David and Lisa

1998
6.7| 1h26m| en| More Info
Released: 01 November 1998 Released
Producted By: Harpo Productions
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Budget: 0
Revenue: 0
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Synopsis

A psychiatrist tries to treat an emotionally disturbed teenage boy who has a pathological fear of being touched. The only person who can communicate emotionally with the young patient is a girl suffering from split personalities who speaks in rhymes and withdraws from anyone who refuses to do the same.

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Reviews

Lumsdal Good , But It Is Overrated By Some
Konterr Brilliant and touching
Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Victor Field This may have come about under the aegis of Oprah Winfrey, but don't let that put you off; "David and Lisa" is far more watchable than her self-titled opus. (Another British viewer complained that She Who Thinks She's God appears in an intro before the movie starts; this is the case on video and on its US screenings, but I watched the movie on BBC2 and her appearance was removed, for which much thanks. Less justifiably, the Harpo logo was also absent - I don't like Oprah, but I like end credits.)Though Sidney Poitier is top-billed, Lukas Haas is the real star of the movie; he plays an articulate and intelligent young man who's very disturbed - he suffers from a recurring nightmare involving "clock executions," and has a severe phobia about being touched, all of which accounts for his widowed mother (Allison Janney from "The West Wing") sending him to a special institution. This movie is basically a love story, and the object of his affections - though it takes him a while to realise it - is a fellow patient played by Brittany Murphy (anyone seeing this after "Girl, Interrupted" and "Don't Say A Word" will probably not be surprised). Given to speaking in rhyme to make her internal demons go away, his interest is at first clinical, but eventually...Compared to "The Bell Jar" (the book, that is - I haven't seen the movie version), this isn't particularly wrenching, but it isn't meant to be. Blessedly non-sick-making, sensitively told and generally well-performed (some of the freakouts may seem overacted, but how far is too far in cases like this?), "David and Lisa" is an involving story right up to its final scene - there's no real miracle cure, instead a suggestion that they're heading in the right direction. (And unusually for a love story, the two never kiss.)And to the person who complained about Marco Beltrami's music; in addition to being above-average for TV, it must have been a refreshing change for him to score a movie not about serial killings. Fans of him (and Haas and Murphy) should tune in.
Sebastian-20 This is a very nice movie about two teens in a mental institution. David (played by Lucas Haas) is afraid to be touched by other people, and Lisa (brilliantly played by Brittany Murphy) says everything in rhymes, and seems to have a split personality. The two become friends, and unconsciously help each others overcome their fears... Also with Sidney Poitier as the head of the mental institution.If you like this film, maybe you also like "Her last chance" with Kellie Martin! Rating: 9/10
P Adkins I don't think I would have ever even heard of this film if one of my favorite actresses was not in it. Kimiko Gelman that is. Thank you Kimiko for having me watch such an incredible story. If this movie ever airs, my advice is "WATCH IT!!" 1-10 (10)
Nikwolf There have been many movies about mentally disturbed teens. Some have been quite effective such as the excellent performance by Shawn Cassidy in Like Normal People. Of course Ordinary People remains the standard. However, David and Lisa was a revelation. The performance by Lukas Haas was especially gripping - Emmy quality. It should lead to better roles for him in the future. Likewise Brittany Murphy was totally convincing with surprisingly subtle changes in her appearance during key lines. It was a joy to see Sidney Poitier in an understated but effortless performance. The photography was captivating, with occasional flashes of grainy documentary-type black and white frames. An altogether excellent production.

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