Django Strikes Again

1987 "Forget Young Guns. Here comes the BIG GUN."
5.3| 1h36m| NR| en| More Info
Released: 22 October 1987 Released
Producted By: Reteitalia
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Budget: 0
Revenue: 0
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Synopsis

Former gunfighter Django has become a monk and abandoned his violent former ways. His daughter is kidnapped by rogue Hungarian soldiers using slave labor to run a silver mine. Django casts off his habit and digs up his machine gun to practice a little liberation theology.

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Reviews

VeteranLight I don't have all the words right now but this film is a work of art.
JinRoz For all the hype it got I was expecting a lot more!
Claysaba Excellent, Without a doubt!!
Janis One of the most extraordinary films you will see this year. Take that as you want.
Lee Eisenberg Following the release of Sergio Corbucci's "Django" in 1966, there were a number of movies that had Django in the title but had nothing to do with the original movie. But now comes an authentic sequel, with Franco Nero reprising the role of the crime-fighting westerner. Set many years after the original, "Django 2: il grande ritorno" -- "Django Strikes Back" in English -- has the title character now living in a monastery. But when a rogue general (Christopher Connelly) arrives and starts making trouble, Django digs up his buried machine gun and takes charge. And he's ten times badder than in the first movie! Admittedly, there was a lot of silly stuff in the movie. For starters, many of the Mexicans have accents and lines that appear to be based on Speedy Gonzales. But in the grand scheme of things, this is a truly fun movie! And I get the feeling that they had fun making it. Quentin Tarantino is apparently planning another Django movie. I'll be eager to see that one.
Coventry Hey, wait a minute … This is called Django TWO and it was made more than twenty years after Sergio Corbucci's original classic western. Haven't there been at least twenty other sequels in between? Well yes, but apparently this is the only "official" sequel whereas all the others simply cashed in on the popular name and/or image of lone gunfighter Franco Nero. Those darned Italians … they even steal from each other! There's usually one thing you need to know about belated sequels: they suck! Usually, that is, because "Django Strikes Again" is the exception to confirm the rule. It's a very solidly scripted and action-packed adventure that independently stands on its own as one of the greatest Italian movies of the 1980's. Director and co-writer Nello Rossati luckily doesn't come up with an easy rehash of the original, but brings an ambitious and convoluted non-western story with fascinating characters and even more firepower. Django is living a retired life in a monastery, but digs up – literally - his arsenal when a woman begs him to save his own daughter from the hands of the evil slave trader/weapon dealer/jewel robber "El Diablo". This Nazi-inspired madman is the ultimate cult movie villain. He lives on a battleship that is decorated with the decapitated heads of poor suckers that revolted against him, treats his female black household slave like a cheap toy and shoots innocent fisherman in the head for target practice! Anyway, Django is sent to a silver mine to work as a slave, but manages to escape (with the help of the ultra-cool and mega-versatile Donald Pleasance) and finds his old coffin. But this is a sequels and times have modernized, so Django doesn't pull an ordinary coffin behind him anymore but tunes an entire hearse! Go Django, still indescribably cool after 20 years of hiding in a cloister and pretending to be a monk! "Django Strikes Again" is a surprisingly great and stylish movie that doesn't even qualify as a western! The action is almost adapted to the typical 80's South American guerrilla settings, with slavery camps & torrid swamps. Django's hearse is tremendously cool and there are numerous memorable sequences, including the fight within the monastery and the attack on the brothel. Franco Nero looks just as handsome and acts just as cool at age 45 as he did at age 25, but this time he also receives much better and more professional support. The almighty Donald Pleasance is terrific as an enslaved Scottish entomologist whose brains are slowly getting affected by the continuous heat. Even better than Nero and Pleasance is Christopher Connelly as the truly and genuinely despicable "El Diablo". His villainous portrayal surely ranks amongst the best cinematic baddies ever! Connelly passed away shortly after the release of this film, at the young age of 47.
dbborroughs The official sequel to Django the spaghetti western that helped make Franco Nero a star. Although there have been upwards of 65 pseudo-sequels or films renamed to seem like a sequel this is the only re deal. Coming 20 years later the film is set in the jungles of Mexico where Django, now a monk is informed that the daughter he never knew he had has been kidnapped. After much soul searching he goes off to get her back and walks into the clutches of a mad aristocrat on an armed boat who is oppressing the natives and taking slaves. It isn't long before the man of the cloth reverts to being a man of the gun. The film is typical 1980's Italian exploitation film making. Its mindless and a not bad spaghetti western once the film actually gets going. Anchor Bay who released it to DVD has seen fit to restore a prologue cut before the original release, it has nothing to do with the rest of the film except to allow to aging gunfighters to wonder what happened to the best gun fighter ever. Its awful. It was rightly cut since it serves no purpose and is just badly done. Yes the gun fighters are killed by the villain of the film, but it is in no way connected to anything. If you watch the film, which you will enjoy if you're in the mood, skip the prologue and jump right to where Django shows up in the monastery.
Marc Ferriere This film is very interesting. Many people will scoff at it's production values, but when you consider it's era, it's really not that far off from its contemporaries. Many people make the mistake of comparing this movie to the Rambo franchise.I suppose this is based on the way the Italians chose to market the film (with Nero with a headband and giant veiny muscles). But the more appropriate comparison should be with Arnold Schwartzenegger's "Commando". In both films, a burly guy trying to forget his violent past has his daughter kidnapped and is forced to kill hundreds of ethnic stereotyped Hispanic folks to get her back. It's even got exploding guard towers and guys getting stabbed in Arnie "stick around!" style!!!

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