CheerupSilver Very Cool!!!

Pacionsbo Absolutely Fantastic

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Thy Davideth Doom Asylum is a slasher movie that is either a deliberate spoof of itself or very incompetently made piece of retard $#!+. Everything about this film screams utter stupidity with horrendous acting and dialogue, crappy gore effects and a meaningless story. But, in the end, this is highly entertaining and funny as hell. Recommended to those who like trashy crap.

Mark Turner Back when video stores were open you'd find all sorts of unknown movies on their shelves, in particular plenty of horror films that had no chance to be found at most multiplexes. These films were made with heart, zero funds and in some cases knowing that their best bet was going straight to video. Some companies made their money off of movies made for the video market and others got their start that way. The movies were usually not that great, featured plenty of gore/effects and were enjoyed more for their entertainment value than their cinematic achievements. One such movie had the promise of being something that gorehounds were going to adore. The cover featured the staples of movies of this sort, a combination of a malformed murderous killer and women in bikinis. Those two items alone meant that teens and horror fans knew the film would contain all the elements that they were looking for while perusing the aisles and shelves of mom and pop's video store. Yes, DOOM ASYLUM provides everything you expect.The movie opens with lawyer Mitch Hansen (Michael Rogen) and his girlfriend Judy LaRue (Patty Mullen) cruising down the road celebrating his latest victory that landed her millions. While celebrating he ignores that road and looks up to see another car coming and crashes resulting in his being badly hurt and Judy dead. The bodies taken to the morgue the coroner and his assistant begin to do their autopsy on Mitch when his body twitches and he sits up. Disfigured both by the wreck and the already started autopsy and driven mad by the death of Judy he kills the pair. Fast forward 10 years to a group of teens are driving down the same road in search of good time. The group consist of Kiki the daughter of Judy (both roles played by Petty Mullen), her dim boyfriend Mike (William Hay), Dennis (Kenny L. Price) a baseball car collecting nerd, Darnell (Harrison White) our token black actor and obviously the first to be killed following slasher film doctrine and Jane (Kristin Davis) the philosophy spouting psych major who analyzes everything. And yes, Jane is played by THE Kristin Davis who went on to fame in SEX AND THE CITY. The group is heading to visit the site of Kiki's mother's demise to help her get over her past. But they are the least sympathetic group one can find. Mike is unable to make a decision, Jane just complains, Darnell is just out for a good time and Dennis is just card obsessed. They show at the asylum where the coroner used to operate. Legend has said that it's haunted and that the man who killed the coroner and his assistance still roams the halls. What they find instead is a female punk rock trio practicing in the building led by shrieking vocalist Tina (Ruth Collins). Yes, somehow the power is still running through this condemned and run down building. The two groups are more combative that comingled with the exception of the drummer being attracted to Darnell. Kiki's group picnics on the grounds, gets water bombed by the punk trio and Darnell sets out to tell them off and get some face time with the drummer. Which of course he does so alone setting him up to be the first kill of the film. Yes, Mitch is still roaming the halls, scarred with chunks of skin missing and tendons exposed in what looks more like a mask than individual pieces of makeup. From there the stereotypical moves take place with individuals walking off on their own in spite of the danger to look for those who went off before. The body count rises and the inevitable face time between Mitch and the Judy lookalike Kiki happens close to the end.So is the movie good or bad or so bad it's good? The answer is yes. It's bad in that the acting on display here for the most part is terrible but how could it be any better with the dialogue provided. The effects offer an incredibly watered down blood and obvious looking stand ins for appendages. It's good in that some of the terrible dialogue being spoken is hilarious. The jokes work on a lower level (including one subversive punk rocker being killed admitting she voted for Reagan) and the performance by Rogen is so over the top as to be amusing. The movie also doesn't take itself seriously as if all those involved knew this was not going to be a great movie but decided to throw everything at the wall anyway. The movie is not quite one of those so bad it's good films but comes incredibly close. Honestly it's a bit better than those types of films. It takes the checklist for slasher films and knocks off each item on that list one by one. The movie is textbook slasher and fans of the genre will not care if the dialogue is Shakespeare like or not. The movie is made for fun, not enlightenment.Arrow Video is releasing the film to blu-ray for the first time. Unsurprisingly they're presenting it in the best possible way ever which they do on a consistent basis. The movie looks great with a brand new 2k restoration from the original camera negative. If that wasn't enough the film is presented in two formats, a 1:85:1 ratio or a 1:33:1 version which means pillarboxed or theatrical size on your screen. Extras include archival interviews with producer Alexander W. Kogan, director Richard Friedman and production manager Bill Tasgal, MORGUES AND MAYHEM a brand new interview with special make-up effects creator Vincent J. Guastini, MOVIE MADHOUSE a brand new interview with director of photography Larry Revene, TINA'S TERROR a brand new interview with actress Ruth Collins, a brand new audio commentary track with screenwriter Rick Marx, a stills gallery, a reversible sleeve featuring original and newly commissioned artwork by Justin Osbourne and for the first pressing only a fully illustrated collectors booklet featuring new writing by Amanda Reyes. As I said, Arrow offerings always seem to provide more bang for the buck than you would expect even exists for movies like this. Fans of video stores and horror hounds need to pick this one up. Gorehounds need to add this to their collections. And everyone else might want to give this one a look and just have fun with it provided you start with low expectations. Doing so means you just might get a laugh or two out of the film and have some fun.

murderlizer Very, very bad. Bad script...bad acting.A few reasons why it's worth seeing --Great filming location -- a magnificent, creepy old abandoned asylum in New Jersey, Essex Mountain Sanatorium. The sanatorium has an excellent web site that chronicles its history from construction to demolition, plus some information on Doom Asylum.Kirstin Davis -- I'm sure she's ashamed of it now, but cool to see her in her first acting role while still at Rutgers.

dood15 a friend of mine rented this on a whim and we watched it thinking it would me MST3K quality schlock... but it's not... i think this is really the worst movie i've ever seen. no plot, horrible effects, just plain bad. interesting deaths, but with the 25 dollar budget, it just couldn't deliver. this movie was worse that April Fool's Day. i highly recommend that you never ever see this movie.