Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Yazmin Close shines in drama with strong language, adult themes.

LeonLouisRicci Ambitious Revisionist Western with Great Dialog delivered by some Seasoned Pros and a few Newcomers. Backdropping it all are some very Picturesque Vistas of the Changing West circa 1906 where a 700 Mile Horse Race is Big News.Writer-Director Richard Brooks has Crafted an Interesting and Thought Provoking "New" Type of 'Sensitive" Western with attention to more Empathy about Horses and Man's Plight in a Harsh and Insensitive World.One could say that Brooks' Answer is to "Bite the Bullet" and Soldier On because there's Not Much One Can Do. Gene Hackman, James Coburn, and Ben Johnson are the Wisdom Wielders and Jan Michael Vincent and Candice Bergen are of the New Breed. Mario Arteaga is along for some Ethnic Flavor. All are Effective in Their Western Attire and Ride Horses like They do it Every Day. There is a Lot of Horse Riding, Obviously, and the Race takes up most of the Long Running Time and it all Looks Sharp and Believable as They Ride Toward Victory, or not, Taking time out now and then to Philosophize.Overall, it is a very Good Exercise in Seventies New Found Freedom of Expression and the Professional Cast and Crew make it a Cerebral Counterpoint to Most Westerns. The Ending seems Rushed and there are Jarring Jump Cuts that are Jagged and the Film Loses Something because of Rickedy Montage. But, the Movie Manages for the Most Part to be a Different Diversion from the Usual Genre Fare.

winner55 I saw this when it first came out and thoroughly enjoyed myself. Viewed again recently on disc, I can now see the flaws that kept this film off lists of "classic Westerns." The most obvious moment of misjudgment comes in the big chase scene at the end. It's totally misplaced, and probably was intended for the middle of the picture, then delayed to provide more screen time for the female lead. It does not lead well into the finale, and now stands as one of the worst continuity lapses of all time. Worse, there seems to be some sequence that got lost in order for this scene to be placed where it is. At any rate, the ending is mystifying in small details, but enough to leave one feeling oddly unsatisfied.Others have noted the second-rate editing throughout the film; but continuity errors of this sort are the director's responsibility. One feels that the director realized that he had bit off more than he could chew, and rather than put it back on the plate to chop it up into smaller, more manageable pieces, let it sort of drool out between his lips hoping no one would notice.And this story would have worked on a lower budget, with a shorter run time, made in the late 1950s. Admittedly the photography is grand, and there are marvelous set-pieces throughout - but they don't add up to the great Western this story could have been.

bkoganbing Bite The Bullet, a most unusual western from the pen and the direction of Richard Brooks. It concerns a rather strange camaraderie that develops between the seven participants in a horse race out west.This is not a race for speed, this is a test of endurance for seven miles through the desert in the American southwest. The seven participants are Gene Hackman, James Coburn, Ben Johnson, Candice Bergen, Jan-Michael Vincent, Ian Bannen, and Mario Artaega. All these people have their own reasons for wanting the $2000.00 prize offered by the newspaper sponsoring the event. Hackman and Coburn are old friends already and Coburn's hoping Hackman will throw the race his way because he's up over his head in bets he can't pay off should he lose. Ben Johnson's an old timer just wanting to be remembered for doing something important in his life. Ian Bannen is an English Lord who thinks it's all jolly good sport. Candice Bergen is both striking a blow for women and sending money to her jailed husband. She works for madam Jean Willes when not racing. Jan-Michael Vincent is a punk kid with something to prove and Mario Artaega is just a poor guy looking for a stake to feed his family.It's about the animals as well, this is not the Kentucky Derby for a mile and a quarter. The horses have to be looked after if they make it through a rough 700 miles. They kind of bind the characters together in a strange way.Bite The Bullet is not long on plot, but very deep in characterization and it works here just like it works in the Sam Peckinpah classic, Junior Bonner. Even those that don't endure develop wellsprings of character they never thought they had. It's a good film and the ending shows something about character and friendship.

Nazi_Fighter_David If "Bite the Bullet" sentimentalizes the independence and force of ordinary men without glamor who have to struggle for a prize in a hard, bitter, and lonely environment, it also examines the cruel or inhumane treatment often inflicted on animals… "Bite the Bullet" is an all-star Western about a 700-mile horse race that takes place in the middle of 'Nowhere, USA' at the turn of the last century, for a chance to win the grand prize of $2000… At the head of the line is Gene Hackman, an ex-Rough Rider who believes in caring for lame animals, and despises cruelty to horses, ladies in distress, lost kids and lost causes…Hackman has got the heart, and at the film's climax, he is the sleeper—the one to beat… His old-timer friend from fighting days at San Juan Hill is James Coburn, a natural-born gambler who certainly can't afford to lose… He just bet everything on this race, and got seven-to-one… Coburn and Hackman have a great chemistry together, and their friendly rivalry imposes the name of the game… Also riding: Candice Bergen, who has 'two thousand reasons' to compete in the race; Ben Johnson who desperately wants to win the prize to be a man to remember; Ian Bannen, the tough Englishman who comes 5,000 miles to beat the best; Mario Arteaga, the cool Mexican who needs the money for his loving family in spite of suffering from unbearable toothache; and Jan Michael-Vincent who brings the lower calibrations of judgment, antagonism, and rage to his interactions... This punk kid certainly has a knack of provoking a man to violence… He soon will be in his own best way to learn some life lessons from 'real' cowboys... Brooks' movie has the courage to show how beauty can flourish in our treatments for animals… He accomplished a film that is beautifully photographed and expertly put together… Brooks leaves a whole host of abiding impressions through his nine riders' true character