Moustroll Good movie but grossly overrated

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Roland E. Zwick Commitment-phobic characters are a dime a dozen in romantic comedies. Yet, no one can deny that they serve a valid function - for without all the tension they bring to the story, how would writers ever get us to that inevitable happy ending? In "The Treatment," which director Oren Rudavsky co-adapted (with Daniel Saul Housman) from the novel by Daniel Menaker, Jake Singer is an English teacher at a Manhattan prep school who falls in love with a wealthy widow whose son is a pupil there. The problem is that Jake, like many men of his generation, seems utterly paralyzed when it comes to taking the full-on plunge into commitment and marriage. In an attempt to overcome this weakness, he regularly sees a shrink who is clearly an advocate of the no-nonsense, "tough love" school of psychotherapy, and who keeps insisting that Jake stop whining and making excuses for himself and simply get with the program.On the surface, "The Treatment" doesn't appear to be much different from dozens of other romantic comedies that have come our way over the years, but the scenario plays out with so much charm and wit that it makes the situation itself seem new and fresh. We really get caught up in the lives of these characters, mainly because the filmmakers go to great lengths to avoid the superficialities and clichés that render so many romantic comedies phony and unreal. The film is helped immeasurably in this regard by the superb performances by Chris Eigeman and Famke Janssen who have an amazing chemistry on screen and, thus, are able to convince us that these two quite different people could indeed be genuinely drawn to one another. Ian Holm steals every scene he's in as the hilariously deadpan therapist who isn't afraid to say what he thinks, even at those times when he's only appearing as a figment of Jake's guilt-ridden imagination. Harris Yulin is also wonderful as Jake's pragmatic father who still harbors resentment towards his son for not following in his footsteps and becoming a doctor.Given its low budget, the movie may be a trifle rough around the edges at times, but that lack of polish actually turns out to be a key ingredient in the movie's overall success. For once, a romantic comedy that actually works.

siderite It involves romance between romantically experienced people. They are intelligent, articulated, educated and their greatest concerns are more complex than just "getting together". They are above 35, they have children and past baggage, complicated lives and still they crave love, like any other primate.Ian Holm is the spice of the movie. I would venture to say that without him the entire thing would have been a fiasco. It's not that the other actors don't act well, but their roles are so bland and uninteresting. Even the obvious intelligence of the lead male character has only an intellectual academic form and the emotional chemistry is rather poorly expressed.Overall it is above the average romcom, but average towards weak in its category. Since the target audience is older educated people, it should have had more spunk and a lot more brains.

kingyhtd the trailers for "The Treatment" were kinda crappy but the movie is something else entirely this is a movie that is much better than its trailer suggest it's Light hearted and funny with a lot of substance it isn't at all cheesy or dark . the acting is truly amazing we have three unmatchable leading actors Chris Eigeman ,Ian Holm and Famke Janssen all three give some of their best work here..the movie is smart and funny and the ending leaves the Dr Morales bit open is he real or just a figment of Chris Eigeman's imagination? watch this one in theatres fans of any Famke , Ian and Chris will not be disappointed no matter how high their expectations.

Chris_Docker The Treatment describes itself as 'a serious romantic comedy about life and love in NYC.' The main characters are Jake Singer, an anxious young schoolteacher who has broken up with his girlfriend and seems resigned to a life of mediocrity; his shrink, Dr Ernesto Morales (Ian Holm), who describes himself as the last great Freudian - 'in a line stretching from Moses to Aristotle;' and Allegra Marshall, a beautiful young socialite that takes a fancy to him.The film aims at a serious note with the unrelenting, intrusive and almost sadistic treatment meted out by Dr Morales. Jake's baggage is all too obvious and (although there must be easier routes) the 'treatment' does show signs of working, even when Jake starts wondering if he has maybe just 'hallucinated' the encounters. A sub-plot about adoption tries to bring in some emotional ballast to fill the chasm left by Jake and Allegra's lack of on-screen chemistry.The Treatment meanders along like an episode of Sex and the City or Frasier - only where nothing much happens. At first captivating, the endless litany of inconsequential detail and forced humour soon begins to wear. "I thought he was supposed to make you feel more comfortable in your own skin," says Allegra about Jake's analyst. "No, he's more the exfoliating type." In discussing one of Jake's favourite books, Allegra quotes a comment about the author re-drawing the landscape to place equal emphasis on what's not said. Sadly, this film has too much that is said; and that which is not said has too little substance to justify the barely relevant meanderings of school sports halls or Dr Morales' questions about sexual positions. Ian Holm delivers a fine performance, but the script, while not completely without merit, has too little to for such a great actor to get his teeth into. We are told that the lover in Jake is under-nourished and the self-pitying side over-fed: much the same could be said of this bloated, drawn-out and not particularly engaging film.