Deathsport

1978 "DeathSport isn't just a game. In the year 3000, it's the only way to survive!"
4| 1h22m| R| en| More Info
Released: 01 April 1978 Released
Producted By: New World Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

1000 years into the future, after the Great Neutron Wars, the world is divided into desert wastelands and isolated city-states. Notorious "Desert Ranger" Kaz is forced to fight in the DeathSport, dueling on futuristic motorcycle "Death Machines". With the help of renegade vixen Deneer, Kaz must face his past and fight to save himself and his people.

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Reviews

UnowPriceless hyped garbage
MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
Numerootno A story that's too fascinating to pass by...
Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Bezenby This is one of those films where everything, and I mean everything, explodes. Which is a good thing. Also, this is the type of seventies film where, if you're of a certain age, you'll start feeling anxious about your mortality as every single lead actor here is dead. Sigh.David Carradine and Claudia Jennings are range guides (whatever that is) in the post-apocalyptic future (which is my favourite kind of future). I don't know what a range guide is, but they sure do spend a lot of time spouting semi-philosophical crappenshite. Bottom line is they are a threat to a dictatorship and kidnapped and forced to partake in Deathsport.Deathsport somehow means making subversive non-citizens go up against Death Machines, which to you and me are motorcycles. Before we get to see that we get to see Carradine and Jennings are prisoners of Lynch having their arses kicked an awful lot, but once Deathsport starts Carradine turns the table.Mostly this film involves people riding motorcycles and things blowing up. Some full frontal nudity too within some weird disco set up where the boss of the evil folk can electrocute girls in the skud or something. I paid a pound for this and it was worth every penny.I spent most of the film to be honest wondering what was up with Richard Lynch's skin. Now I've read that the poor guy set himself on fire in the sixties after taking LSD? Jesus.Also, Jesus directed and starred in this.
edwoodjr2003 I saw this movie as a kid at the theater "in the back corner of the mall" that showed those "hardcore R" movies in the late 70's - nervous buying the tix but the theater guy always let us in. Without a doubt, watchable. I'm just getting my kids to appreciate "cinema" and this one is one the list. Most of it is where we saw it versus what we saw but it's now viewable in your home at your calling. Technology. I personally dislike CGI and the proliferation of computers as "film" so these are the type of movies that now define an era gone by. Sad but true. There is an appreciation to be had with this movie that's like watching Shakespeare in the Park with motocross and entertaining foley artist work (albeit laughable).
Vomitron_G Holy Mozzarella! I can not believe this was *not* made by Italians. It's about as bonkers as Castellari's THE NEW BARBARIANS. And it's definitely far more warped. David Carradine plays some kind of futuristic hippie-warrior (they call them Range Guides, or Mystical Nomads if you will). He gets captured, imprisoned and forced to play the Deathsport game. He escapes on a silver bike, together with his fellow-hippie love interest and some blond dude who can't act. The rest of the movie they get chased by the evil Richard Lynch on a bike. Oh, and there's mutants running around the wastelands too. Bonkers, I tell you.There are a few charming matte-paintings to behold (mainly of two futuristic cities). Lots of psychedelic color schemes, full frontal female nudity and utterly spaced-out sounds. Will you just listen to those motorcycles when they fly by? They either sound like they're screaming or farting. Even those plastic see-through swords of Carradine & his girl make undefinable "weesh"-sounds. Those big red-laser-beaming hand-blasters are pretty mind-boggling too. People and things get all red and vanish into thin air when they get hit.One of the highlights is the sequence where Carradine (on his bike) gets chased by Lynch and his henchmen (also on bikes, of course). They drive into some abandoned military domain, and end up driving some sort of improvised but pre-arranged race circuit. There's really no explanation as to why it's there. It's just there, although it shouldn't be. Plus, during their pursuit, things just keep blowing up and randomly catch fire.In the end, Carradine and Lynch get to face off one another during a weirdly edited sword-boss-fight. The outcome? Evil Lynch gets decapitated and Carradine gets the girl. I love it when a movie ends that way! Well, not just any movie, of course. Only the ones that star David Carradine as a womanizing hero. Well, "womanizing" probably isn't the exact word; as she's more like some soul-mate or something. But whatever, he gets the chick and that's what counts.
sonya90028 Deathsport, was the sequel to Deathrace 2000. It stars David Carradine, and the late Claudia Jennings. Science fiction films were enjoying a resurgence in the late 70s, after virtually disappearing from the silver-screen, earlier in the decade. This was no doubt, due to the phenomenal box-office success of Star Wars. This film has lots of flashy special effects, noble heroes (Jennings and Carradine), sinister villains, high-tech weaponry, fast futuristic vehicles, etc., etc., etc. Only Deathsport is a film that takes place right here on Earth, rather than in outer space. So, that's mainly what differentiates it from the traditional science fiction movie.The dialog in Deathsport is excessively lofty, and winds-up being laughable as a result. You just can't take it seriously. It's a pity that both Carradine and Jennings, are stuck having to recite such hokey lines. The two of them, are what really holds this otherwise mediocre film together. Both Jennings and Carradine have a good chemistry between them, and are well-matched in their acting abilities.The performances of Claudia Jennings and David Carradine, are the only reason to see Deathsport. Otherwise it's a humorless, boring movie, and not worth your time.