ChicRawIdol
A brilliant film that helped define a genre
Jonah Abbott
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Rosie Searle
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
jadavix
It will not come as a surprise to hear that "Drown" is a hard movie to watch at times. What you may not anticipate is that this is not entirely due to its themes of warring homophobia and homoeroticism in the ultra-Australian, ultra-masculine context of surf-lifesaving clubs. It's not even due to the sex or nudity, which, for an R18+ movie, is surprisingly tame. It is in fact due to the movie's distracting editing and over-reliance on slow motion and steady cam. Yes, that includes the obligatory night club scene where the character goes crazy on drugs and we see him dancing in slow motion with different music playing on the soundtrack than what everyone else is dancing to. You know, to show how alienated he is? If we hadn't gotten that already.Some of the other touches work, such as flashbacks to childhood and adolescence, but these are spread on too thin. One gets the impression that "Drown" would have worked better as a short movie. It's the impressionist touches that work, but too much impressionism leaves little room for actual impressions.You can also tell this movie was based on a play, which is confirmed in the end credits, and I'm not sure that's a good thing. When you see a play you have reached a tacit agreement with the theatre directors that, yes, you can suspend disbelief that the people on stage are wherever they're pretending to be. In a film, I'm not sure it works that way. We can see much farther past where the stage would end. In "Drown", we can even see cars and people. When a scene at the beach features multiple instances of assault, sexual degradation, forced nudity and near murder, you find yourself watching the cars in the background roll by, expecting one to stop and see what's going on. Not so in a play.
andfuture knight
I really enjoyed this film; If "enjoyed" is the right word.... I think it must have been really hard to play for the actor who played Len, when it all comes down to it, he is a VERY, VERY, SAD man. In the scene when len is sitting on phil's bed and he says "it's like a metaphor" if I was phil I would have continued the convo by saying "you know, I think that's the most intelligent thing you have EVER said......." I also think more could have been made of len's feelings about his dad, it was briefly touched on near the end but not really dealt with, also when len is about to be abandoned by meat, meat doesn't really help him by re-assuring him that it will be OK, he just continues to act really dumb, but I suppose that's in meat's character, he knows how to be a best friend but he can't do anything else! but apart from those things I think it was a cool film and very disturbing.
paul_3-960-896774
Drown may be set in a world/community that I'm not very familiar with but it's almost impossible not to relate to the tight knit brotherhood based on sports and drinking that is showcased in this film. It captured so seamlessly the dynamic between young men bonded over a common passion or a sport. A dynamic in which your bros and your masculinity is all that counts, no place for weakness, tenderness or affection. Len is the typical and yet quite the unconventional bully, his obsession with Phil is unnerving, and the same could be said for his relationship to his best friend/lackey "Meat." But what makes Drown interesting is the feeling that regardless of Phil's sexual orientation, there is no doubt that Len would have bullied and harass Phil. Yes Phil's sexual orientation enraged Len but the insight into Len's upbringing only cemented his reaction to Phil's addition to the team. Meat is not just the unsuspecting guy who can't stand up to his friend and finds himself at the wrong place and time. He shines a new light on Len, while giving a few layers to Meat. Phil (Jack Matthews) is also very interesting, he may not exactly be in the forefronts of this story but his willingness to put up with everything just so he could belong to the group is sad and impressive at the same time. The cast did a marvelous job Matt Levett's Len was captivating and intriguing, his inner turmoils is palpable and great to watch. Harry Cook's performance as Meat was quite and powerful, and Jack Matthews' Phil is relatable and very real.Much like Len is confronted with his inner demons, Drown confronts the audience to what we've all seen happened at some point in our lives, bullying. The film is honest, intense, brutal and raw, a clash of worlds that make for an amazing emotionally charged climax. @wornoutspines
avsw
This is a very important film as it puts the the ugliness of homophobia firmly under the microscope. Fantastic performances by Matt Levett (in particular), Jack Matthews and Harry Cook keep this piece moving along, aided by razor sharp direction by Dean Francis (who also DoP'd the film). It's hard to define this film - it's original. Shot on a mini budget around the beaches of Sydney and the seedy night spots of Kings Cross, the film is edited (also by Francis) is a montage style which works well, and suits the subject matter and feel of the film. The best way to describe it is as 'a ride'. As an audience, one is challenged, terrified, ashamed, enlightened and enthralled - but best of all, one comes out of the screening changed, and thinking deeply about what you have just seen. Seek it out. Highly recommended.
