Departure

2016
6.7| 1h49m| en| More Info
Released: 20 May 2016 Released
Producted By: BFI
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

An English mother and her teenage son spend a week preparing the sale of their remote holiday house in the South of France. Fifteen-year-old Elliot struggles with his dawning sexuality and an increasing alienation from his mother, Beatrice. She in turn is confronted by the realisation that her marriage to his father, Philip, has grown loveless and the life she knows is coming to an end. When an enigmatic local teenager, Clément, quietly enters their lives, both mother and son are compelled to confront their desires and, finally, each other.

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Reviews

Greenes Please don't spend money on this.
Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
jsurf-413-980639 10+10+10 Stars! This film tugs my heart on SO many levels. Alex Lawther is magnificent. I felt every emotion along with him. Juliet and Phénix round the cast brilliantly. Tears of joy!
paul2001sw-1 Andrew Stegall's film 'Departure' tells the story of a son and his mother under pressure when they have to sell their holiday home in the wake of the break-up of her marriage; and simultaneously, of the son's nascent interest in a local youth. At times, we're dangerously close to Joanna Hogg territory (and I don't mean that kindly), but the characters are mercifully drawn with more warmth and we're allowed enough of a glimpse of the back-story so that the film makes sense. It's still not quite right, however, with alterations between sections that are well-crafted, dull Hogg-like periods where nothing happens save for the characters sulking in their misery, and occasional moments oddly presented as ephanaic in a way that jibes with the mood of the rest of the film. It's not awful, but I found it hard to get engaged.
tonysloane I cannot understand the critics that, here, have written that Elliot was "wooden" and understated.The whole point of his reticence was to give his mother and Clement the latitude to explore their feelings and emotions whilst his feelings were almost unrecognised.The frustrations he felt were almost palpable, and the desire to love and be loved was almost heartbreaking, as witness in the final scene when in frustration he wrestles and violently kisses Clement.A beautiful and outstanding piece of cinema.
lorenzo-tardella Last year there was only one film that completely shocked me, that put in turmoil the brain and heart, occupying a place for a very long time. It was MOMMY, by Xavier Dolan. DEPARTURE had a similar effect on me. It's a small film, independent, a debut. And perhaps for all these three reasons, there is an urgency so sincere to tell this story to make its strength and its power literally unstoppable. DEPARTURE is a wonderful piece of cinema, which reveals a great director of the future. Powerful, bright, completely honest. Well written, well directed, well played. It comes from the heart. And it goes to the heart.