PodBill Just what I expected

Lightdeossk Captivating movie !

Teringer An Exercise In Nonsense

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

piratecannon Have you ever seen Weekend at Bernie's? How about Deliverance? Maybe even Wrong Turn? Tony Elwood's Cold Storage is mishmash of all of these films—a "movie medley," of sorts. One would think that, given the sheer entertainment value possible when movies such as these are combined (shlock though they are), the final product would be nothing short of a delightful little tale of mountainside gore and inbred shenanigans. That, however, is not the case.Cold Storage is about an aspiring actress named Melissa who leaves her Charlotte area residence (woot!) to take on a gig in a rural (and I mean rural) Tennessee mountain town. On the way there, a bird crashes into her windshield and she somehow manages to fly out of her car and land on her head. Never mind the fact that the whole plot hinges on stray fowl: how did her car door open (without the automobile flipping over) and how did she manage to hit the blacktop in a "jackhammer" position? I know it's supposed to be over-the-top, but defying the laws of physics is an entirely different matter.So, here's our starry-eyed actress, lying prostrate and paralyzed in the middle of a Tennessee back road. The next person to come along, of course, is a fella named Clive. He's a local who has delusions of courting a long-departed nurse who was kind to him in his youth. He scoops up Melissa and carries her home, and eventually his fractured mind assigns her the identity of the aforementioned love of his life. The problem with all this is that Melissa soon dies due to her injuries, and Clive seems to take no notice. He even parades her rotting corpse around town in his rusted out clunker.This does make for some humorous moments, but the extreme nature of some of the funnier bits—such as when Clive "brushes his teeth" with a straight razor and pops a tick the size of a quarter with his bare hands —are oddly counterbalanced by what were supposed to have been moments of poignant reflection on the part of our anti-hero. These moments are so strangely juxtaposed that it makes the movie feel as if it's constantly teetering on the edge of oblivion. It just can't seem to make a clear statement about what sort of story it'd like to be, and viewers are left wondering if it's okay to laugh at scenes that could be taken as comical or pseudo-serious.To add to the woes, the whole production is hampered by atrocious acting from the very beginning. Even though this is a goofy horror/thriller at heart, the characters still need to be at least moderately believable—as is the case with any piece of effective storytelling—to elicit some degree of concern from viewers. With Cold Storage, we're given something akin to a late night round of charades that's punctuated by badly delivered (and badly written) dialogue. At times, wincingly so.There's also the stock characters of the incompetent Sheriff and the wizened local, both of whom are—strangely enough—friends (and both of whom advise Melissa's sister and ex-boyfriend to take different courses of action to try and locate said missing person).Even though it's got a few humorous moments, Cold Storage is a mess. If you're looking for goofy laughs and horror films of the hillbilly variety, check out Wrong Turn. At least then you'll know that it's all very much tongue-in-cheek.

charlytully This movie is less about being a horror splatter-fest, and more along the lines of "How to become a zombie bride." (In fact, the one person viewers KNOW is "really quite sincerely dead" by the end is the victim of the opening, Hedwig-induced car crash.) Otherwise, writer\director Tony Elwood provides a level of horror genre restraint almost on par with thriller classics from yesteryear, say Hitchcock's PSYCHO. Nick Searcy, as necromancing groom Clive Mercer, shows that he's ready to step into the Anthony Perkins role (hotelier Norman Bates) when the next PSYCHO remake is made. Particularly intriguing are Clive's dental hygiene habits. Brett Gentile nearly matches Searcy in his portrayal of Clive's nemesis, the even coarser Luther Spoole. While Jeffrey Pillars' caricature of a Southern sheriff is strictly by the book of Hollywood stereotypes, and Matt Keeslar joins Joelle Carter in being fairly bland as the clueless outsiders on the search for a missing loved one in the back country, bit players such as John W. Love, Jr. (Jerome), Rebecca Koon (Jewell), and Gina Stewart (Rhonda) shine in their parts with a light that often eludes even the leads in low-budget, little-seen horror flicks such as COLD STORAGE. Perhaps the producers' most questionable decision is to use Matthew Stewart's lament "Take Me" as the closing credits song, with lyrics such as "I'm prepared to prostitute my name; all I ask is 15 minutes' fame." Most of the people connected to this movie seemed to have a very opposite attitude; this is NOT Paris Hilton's HOUSE OF WAX remake (though it probably cost 100 times less).

bbsalamander Do not mess with those back wood inbreed mumble mouth Hillbillies, being out of touch with reality can mess up your social skills to say the least. Our main man Clive (Nick Searcy) is one out of touch and crazy boy and he has love on his mind. Nick Searcy who plays Clive is 100% convincing as a twisted redneck freak and had me squirming in my chair and thinking this is one nasty foul smelling odd ball. When a missing young lady's wimp of a boy friend and bad to the bone sister go looking for her they find Clive in all his sick glory and the fight is on. Good low budget movie with a group of fine actors make this worth a look, heck you will be planing your next vacation around Clive's Bed and Breakfast.

c-f-eller I saw this film at it's premiere and found it to be different from any movie I've ever seen. There were no car load of teenagers running from anyone in a mask. There was no hero with the goofy sidekick and there was no plot that I could predict. Very refreshing!! BUT...this is an odd movie and may not appeal to all. It's a dark story that takes place in a remote area of the mountains, yet, not so remote that it reminds you of "Hill have Eyes" or other films that occurs in the middle of nowhere. It just carries the implication that strange things can happen right under our noses, just around the corner, or a couple miles away. One minute the film has you in the safety of town, the next minute, you're locked in a cellar. The protagonist, though you won't forgive his actions, will actually gain your pity. I commend the writer-director for having the balls to put something like this to screen. It involves a subject that other films wouldn't dare touch. That alone takes brass. The film is well made and is shot in great locations. Nick Searcy is absolutely brilliant in the role of the simple minded mountain man. Anyone seeing him in the sitcom "Rodney" will not believe their eyes. Jeff Pillars was my favorite as Sheriff Bullock. Great job on a very interesting story. You won't forget this movie!!