Dead of Night

1946 "The unexpected, the tragic, the comic, the romantic, the dramatic....."
7.5| 1h43m| NR| en| More Info
Released: 28 June 1946 Released
Producted By: Ealing Studios
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales.

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Reviews

Matialth Good concept, poorly executed.
Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Catangro After playing with our expectations, this turns out to be a very different sort of film.
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Luposlipaphobic Five stories are told:1. The Hearse Driver 2. The Christmas Party 3. The Haunted Mirror 4. The Golfer's Story 5. The Ventriloquist's DummyThe only story which is truly terrible is The Golfer's Story. It is awful, the story, the idea, the execution. The Hearse Driver is short, and pretty solid. The Christmas Party has a spooky flavor to it, and isn't a bad attempt. The Haunted Mirror is excellent. The Ventriloquist's Dummy is also excellent, and truly shines as the best story of the lot. If watching this film, either skip over The Golfer's Story or watch an edited copy where this story is cut out.
jellopuke A truly great horror anthology with a tremendous wrap around story with a twist and interesting sub-stories. It's a little dry and old fashioned for today's viewers, but if you give it a chance, it'll stick with you. You can see where the roots of the style spring from and how, done right, this style of movie can be superb. Worth tracking down, as long as you find the full, uncut version with all stories.
Nigel P Ealing films, the warm and cosy home of lovingly crafted British comedies, branched out into slightly more unnerving territory with this early anthology. At a country house, in an age where, following communal afternoon tea, the local doctor likes to offer round the cigarettes, Walter Craig (Mervyn Johns) turns up and recognises the ensemble (none of whom he has ever met) from his recurring dreams.In this world, where everyone speaks in the clipped tones of racing horse commentators, ("I can't leave. This is Mr Craig and I'm a character in his dream." "Oh how do you do? Such fun, charades!") the anecdotal stories everyone tells merely confirm Craig's suspicions. He can see their future: he knows what is going to happen.I cannot knock a 72 year old production for being dated, so I won't. But it is. The extreme politeness and styles are often difficult to get past, even harder to take seriously. To begin with, such chills as there are are very tame and wholesome. The segment featuring the malevolent mirror is where things pick up, giving the impression 'Dead of Night' is unveiling its frights in a measured way. Until the following dreadful golfing farce sequence lets things down. "Totally incredible and decidedly improper," to quote Mrs Foley (Mary Merrall).If you can sit through that segment, the best and most widely remembered is saved till last. Maxwell Frere (Michael Redgrave) is a ventriloquist, performing and popular with packed audiences every night. So when it becomes apparent that the dummy Hugo appears to be the controlling element of the partnership, initially amusing music-hall scenes become genuinely tense. This is partly due to the writing, in which Hugo's comedy jibes to his partner become increasingly spiteful, and Redgrave's performance, in which the showbiz charade slips and he becomes edgy whilst still continuing with the act.The Director for this final segment is Alberto Cavalcanti, who eschews the brightly lit jollity of the other stories and coaxes an intense performance from Redgrave. To say this finale is the best of the bunch is understating things. In its way, it is a masterpiece.In case Walter Craig's plight has been forgotten in all this, the twist ending gives the film's climactic moments a nice sense of closure.
travnlou Such an entertaining movie! It grabs you pretty quickly in the beginning and keeps you captivated throughout the film. Great plot, story line, dialogue and great performances by all. Definitely worth watching. Michael Redgrave is one of my favorite British actors. Anyone see him in "The Browning Version"? Each character's relayed experience is so intriguing. My husband doesn't especially like old British movies. After the man started explaining about his dream and the real life similarities he was finding with the group of guests, he told me "Don't change the channel!" We were transfixed through the entire movie. Highly recommend this one and hope to see it again some time.