Eyes Wide Open

2009
7.3| 1h30m| en| More Info
Released: 20 May 2009 Released
Producted By: ARTE
Country: Israel
Budget: 0
Revenue: 0
Official Website: http://www.eyeswideopenfilm.com
Synopsis

A beautifully affecting love story that has rightly earned comparisons to Brokeback Mountain, Haim Tabakman's potent yet impeccably restrained tale has won awards and accolades at film festivals the world over. Aaron, a pillar in Jerusalem's Orthodox community is respected by friends and family. However, when he hires handsome runaway student Ezri to assist with his business, sexual tensions bristle and the pair cautiously embark on a love affair. Meanwhile, a neighbouring shopkeeper persists in seeing a man of her own choosing, even though she's been promised by her father to another. As forbidden truths come to the fore, these lovers are forced to either confront or relent in the face of a centuries-old religious community, with startling results.

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Reviews

Claysaba Excellent, Without a doubt!!
Stevecorp Don't listen to the negative reviews
WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.
Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
dakjets I accidentally came across this film. Being sick, and at home from work. At the sofa watching daytime telly, this film was shown. I was totally drawn to this simple, strong tale about love between to men. I rarely see so honest and well done films like this, and extra special that it is a film from Israel. They are seldom, at least in my country. I won't give anything away from the story. It is very powerful, in it's simple and quit way. Very strong performances from the actors, and it shows strong emotions, and a hopeless love affair, that the environment just won't allow. I surly will check out more films from Israel after this very good drama. I recommend it. Maybe it should be shown in schools too, in a educational purpose?
pik923 Unfortunately, as in many films coming from Israel there are deep flaws in the making of the film. For some reason the Israeli film industry loves to make films focusing on the Orthodox community and setting up a rather bland love affair between two religious men - well it becomes so ordinary and so expected. There is nothing interesting, no drama, no dynamics, no ups and downs. All that talent and it goes nowhere. The acting is poor, and I blame that on the director. I'm not sure what the point of the story is. Forbidden love? Of course it is forbidden but this is not a love story. And in many ways too unrealistic to even give it any weight.I feel bad that with some much talent in Israel, in all aspects of film making so few really good solid films are actually produced. Instead, just because it is about homosexuality and set in the Orthodox community every one gets a bit excited! But it has nothing to do with film making.
bmsulaiman I enjoy my time with a good film. I cannot express my feeling in writing but I will try. I relate to this film in a way that I look at it with religious point of view rather than sexuality. I enjoy looking at the conservative Jewish society. I enjoyed the teaching, group studying, the panic in door objection about sexuality, the way man sleep with his wife in simple natural way. I feel I am still in heaven not yet down on earth. You feel that you looking at what Jerusalem should feel like … people busy with their life and prayer. You can hear the Adhan in the background. Asyalum alaycum Peace upon you ... Edited by: Sulaiman
Capo-idFilm Understated, impressionist drama in which the two central performances and the effective, naturally-lit photography are let down by too many scenes of stilted silence; it's quite alright to make a point of people not understanding one another, but too much contemporary art cinema seems to rely on an affected Bressonianism that doesn't quite gel with surrounding authenticity. The starkest example here is a scene in which a character tries to explain the excitement he feels from an adulterous affair: "I was dead," he says. "Now I feel alive." Even excusing the trite phrasing, the line doesn't quite ring true given how flat, lifeless and unchanged the character has previously seemed. Perhaps, of course, that's the point; but that doesn't make the film any stronger.