Mjeteconer Just perfect...

Noutions Good movie, but best of all time? Hardly . . .

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Prismark10 The tenth anniversary of the 7 July bombings has led to a flurry of programming including the somewhat disappointing and emotionally manipulative A Song for Jenny shown on BBC television.Rachid Bouchareb who made the award winning Days of Glory has made this curious low budget film just a few years after the atrocities which is a mixture of English, French and Arabic.Elisabeth (Brenda Blethyn) is a hard working farmer in Guernsey. After the July bombings she tries to contact her daughter who lives in London but she does not return her calls. Worried she makes her way to London and finds out that she is living in a flat in a predominantly Arab area.Ousmane (Sotigui Kouyate) is an African Muslim working in a forest in France. He has come to London to look for his son who his family back in Africa cannot contact. Ousmane knows little about his son had he had to leave his family behind to work in France. At one point we discover that he believes that his son might had been one of the perpetrators of the London bombings.Ousmane sees a photo of Elisabeth's daughter and realises that he has a picture of her and his son together and contacts her. Elisabeth is wary and distrustful of Ousmane and calls the police. It looks like the son and daughter were living together and her daughter was also learning Arabic. Elisabeth could not understand why she would be learning Arabic,hanging with a black African boy and living in a French-Arab area of London. Its all confusing to her.Eventually Elisabeth realises that they are both on the same quest and team up together to look for their respective children. It seems that there is hope that their children are alive and went abroad on the day of the bombings.Sotigui Kouyate gives Ousmane a quiet dignity, the actor was frail when he made the film but looks imposing with his big presence and dreadlocks. Brenda Blethyn specialises in playing frumps these days and here she very much hits the mark as someone who has grown in an environment a world away from multiculturalism of London.When she comes to London she is confused especially as she tries to fathom how her daughter ended up in such an alien environment and felt comfortable with it.The fact she comes from Guernsey helps get over the language barrier as she can communicate with Ousmane in French. Francis Magee plays a police inspector who speaks French in a bizarre Irish/Manx accent.You always suspect that the film will inflict a sucker punch to the duo. It is just a shame that it took place in such a poor setting of some basement corridor full of pipes that was supposedly a police station.It is a slow burning and thoughtful piece of two people looking for a glimmer of amongst despair and then dealing with their despair. Its simple premise is a big plus as you get pulled in with their search for their loved ones.

jandesimpson POSSIBLE SPOILERS Apart from genres that I don't much care for such as musicals and westerns (John Ford excepted) I don't really have any taboos about what I watch. I generally close my eyes when anyone is about to slash their wrists but that's a matter of personal squeamishness rather than taboo. Provided it has quality, I generally lap up the rest of the film, blood and all. There is however one type of film that I find suspect to the point of avoidance and that is the dramatised account of tragedies and disasters that are so near in time that it casts the viewer into the role of voyeur of people still experiencing tremendous personal grief. Films on 9/11 certainly fall into this category. My sole reason for watching "London River" which deals with the 2005 London terrorist attacks was to catch a performance by Brenda Blethyn, a British actress for whom I have a tremendous admiration. I can only say that my cinema going experience would have been that much the poorer, had I not made this decision, such is the power, sincerity and integrity of this highly charged work. Although the horrendous events of 7/7 are an integral part of the film, it touches on so much more in its presentation of two disparate characters drawn together in a common quest, she a farming widow living on Guernsey, he an African forestry worker from France. In the ordinary way their only remote point of contact, apart from language, would be their proximity to the land, but 7/7 has drawn them to a neighbourhood of North London in their anxiety to discover what might have happened to their children on that terrible day. Even before they meet we are made aware of the woman's deep seated mistrust of other cultures and everything Islamic in particular. Her unease and expressions of bigotry only intensify the more she comes to realise that her daughter may have been cohabiting with a Muslim. Ultimately it is the subtle way that a common tragedy can enable a dignified respect by two people for one another to come about that gives the last half hour of "London River" its tremendous poignancy. The farewell between cinema's possibly most unlikely couple is something very precious and unforgettable

Robertung What does an African Muslim refugee living in France share with a white Christian widow from Great Britain? - The longing search of their missing children after the London bombings in 2005. With gentle and aesthetic camera movements and slow action progress Rachid Bouchareb portrays two distinct cultures - but as the movie goes on they turn out not to be that different after all. Ousmane (Sotigui Kouyaté) left his six year old son Ali with his wife in Africa to work as a woodsman In France. When he - many years later – gets a call from he's worried wife in Africa telling him that she hasn't heard from their son - now living in London - since the bombings, Ousmane travels to London right away to look for him. While the mystic Ousmane wanders around the desert streets of London for hints and clues about his unknown son he comes across the widowed mother Elisabeth (Brenda Blethyn) several times – who's more or less doing the same thing concerning her daughter. It sooner turns out that their children know/knew each other and together they search for answers. London River (2009) is both a thrilling drama and a balanced picture of the suffering families in the shadow of the London terror-attacks. It's the movie that Hollywood unfortunately never got after 9/11.

druid333-2 In the days following the London train bombings,hundreds of people from England,as well as other parts of Europe scrambled anxiously trying to find out about their loved ones. In this story,we get stories of two single parents in search of their children. There is Elizabeth,a fifty something woman,living as far north of the (so called)big,evil city of London,being perfectly content to work the earth on her farm,while Ousmane,a tall,lanky man of African descent is trying to find out about his estranged son,whom he hasn't seen since he left home to work in France,when his son was only six. Through a series of chance meetings, they both find out that the daughter & son were lovers,living together in London. Both travel there in search of their estranged children. Do they find them & find some kind of closure? Brenda Bleythn (Secrets & Lies)is Elizabeth,a woman who obviously fears the unknown. Mali actor, Sotigue Kouyate is Ousmane,a worry worn man,who just wants to live out his days,tending the Elm trees. Also featuring Francis Magee,Sami Bouajila, Roschady Zem & Marc Baylis. Rachid Bouchareb ('Little Senegal')directs from a screenplay written by Zoe Galeron,Olivier Lorelle & Bouchareb. Cinematography by Jerome Almeras,with editing by Yannick Korgoat. This is a heart breaking,but very well written,directed & acted drama of a woman trying to rise above fear & ignorance & banding together with a stranger who is attempting to find some reasoning in the middle of chaos. As this film has no North American distribution,it may be a bit hard to track down (it has been screened mostly at film festivals,and as far as I know,there is no DVD release available). Spoken in English,and French,Arabic & Bambarra with English subtitles. Not rated by the MPAA,this film contains some rather gruesome images of some of the victims of the London train bombings that could be traumatic to young children