Dhokha

2007 "Some betrayals are never forgotten"
6.3| 1h54m| en| More Info
Released: 31 August 2007 Released
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Synopsis

Post-September 11, 2001, Zaid Ahmed Khan lives a wealthy lifestyle in Mumbai and resides in an apartment at Shanti Kutir, Juhu Tara Road, Mumbai, and works as an Assistant Commissioner of Police. One day terrorists strike at a club, killing 20 people, & critically injuring several others. The Police are put on alert, and Zaid is summoned to Police Headquarters to identify a body. To his shock the body turns out to be that of Sarha, his wife - who was not a victim but was a suicide-bomber. While trying to put his life together, Zaid comes across evidence that Sarha may have had an hand in the killings, and thus intrigued he decides to travel to Nasik to find out what really happened, whether his devout Islamic wife was really a terrorist or the victim of a deep-rooted conspiracy.

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Reviews

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Justina The film never slows down or bores, plunging from one harrowing sequence to the next.
sumanbarthakursmailbox Noble intentions alone don't make a good film, and that becomes clear as crystal while watching Pooja Bhatt's film Dhokha. The film, her third directorial outing after Paap and Holiday, is unarguably the most relevant of her three films because it touches upon themes that are significant and critical.Newcomer Muzammil Ibrahim stars as a young Muslim police officer who learns that his cute-as-a-cupcake wife Tulip Joshi may have been a suicide bomber responsible for the death of many innocent people.It's a discovery he can't quite come to terms with because it dawns on him that he may have never really known this person he shared his home, his heart and his life with for two whole years. Determined to get some answers, he sets off on a mission to trace why and how she may have led this double life.Now with this film Pooja Bhatt makes an earnest attempt to address so many urgent issues – everything from communal prejudices and cultural stereotyping to terrorism in the name of religion and exploitation at the hands of the establishment. Problem is, in her over-enthusiasm she forgets that key rule that movie directors can never really afford to forget – feature film is a popular medium, it must engage. It must not become a lecture that bores the audience.Despite a solid premise, Dhokha fails to realise its potential because the screenplay is often contrived, often convenient, and at times just hopelessly idealistic.An everyday policeman just tumbles into a full-fledged terrorist outfit. A suspicious spiritual leader shows up out of thin air to participate in a never-ending question-answer session on the relevance of jihad. And a suicide bomber strapped with kilos of RDX gets to go home scot-free after he's persuaded not to blow up VT Station. If only the world were so simple.On the up side, I'm happy to say that unlike Pooja Bhatt's previous directorial offerings, Dhokha is not a Hollywood-film remake, it is instead inspired from real events.The case of the 19-year-old student Ishrat Jahan who was gunned down by the Ahmedabad police for allegedly plotting the murder of Gujarat Chief Minister Narendra Modi is as much an inspiration for the plot of this film as is the case of software engineer Khwaja Yunus, a suspect in the 2002 Ghatkopar blast incident who was allegedly killed in police custody.This is a film you badly want to like because it's well intended and because it's got its heart in the right place, but how you wish it didn't go about its job in such a perfunctory manner.Few films these days have much to say, so when you come across a film that does, it's a pity it doesn't make its point hard enough. And by hard enough I don't mean, beating the audience on the head with a message, rather driving the point home by illustrating its repercussions.Of the film's cast, veterans Gulshan Grover and Anupam Kher lend credibility to the occasionally over-dramatic scenes, while Munish Makhija as the spiritual leader is as expressive as a block of wood.Mercifully we are spared the full range of Tulip Joshi's incompetent acting because she's barely in the film and has less than three dialogues to speak, but we must endure instead newcomer Aushima Sawhney's labored performance as the cop's ex-girlfriend who turns up just in time to lend a supportive shoulder. In many ways, the star of Dhokha is model Muzammil Ibrahim who makes his acting debut as the betrayed husband. Much in the same way that she photographed her previous leading men John Abraham and Dino Morea, director Pooja Bhatt for the most part films her new hero as a Playgirl centrespread, baring his perfect abs in romantic scenes, in shower scenes, even in fight scenes and chase scenes. But surprisingly, there's more to him that the six-pack – Muzammil delivers a confident performance and shows some genuine star potential.The film itself could have been so much more. Remember, the films you either immensely enjoy or even violently detest are the ones you're likely to remember for a long time to come. But Dhokha turns out to be one those average films that evokes no strong reaction.It's a film that you only feel indifferent towards. Pooja Bhatt's Dhokha unfolds at a pace slower than my 81-year-old grandmother.
AishFan Pooja Bhatt has done a great job this time. All the performances are top-notch from Anupam Kher to Ashutosh Rana to Sara. Muzammil gives a fantastic debut. The Bhatt camp cannot deliver a movie without good songs, and Dhokha is no exception. Some portions may be hard to believe such as Muzammil's quick escape from Al-Qaeda and the Indian government's leniency with his brother-in-law, but this film is about possibilities for improving the country, not so much documenting on the grim reality. It is very interesting how Muzammil goes to the root of the problem to find a solution. In the end, he conveys a very important message that needs to be told. The government itself is giving birth to terrorists through, for example, the corrupt interrogation system (cough::Guantanamo Bay::cough). If the government practices its roles and duties more ethically, the world will be a safer place.
Avinash Patalay If Daddy does a critically acclaimed "Zakhm", will daughter lag behind? Yes, "Dhokha" seems very much inspired by the former and tried to dish out a product which is a mix of suspense, marriage, communal (dis)harmony, pseudo-secularism and suicide bomber.Muzammil Ibrahim is not too bad especially the script demands varied emotions. Can act, though woody at times... but hey – not too bad for a newcomer.Tulip Joshi – one expression. The scene carrying a machine gun in her hand reminds you of a 1980's movie.Aushima Sawhney – The story could have done away with her character. Does every product from Bhatt camp has to do with extra-marital relationships? Ashutosh Rana , Anupam Kher, Gulshan Grover – reliable as usual.Songs by M M Kreem are good.Finally about Pooja Bhatt, I think she is good as a production controller for she seems to put more effort on bean-keeping thereby killing the creative force required to don the director's hat. Her fallout with the lead actor – is it a mere publicity stunt? The story-line is very much predictable. While "Dil Se" had delved deeper into the psyche of suicide bomber, "Dhokha" deals the issue at a superficial level.However it seems the project did initiate with an honest attempt to give an insights into the cause and effects.
uwerethe1 I have just recently watched this movie unexpectedly. Never heard about the trailers nor the main actors in it, however the acting done here is far more superior then some known actors! OK so the movie might not be your oh-my-god-its-the-best-movie-ever type, but it has some deep meaning. The direction was great, the storyline was even better! The movie basically deals with the whole Muslims being hated upon in India and how some decide to join the evil side. I know it sounds a bit iffy and makes one not to watch this type of movie, but believe you me...you should. Or at least give it a chance! It's the type of movie that keeps you involved in the story, and makes you interested right till the end. The beginning song is great, the rest are not so bad. I'm giving it a 9 / 10, because not every movie's perfect.