Dreamchild

1985 "He loved the child we will never forget..."
6.7| 1h34m| PG| en| More Info
Released: 04 October 1985 Released
Producted By: Thorn EMI
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Budget: 0
Revenue: 0
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Synopsis

Eighty-year-old Alice Hargreaves is about to visit Columbia University to attend a reception in honor of author Lewis Carroll. As a child, Alice had a close friendship with the writer, and their relationship was the creative catalyst for Carroll's most beloved work. However, as Alice reflects on her experiences with the author, she realizes the complexity of their bond has had lasting, deeply felt ramifications.

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Reviews

Spidersecu Don't Believe the Hype
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
moonspinner55 In 1932, 79-year-old Alice Hargreaves, a no-nonsense sort from England traveling with her timid female assistant, sails for New York City to receive an honorary degree from Columbia University; the school is celebrating the centenary of author Charles L. Dodgson, aka Lewis Carroll, whose literary masterpiece "Alice in Wonderland" was inspired by Hargreaves when she was but a precocious child. Impeccably-produced and designed on a limited budget, this curious drama mixes fact and fiction with a light hand...and yet, it rarely takes off emotionally. Coral Browne's adult Alice reexamines her lazy childhood days--as well as her past and present states of mind while interacting with Carroll's nonsensical creations (courtesy Jim Henson's Creature Shop)--but screenwriter Dennis Potter includes no poetry of his own in the dialogue. There are lovely moments (particularly the finale at Columbia and its tag), strong performances from Browne and Ian Holm (as the stammering Reverend Dodgson), and the film does improve slowly after a very creaky start. ** from ****
iwantsofia The relationship between 10-year-old Alice Liddell, the young girl for whom "Alice's Adventures In Wonderland" was written, and Rev. Charles Dodgson a.k.a. Lweis Carroll, the book's author, is explored in this thought-provoking film.The former Alice Liddell, now Alice Hargreaves, is invited by Columbia University to give a speech on the centennial of Dodgson's / Carroll's birth. She meets a reporter who becomes her agent and romances her assistant. Meanwhile, she is haunted by childhood memories of her time spent with Mr. Dodgson.A mostly good script by Dennis Potter only disappoints when focusing on the romance. The excellent cast makes up for the few shortcomings. Amelia Shankley debuts as the young Alice Liddell, and gives a fine performance. She later appeared in a three part adaptation of A Little Princess (1986) and Red Riding Hood (1988). Imogen Boorman, who plays older sister Lorina, went on to co-star in Hellbound: Hellraiser II (1988).
suttca I will be short. This is unquestionably one of the finest films ever made and certainly a love story to rival Antony and Cleopatra. The movement between Alice in old age, youth and fantasy is seemless. The acting superb. The writing, needless to say, genius. Miss this film and you miss the most touching and true story ever. This film was never meant to be an "Alice in Wonderland", it is about the glorius Lewis Carroll and Alice Liddell. Enjoy!
An_Hedonic Dreamchild is a beautiful and tender exploration of the (non-sexual) love of children which prompted the Rev. Charles Dodgson (AKA Lewis Carroll) to write _Alice in Wonderland_. The story begins in 1932 as 80 year old Alice Hargreaves (nee Liddell, the inspiration for the fictional Alice) and her timid personal maid Lucy reach New York City to participate in a centenary celebration of Dogson's birth. Coral Browne is outstanding as Mrs. Hargreaves and Ian Holm plays Dodgson perfectly. Amelia Shankley is also excellent as the young Alice, seen in flashbacks and "dream" sequences involving characters from the book. The puppets, for lack of a better word, created by Jim Henson's Creature Shop (??), are faithful recreations of the original Tenniel drawings and, for the most part, much of their dialog is adapted from the book and wonderfully integrated into the film. Besides the main plot there are several sub-plots, and the clashes between the upper class British woman and the rude, intrusive press are quite amusing, especially so when one considers how much worse the "news media" have become. The film touches on the plight of Lucy, a docile servant to Mrs. Hargreaves who worries about her future after Mrs. Hargreaves "meets my maker," as she puts it. Luckily for Lucy there is the American reporter Jack, who falls in love with Lucy and eventually convinces her it is not solely his desire for money ("You can tell when he's talking about money. His lips go all wet.") which draws him to the two women. Through the flashbacks and dream sequences we see little Alice and Mrs. Hargreaves in various situations which shed more light on her friendship with Mr. Dodgson, whom she has almost completely forgotten as an old woman. Many details of the plot are taken directly from Alice in Wonderland and Dodgson's diaries and letters, making it an even greater pleasure for those familiar with his life. Initially Mrs. Hargreaves is terrified of dredging up long-forgotten memories but slowly comes to understand, accept, and express true appreciation for the love Dodgson felt for her, and many other children throughout his life.This beautiful and moving film didn't receive the recognition it deserves due to the timing of its release, which unfortunately coincided in the USA with the witch-hunts and hysteria of the baseless "child-care Satanic abuse" cases popping up all over the country. Dodgson was, by most standards, an unusual man whose life-long stutter and natural shyness made him uncomfortable with many adults, but with small children he worked magic. He was one of the first amateur photographers and some have interpreted his penchant for taking pictures of children "au naturel" as an indication of pedophilia. Anyone who has read his diaries or letters knows he was most scrupulous about taking these types of pictures and virtually never did so without receiving parental permission, often having a parent present during the session. Charles Dodgson loved children in a pure and non-sexual way and that love gave us two of the world's classics in children's literature. The film makes this perfectly clear and is a tribute to the genius and gentleness of this kind, loving, and brilliant man.