Rose (Marilyn Monroe) provides ample reason for his suspicions. Turns out she's been two-timing George with a man who looks like the textbook illustration of a smooth gigolo (Richard Allan) and she and loverboy are planning something most foul for George.But Polly, the distaff half of the Cutler twosome, has witnessed some of the hanky- panky, and when Rose and her lover's nefarious plans run into trouble, Polly finds herself caught between a vengeful husband and a scared-out-of-her-wits wife. The suspense arises from Polly-in-peril and her efforts to extricate herself from another couple's troubles.Monroe is excellent in one of her few villainous roles in a non-comedy, and Cotten is riveting as the troubled, betrayed husband bent on revenge. His voice-over during an insomniac late-night/early-morning walk by the Falls at the start of the film is almost worth the price of admission alone. And the Falls? They never looked more beautiful- or deadly.