GamerTab That was an excellent one.

NekoHomey Purely Joyful Movie!

FeistyUpper If you don't like this, we can't be friends.

Fairaher The film makes a home in your brain and the only cure is to see it again.

JasparLamarCrabb A fine cop thriller loosely based on the Kitty Genovese case of the early 1960s (Genovese was murdered in NYC, her screams ignored by apathetic neighbors). Raul Julia is a cop hunting a serial rapist/murderer who's terrorizing a Brooklyn neighborhood. His first killing is witnessed and ignored by a slew of nervous Nellie's who simply do not want to get involved. With a great screenplay by Stirling Silliphant, director Richard Heffron elicits some terrific acting from not only Julia but the all-star supporting cast including Ed Asner, Cloris Leachman, Tina Louise, Tony Dow and Nancy Walker. They all play against type, with Louise a real standout. Art Carney, Sally Kirkland and John P. Ryan are in it too. The superb music score is by Gil Melle.

Alonzo Golden I found this film to be very good, with some fairly gritty realism (for it's time anyway); Raul Julia has fun with his role and is very likable and heroic in his portrayal of the Brooklyn detective out to catch the killer. There are a number of cool action sequences (check for the bicycle chase scene with Raul peddling away on the bike), All in all made this an above average film which had potential (IMHO) to become a really good TV series. The premise for the film, borrowed from the true story of Kitty Genovese, murdered right near her apartment building as her neighbors looked and but offered no assistance is still quite haunting. I'm actually surprised Hollywood hasn't attempted a huge theatrical remake of the film.

rsoonsa Loosely based upon the appalling Kitty Genovese murder in 1964, wherein young Kitty was slain in front of her Queens apartment building as 38 onlookers refused involvement, this made for television movie, originally a back door pilot for ABC that failed to achieve high enough ratings deemed necessary for further production, shifts the action to Brooklyn and lowers the crime witness count to 15, a more manageable number for a film in which primary emphasis is placed upon casting of "guest stars" in lieu of attempting a measured approach into socio-cultural connotations of the tragedy. Originally titled HOMICIDE, and a year later THE WOMAN WHO CRIED MURDER for its second television showing, this work was heavily publicized but its meretricious courting of an audience ratings advantage brought negative reaction from most viewers, especially those still mindful of the original dreadful crime, and it quickly disappeared from distribution lists, effectively excising an initial top billing appearance for Raul Julia, as a New York City homicide detective. From among the celebrity packed cast emerge noteworthy cameo performances, including those of Art Carney, Tina Louise, Cloris Leachman, and Lucie Arnaz who chose a plot climactic role rather than one offered her that involved more screen time, and there is a polished turn from 12 year old Helen Hunt, as well as a poor one from Diahann Carroll, with solid acting from Julia and, as his detective partner, John P. Ryan. Breezily generic dialogue is composed for the detectives in a script that is full of bromides, as is the jazz-flavoured score. The film is capably directed, but the shade of Kitty Genovese trivializes this effort, baring its failure to explore a crucial event in modern U.S. urban history.

Brian Washington This film was very loosely based on the Kitty Genovese case in which a young woman was murdered in front of several people and none of them bothered to call the police. The beginning is pretty interesting as the police go from door to door to try to find out what happened from the various residents of the neighborhood where the killing happened (many of whom were appearing on various television shows at that time including Ed Asner, Cloris Leachman and Nancy Walker). This starts out as an interesting study of human nature but soon it becomes just another cop drama as the killer starts attacking various women. One woman, who happens to be pregnant, is almost raped and another woman is raped and killed in the elevator of her apartment building. Too bad, though. It had the potential of becoming an above average "movie of the week".