Carycomic
I confess that I had never heard of Robert Foxworth before watching this, the night it debuted, on CBS. But, I sure as heck kept an eye on all his subsequent television appearances!This also marks only the second time I had ever heard of Joe Penny. The first time (or, perhaps, it was the merely the first time I could put a name to the face) is when he played an Amerasian D. A. in San Francisco, battling organized crime at night as "The Samurai." But, of course, he was later able to do so more openly on the Steven J. Cannell series RIPTIDE.France Nuyen, suitably exotic as the mysterious high priestess, was a childhood crush from the first time I had seen her as the Dohlman of Elaas on STAR TREK: TOS. And the ill-fated cat burglar who never had a single line of dialogue (unless you count his death scream) later became famous as Officer Danko on HILL STREET BLUES. For all these reasons, these entertainment firsts, I give this a perfect ten.**Although, I do have to point out one thing to the gentleman who wrote the plot summary here at IMDb. Mr. Zoerner? Hawaii doesn't have voodoo! That's strictly a syncretic mix of Euro-witchcraft, Roman Catholicism, and West African tribal animism developed in the West Indies.
Vomitron_G
CURSE OF THE HAWAIIAN WEREWOLF. Terror and horror under a Hawaiian full moon... Jaahaa, sounds cool, doesn't it? Think again...While technically I remember this to be the very first werewolf film - or one of the first - I saw as a tiny little kid on a late night TV channel, I actually remembered little else of it (aside from the ending terrifying me). Probably because of the complete film being, uh, well, pretty much ballocks. What we got here, is a werewolf in Hawaii, in a motion picture flavored with ancient native sorcery (a curse, always scary stuff!), horribly colored shirts and dangerously short sporting shorts. All this could work, but it doesn't.So what did I get out of this film? Well,... a lot of muzak (seriously, will you listen to all those hideous tunes on the soundtrack) and some great textbook examples of experimental cross-cutting. Sergej Eisenstein should see this - he'd be proud. And then there's Robert Foxworth running around in werewolf make-up. I imagine this film to be a very tedious watch for the regular viewer, but if you manage to place yourself in the minds of the people who made this, you'll have a hard time wiping that grin off your face. It's just so ridiculous how they put this movie together. Especially the "cleverly planned" romantic interludes between Foxworth and Barbara Trentham are always a hoot to which you can set a timer. But the most painful thing about this film, is that Foxworth is the actual werewolf. The viewer knows this from the start, but Foxworth's character doesn't (It's you, Foxworth! Wake up, man, it's YOU! ...aw, Christ!). He always wakes up every morning, but has no clue about what he'd been up to all night ("Hmmm, must have been too much sun and alcohol..."). Now, any film in which the viewer knows everything from the first minute, but all the other characters are running around trying to figure things out, is just a plain bore to sit through. In this case, an often funny bore, yes, but you'll be glad to see the credits roll after that final "shocking" surprise end-shot.Finally, I can imagine one of the very first production meetings of this film having went a little as follows. Throw in a producer (P), director (D) and writer (W): P: "Let's make a film about a guy going to Hawaii on a holiday and have him change into a werewolf every night." D: "Great! I love werewolf movies. I want to direct one." P: "Fine! Writer, figure something out to make the guy a werewolf." W: "Okay, we could put a curse on him, because his ancestors were evil missionaries... or something." P: "Wonderful angle! I like it! Anything else?"W: "I could throw in a redundant subplot about a thief, robbing rooms. So the police can run around clueless." P: "Excellent! Who's going to play the leading guy?"W: "I suggest Robert Foxworth. He usually doesn't have a clue about the characters he's playing." D: "Uh, could I direct some romantic interludes too? I like those." P: "Yeah sure. Romance always works." D: "What about tits? I want to shoot some naked breasts too." W: "I could write a gratuitous shower-scene into the script" P: "Okay for the shower-scene. But no tits. Remember, this is going to be shown on television. And put Foxworth in a shower somewhere too, for the ladies. But don't show his butt, D." D: "Aw, darn. I like Foxworth's butt." P: "Okay, all set then. W, you get your script ready in a week. I'll book us some tickets to Hawaii. I could use a holiday myself." D: "Yipii! We're gonna make a werewolf movie in Hawaii!" P: "Shut up, D. Go shoot this movie or you're not getting paid." Sure they got away with this. It was the 70's. They got this movie made.
Coventry
Oh my God, this movie stars Joe Penny!! I thought he never did anything apart from that horrendous cop show "Jake and the Fatman" and maybe some other cheesy TV-crap! Even in the late 70's already, he was a lousy and stupid-looking actor who exclusively portrayed womanizing macho men with limited brain capacity. And "Deathmoon" is everything you expect from a cheap and anonymous 70's TV-production! It's really boring with an incoherent plot and a complete lack of excitement! The basic given is perhaps original – werewolves in Hawaï – but the elaboration is truly poor and amateurish. Robert Foxworth (another antipathetic TV-actor) plays a overstressed businessman on vacation in Hawaï, but there he transforms into a hungry werewolf and kills fellow hotel guests. Apparently the reasons for all this is that his ancestor the missionary upset some of the aboriginals back in 1870 and they placed a werewolf curse upon his bloodline. Joe 'Jake' Penny plays the hunky hotel security guard who seduces stewardesses and wears idiotic shirts. The wolf make-up effects are miserable and there's absolutely no action on screen. Everyone always talks about horribly torn apart corpses, yet we don't get to see a single drop of blood. That's just unforgivably weak, even for a TV-movie. There's too much tedious exotic dancing going on and the dialogs are dreadful! Pure crap, avoid it like the plague.
