Perry Kate Very very predictable, including the post credit scene !!!

Redwarmin This movie is the proof that the world is becoming a sick and dumb place

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

wes-connors In Paris, American sculptor Richard Dix (as Paul Dover) tries to retrieve some scandalous love letters sent by his beautiful sister Frances Mercer (as Ellen). He fails in the attempt, but Mr. Dix tracks the love letters to a Los Angeles museum. Donning dark glasses, Dix disguises himself as a blind man and buys the seeing-eye dog Ace (as Ace). Fetching museum manager Whitney Bourne (as Julia Fraser) catches Dix' eye. She may lead Dix to his sister's love letters, and write a few of her own. Murderously nasty Eduardo Ciannelli (as Mitch) causes trouble for the duo - or trio, if you count Ace...The German Shepherd Ace does very well in his first feature film performance. "Ace the Wonder Dog" was RKO's version of Warner Bros.' Rin Tin Tin, then the #1 animal star at the box office. This slow-moving film is most notable for being Ace's debut. He was a good dog, but only the collie Lassie could ever approach the level, and long-term popularity, of Rin Tin Tin. Directed by the prolific Lew Landers, this story is a stretch from beginning to end, the height being Dix posing as a blind man in order to inconspicuously feel around a museum for clues leading to his sister's old love letters.**** Blind Alibi (1938-05-20) Lew Landers ~ Richard Dix, Whitney Bourne, Ciannelli, Frances Mercer

egmjag-37366 The dialogue isn't developed well but this was probably common for that era back then. I tried to look up the details about this movie, in particular where in Los Angeles were these scenes filmed at? I couldn't find any information on IMDb. Does anyone know the locations in L.A. where this movie was filmed? And what is the name of the hotel where the filming takes place?Even though the dialogue suffers from being too shallow, the camera angles and shots were pretty good. The picture quality is quite good for it being so old. It's also interesting to see the clothing styles of the late 1930s. Double-breasted suits seemed to be very popular for several decades after the 30s. Did most men in the L.A. area wear fedoras, or is this an exaggeration? I know fedoras were common in places like N.Y. and probably most cities in the US, but I don't think they were as common in L.A. or men seldom wore them there.

Jim Tritten Primarily a vehicle to showcase Ace the Wonder Dog and gowns by Renié. Premise of why the hero needs to pretend he is blind in order to gain access to museum is not sufficiently believable, especially when thieves figure out that all they need to do is get hired on as janitors in order to accomplish the same end. I find Richard Dix wooden in his delivery and cannot understand why Whitney Bourne would find him appealing. Eduardo Ciannelli is excellent as the thief. Richard Dix making an "iron" pancake in Paris could have been funnier as could have the thieves arguing over fifteen and twenty cents when blackmail is at stake. Not a great movie, but the premise could have been more interesting. Moves way too slow to really hold your interest.

boblipton Ace the Wonder Dog, RKO's answer to Rin Tin Tin -- not that anyone had asked the question -- is introduced in this Richard Dix programmer.Dix was a leading star at RKO from 1929 through 1940, but for RKO this meant handsomely mounted B movies that his loyal fans would go to see, and which could be used to introduce interesting new talent, like Ace. Here Richard Dix pretends to be blind in order to recover incriminating letters that might result in his sister being blackmailed -- don't ask me why his being blind would help. Richard Dix ambles through the movie with his usual muscular performance. It is unsurprising he had his fans. Even the fact that this movie ends with a closeup of Ace the Wonder Dog doesn't fool anyone. A talented performer, yes, but we was no Richard Dix.