Epidemic

1987
6| 1h46m| en| More Info
Released: 11 September 1987 Released
Producted By: Det Danske Filminstitut
Country: Denmark
Budget: 0
Revenue: 0
Official Website:
Synopsis

A director and a screenwriter write a screenplay together about a globally spreading epidemic. Unbeknownst to them, an outbreak develops around them in the real world.

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Reviews

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.
Jenni Devyn Worth seeing just to witness how winsome it is.
Justina The film never slows down or bores, plunging from one harrowing sequence to the next.
ludovic391 The idea of the film is great. Mixing the creation of a movie and his viewing. It's done in a very ambitious way, incredibly sophisticated and elegant when we know the budget who was assigned to the movie.A lot of scenes are incredible, specially the one who shows the contamination of the priest, adding a reflection on the condition of the black man. Obviously the last scene is one of the most incredible things I've seen on a screen, but we can doubt the mental health of Von Trier and his crew. However maybe it's the reason he's so good...I didn't like a few things. I think there is too much time about the creation of the movie, a few ridiculous and unappropriated moments as the story of the American letters of Niels
SheBear In Epidemic two story lines play out simultaneously with both reaching the same, inevitable conclusion. The first storyline is shot in documentary style and follows screenwriters Lars & Niels while they write a script called Epidemic. The second storyline is a lushly photographed production of the film that the characters are writing.Epidemic is about the process of creation. The screenwriters begin as idealists - their vision is pure and remains so as long as the creation is contained. Once the creation/script/disease is introduced/unleashed to the world it becomes both an object to be corrupted as well as a force which corrupts.It all ends, as any von Trier movie should, with a suffering woman and this one's a little heavy handed even by von Trier's standards. Gitte's hypnotically induced wig-out is an obvious foreshadowing of everyone's demise and although it is difficult to watch her deterioration she is quite a site to behold.It is fitting that the most accurate and succinct description of a Lars von Trier film should come from the man himself and it is in Epidemic that he famously proclaims, "a film should be like a pebble in your shoe." And so it is.
Jim Ramsden Look, I know a substantial proportion of the American population get a little hot under the collar when funny-talking foreigners start criticising the American government and way of life, but hey - when you're the only country in the world inclined to and capable of dictation of world policy, you gotta take it on the chin. While Von Trier even makes me wince sometimes (the end credits to Dogville for instance), it's his point of view and is worthy of thought. He isn't here to lick your derrière clean for you - if you can't take a little criticism of the homeland, I'd steer clear of any imported movies for a while. Anyhoo, when truly disrespectful films like Titanic break records and reap awards with nary a raised eyebrow, it's double standards to expect non-US films to walk the line you'd like. Von Trier is a genius film-maker... you may not agree with his politics, but you cannot doubt his talent.
alex-187 So what? Maybe we should come to the conclusion that he/she who teases evil is destined to be hit by it. But I don't like this film. I didn't like its joking evolution and disapprove the final, never-ending, gore scene where the young hypnotized girl's sufferance, a prologue to everybody else's, is depicted in a hard-hitting monologue. It reminded me of a similar scene seen in the contorted, convolved "Baby of Macon" (the film that signed the end of my love for Greenaway) and I hated it, notwithstanding the evident difference, that being a scene of external violence while this is more a self-inflicted violence scene. The only appreciable side of the film is the grainy black and white used: too few, ain't it? And as far as I found "Breaking the waves" terribly boring either, the score is 2 thumbs-down out of 2 for Von Trier.