Plantiana Yawn. Poorly Filmed Snooze Fest.

ThiefHott Too much of everything

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

nikisaintclair This is a deeply important movie, honestly and beautifully, told. The acting was impeccable and the score was beautiful. The story is truly powerful. Every American should see this movie. We need to understand the ugly truth of how the criminal justice system really functions in our country, and understand the heroism of the people who fight for real justice.

Jithin K Mohan Based on the true story of Colin Warner who was wrongfully convicted of murder and spent more than 20 years in jail and his friend Carl King who devoted himself to prove Colin's innocence Crown Heights is a powerful film that shows how the system fails the people who need it the most. Having experience with making documentaries Matt Ruskin knows how to not make the actors be melodramatic and yet succeeds to make the viewers on the verge of tears. Lakeith Stanfield is excellent as Colin portraying the teenage confusion to the matured man. The focus of the film is mostly given to the failing judiciary and how it affects the people. There have been films dealing with such subjects before but the significance of such films has not diminished, these type of subjects are needed from time to time as a reminder about the world we live in.

boblipton Movies have many techniques for keeping you interested and making the time go fast. A moving camera, attractive sets and actors speaking witty lines, and a pleasing score will make the 90 minutes or so of a movie fly. Contrariwise, when a moviemaker wishes to instill a sense of oppression, any of these elements can be left out. This is a movie based on a real event. In 1980, a black man in that troubled Brooklyn neighborhood was found guilty of second degree murder and sentenced to 15-to-life as the driver in a drive-by shooting. The trouble is, he didn't do it; he was busy stealing and running over someone else at the time.This movie recounts the twenty-one-year struggle by him and his brother to get him freed. And during the period of his incarceration, the deadening effect of that imprisonment is made apparent by leaving out all those techniques that would serve to make the lives of the people in this movie more interesting.The trouble is that the audience is also subject to this oppressive and boring tedium. As a result, this 94-minute feature, which might have made an excellent documentary, fails in the first duty of any piece of art: to engage and, yes, entertain its audience. All we learn is that people make mistakes and take a long time to figure things out.

David Ferguson Greetings again from the darkness. Being wrongly accused of a horrible crime would be a nightmare. Being wrongly convicted would be the worst possible nightmare. Prison life must be a daily nightmare. What could make such nightmares even worse? How about serving 21 years for a crime you didn't commit, with about 4 years of that in solitary confinement. Numerous recent projects have focused on a legal and justice system that sometimes seems broken. Some of the best include: HBO's "The Night Of", Ana DuVernay's documentary 13TH, and Jamie Meltzer's documentary TRUE CONVICTION. Writer/Director Matt Ruskin has adapted this most recent based-on-a-true-story docudrama from a podcast episode of "This American Life". While the general topic of "justice" is interesting enough, it's the individual personal stories of justice denied that add such power, immediacy and emotion. In April 1980, in the Crown Heights section of Brooklyn, a young man is arrested on suspicion of murder. Lakeith Stanfeld (SHORT TERM 12) plays Colin Warner, a local petty thief whose family is from Trinidad. The "suspicion of murder" is really not accurate, since the arresting cops knew Colin wasn't the guy, but were more interested in clearing the case than actually solving it. What follows is a commentary on crooked cops, a flawed judicial system, and the willingness by the guilty party to let another go to jail if it means they remain free. However, more than any of that, this is a wonderful story of one man's unrelenting pursuit of justice for his friend. Former NFL star Nnambi Asomugha (married to Kerry Washington) plays Carl "KC" King – Colin's friend who refuses to give up on him and constantly hunts for someone to ensure justice is served … no matter how much time has passed. KC never stops, even when he realizes this is a system that doesn't often admit its mistakes. The tenacity of KC is likely to have viewers questioning if they have a friend so loyal … or if they themselves could be such a friend.Supporting work is provided by Zach Greiner, Josh Pais, Luke Forbes, Marsha Stephanie Blake, Adriane Lenox, Nestor Carbondell, Bill Camp, and Yul Vazquez. Natalie Paul plays Antoinette, the saintly woman who falls in love with Colin and marries him while he is incarcerated. We watch as the wheels of injustice roll over Colin – even demanding that he admit remorse in order to have his request for probation considered. Being a man of strong conviction, Colin holds firm on his innocence despite being hardened by life behind bars. Director Ruskin has delivered a decent movie, but with its vital story and issue, it's one probably better suited to a documentary structure. He wisely chooses not to pile on the legalities, and focuses more on the frustrations with a flawed system while also including an anti- death penalty message supported by the statistic of 2.4 million in prison – an estimated 120,000 of which are innocent.