Hellen
I like the storyline of this show,it attract me so much
Vashirdfel
Simply A Masterpiece
SoTrumpBelieve
Must See Movie...
SnoopyStyle
In Australia, Jeannie Dwight (Brenda Blethyn) is a cafeteria worker by day and a struggling comedian by night. Her quiet son Tim Maitland (Khan Chittenden) tries to keep everything together. They have his mildy mentally handicap brother Mark. Then he meets Jill (Emma Booth) on one of his moving jobs.Jill and Tim has a charming awkward romance despite the unreal insecurities of the supermodel. If anything, I want more Blethyn. She's the big name and holds the potential to blow up this movie. The family dysfunction isn't that well prepared and the pretty couple manufactures some fake conflicts. Blethyn isn't really a standup comedian. Nevertheless, this has its moments and the characters have their charms.
Brian T. Whitlock (GOWBTW)
I've seen quite a few indie films in my times. This one, "Introducing the Dwights" is a remarkable piece of work. Here you have a woman who's divorced, raising two sons: One is painfully shy around girls, the other who has special needs. The shy one named Tim, drives a moving van in Austrailia meets two lovely ladies: Kelly and Jill. Jill(Emma Booth) takes notice of Tim(Khan Chittenden) who clumsily approaches her. The sexual advances are making him awkward, and he later realizes he needs to put his past experience behind him. His mother works for a canteen during the day, but at night, she's a big hit at a local comedy club. She happens to be in a slump, because she's stuck in the day, and in serious need of reinventing herself. Both of her son have a certain someone. Tim's brother knows about Jill, and he's happy for him. Jill and Tim intimacy grows deeper and deeper by the minute. Looks like he's got him a soul-mate he can feel good about. A very good movie, great cast, and a great assortment of soundtracks to make it worthwhile. Don't care what the title is, I just love it!4 out of 5 stars!
Tim Johnson
Diane and I watched this fabulous, loving film as a double today and we both loved every minute of all that we saw. We see a reasonable number of films but neither of us have see such a feeling glimpse into the lives of people such as we saw today. As a country we should be so proud of the manner in which we can deal, through film and in reality, with the more difficult parts of human existence; we seem to have a gift unlike, if I can be permitted this generalisation, other countries and their approaches to cinema with the "pieces unexamined". There seems to be a rare acceptance of the breadth of human experience and our conditions; a breadth that passes beyond mere acceptance while the ear and the eye are absently directed away from the focus of interest and here I am dealing with Tim's multiply challenged brother Mark. Mark is allowed to be an integral character in this film rather than a challenged vision in the background. The scene where the girls take him onto the ice in a Sydney rink is priceless, as well as the last scene of the film at the wedding where he and his Downs girlfriend lead the dancing; again, priceless film with scripting, directing and acting at its magical best.Little can be added to the outstandingly sensitive portrayal of Tim's mum by Brenda Blethyn, an actor who deserves every accolade that has been given her for this portrayal that is ridden with pathos. I know, I know, already I can read viewer comments that I have not looked at yet who will damn this film for its "formulaic" script and its accompanying acting where characters are "cardboad" and not sufficiently drawn and I say Rubbish! Let us look at ourselves in situations where the actors fit perfectly into life's costume as if that costume were custom made such as this wonderful film.Go out of your way to see this fabulous viewing experience.
thesien
This film meanders around for too long. It isn't funny enough or moving enough to overcome it's clichéd nature. It's a standard coming of age affair with some romance thrown in. There are a few laughs, but not enough to keep the film afloat. The leads are all reasonable, but in the end the banal material and predictable climax overcomes the qualities of the actors. Surely the Australian Film Finance Corporation can do better than this? Perhaps it looked better on paper. On the plus side Richard Wilson does a stand out job as a retarded young man. The two young romantic leads are both very attractive and have a few good moments together, but again, not enough to bring the mediocre script to life.
