AniInterview Sorry, this movie sucks

Vashirdfel Simply A Masterpiece

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

chrichtonsworld "Death Carries a Cane" does a pretty good job in misleading and misdirecting you. So you never know who the killer is until the ending. But the motive given for the killer doesn't make any sense. With much more effort that could have made this movie into a classic. Also some scenes did not make sense at all. Like there were scenes cut out that have to give a logical explanation for what they are doing in the scene. This giallo might be a tad sleazy for some but in a healthy way. Because the women in this move are pretty attractive. Especially Nieves Navarro (or Susan Scott). There is something about this woman that screams sophistication. All the more hilarious later on when she is being made fun of towards the end. Overall not the most impressive giallo still a good one for a rainy Sunday.

The_Void Released during the height of Giallo's popularity, Death Carries a Cane is a sadly lackadaisical film. It seems as though everyone involved couldn't really be bothered, with the sole intention of creating another popular film on the mind of the director and scriptwriters. The acting is mundane, the plot is highly derivative, the scene settings are very bare and the character's motivations range from unlikely to completely ridiculous, and more often than not are an obvious attempt at furthering the plot. The film seems to be taking Dario Argento's masterpiece 'The Bird With the Crystal Plumage' as its main inspiration, as the plot centres on someone who witnesses part of a murder and endeavours to solve the case. The plot follows Kitty; a young woman that, while looking through an observation point, spies a murder happening in a house across the street. After doubting her story, the police do nothing; but then the murders continue, and Kitty's boyfriend ends up noticing that all of the murder victims were a part of a ballet group.Stylish murders are an important part of the Giallo, so it's lucky that director Maurizio Pradeaux decided to do a good job with this area of the film. The murders are rather tame compared to other genre films, but the director makes them stylish, and shots of things such as the killer hiding under a bed or on the backseat of a car are good, and the cane/razor blade murder weapon combo features well. The film benefits from a strong Giallo cast, including most notably; Luciano Ercoli's spouse, Susan Scott. Scott is largely wasted, however, as her role doesn't allow her strong screen-presence to shine through and she left only with the task of providing some nice nude shots. She is joined by her Ercoli Giallo co-star Simón Andreu as well as prolific Italian horror star, Robert Hoffman. The plot doesn't flow too well, as the murders are the only standout parts of the film, and much of the build up/aftermath to them isn't interesting, especially as the police investigation is mostly lacklustre and redundant. Overall, Death Carries a Cane isn't a particularly bad Giallo; but it's not a very good one either, and Giallo fans can feel free to skip it.

lazarillo This movie has all the elements of a good giallo, but it somehow manages to fumble every one of them. All gialli have ridiculously convoluted plots, but the plot of this movie could best be described as random and meandering, and it never succeeds in developing any real tension. While looking through a viewfinder in a park the heroine (Nieves Navarro) accidentally spots a woman being killed by a man with a cane and a straight razor. Suspicion falls on the heroine's boyfriend (the incredibly bland Robert Hoffman)even though his girlfriend is the only witness or potential witness(including a street vendor, a blackmailer, and a prostitute)who is NOT immediately murdered as well. Meanwhile, as the boyfriend is forced to investigate the murders to clear his own name, the killer also continues going after his main targets--pretty young women associated with a mysterious dance academy.There are way too many characters in this story (even a minor female journalist character has an identical twin sister for no good reason)and almost all of them carry a cane. (Be careful though because this is the kind of movie where even the cane itself might be a red herring). The final revelation of the motivation of the killer is always enjoyably ridiculous in gialli, but here it is just plain dumb. The only thing that might recommend this movie is the gratuitous nudity. EVERY woman that appears on the screen in this movie finds a reason to get naked (including a memorable scene where a ballerina suddenly decides to go topless during her routine). Even this becomes a liability, however--Nieves Navarro is actually a pretty good actress and I'm sure no one will complain about her two gratuitous sex scenes, but does she really need to stand out around bare-ass naked when all she's doing is discussing the case with her boyfriend? In its favor this movie DOES have some amount of visual style, and it will probably be looked on more favorably when it is released on legitimate DVD (which shouldn't be too long--THREE Nieves Navaro gialli have been released in the last six months). OK, not great.

Mathis_Vogel Susan Scott of "Death walks at midnight" and "Orgasmo Nero" fame stars in this fairly unremarkable entry into the giallo genre directed by Maurizio Pradeaux. She witnesses a murder of a girl through a telescope, but fails to see the killer's face (who's dressed in typical giallo fashion). With the help of her boyfriend (Robert Hoffman from Umberto Lenzi's "Spasmo") she starts her investigation, while the killer proceeds to cut the witnesses' throats with a straight razor. There's nothing special about 'Death Walks With a Cane', it's a routine giallo with little originality about it. You've got all the usual stuff here: violent murders, weird characters,crazy plot twists, but there's still something missing. Firstly - suspense, the movie is pretty damn low on thrills. Secondly - sense of style. What kind of giallo is this without stylish locations? The story is supposed to be taking place in Rome, but the action mainly revolves in some un-photogeic back streets. No gorgeous architecture,just old shacks. The most upsetting thing about the film is the camera-work: flat and uninspired, with lots of pointless zooms and occasionally out of focus. Only during the murder scenes do the proceedings look a little more lively with some nice camera angles. The murders are gory and quite well executed. The score for the film composed by Roberto Pregadio isn't progressive or groovy or pounding or anything at all. Merely generic. There's a good deal of nudity in 'Death Walks With a Cane'. Robert Hoffman (who was just excellent in "Spasmo") and Scott do what they can with the material they're given, battling through some hysterically funny dialogue. The supporting cast includes Simon Andreu and Luciano Rossi who's always played demented creeps in westerns and police films. Sadly, this time Luciano Rossi is wasted as just one more red herring. The film isn't great, still worth a look for giallo fans but had a potential to be a lot better. If you want to see the same cast in a decent film, watch "Death walks at midnight".