Imaginary Witness: Hollywood and the Holocaust

2004
7.5| 1h32m| en| More Info
Released: 01 January 2004 Released
Producted By: Anker Productions Inc.
Country:
Budget: 0
Revenue: 0
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Synopsis

Daniel Anker’s 90-minute documentary takes on over 60 years of a very complex subject: Hollywood’s complicated, often contradictory relationship with Nazi Germany and the Holocaust. The questions it raises go right the very nature of how film functions in our culture, and while hardly exhaustive, Anker’s film makes for a good, thought provoking starting point.

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Reviews

Vashirdfel Simply A Masterpiece
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
gavin6942 This documentary goes over the history of the Holocaust on film from 1940 up through today (2004). What I found most interesting is how they actually started with the presentation of Nazis on film, and not the Holocaust in particular. The point being that aside from "Great Dictator" and "Mortal Storm", many films of the war era were not at all critical of the Nazi regime... in fact, they were almost pleasant.What I next found interesting was the reluctance to use he word "Jew" in a movie. Anne Frank was a Jewish girl who died in the Holocaust. Yet, apparently, the first film version of Frank's story goes out of the way not to mention why her family is being persecuted because they felt that non-Jews would not be able to identify with the events.Interestingly, Steven Spielberg says that not many films have been made about the Holocaust. I would say that all depends on how you define "not many". There have been hundreds, starting with a slow trickle (5) in the 1940s and up to dozens a year since the 1970s...
lastliberal An outstanding account of the atrocities that happened in Germany, and Hollywood's dealing with in in light of the makeup of Hollywood, the acceptable mores of the times, the House Un-American witch hunt, and other factors.It was interesting that television led the way in presenting the Holocaust with a guest on "This is Your Life" being the first instance. After a weak Anne Frank movie, TV returns with Judgement at Nuremberg on "Playhouse 90" in 1959. The fact that one of the sponsors was The American Gas Company muted the effort.But, Hollywood soon began to get it right. It was after The Holocaust, an 8 hour miniseries was aired and survivors began telling their stories.How Hollywood handled this tragic part of history is an interesting story and part of a body of knowledge that will help in viewing these films.
brewsterlewster I am perplexed that this documentary has not reached more people. And I am equally confused as to why the IMDb "weighted" rating is below 6 when only TWO people gave it less than a 6! Does this make sense????? Will IMDb publish this review? Anyway, this is an expertly made documentary on Hollywood, not just how they handled one topic, but how they are embroiled in current politics. There will be some surprises to some moviegoers and clips from some relatively unknown gems, some of which I have never seen and will now seek out! I am a big fan of Gene Hackman but I think his narration was a little lackluster. Otherwise, I have to give this documentary a big thumbs up.
agaluro A great review of what Hollywood needed to do -and whatnot- to expose Nazi Germany's intentions... It is a well-documented film with great interviews and original footage to prove that cinema can be used for either wrong or right purposes... This one, it is for the right mission: illustrate how coward was US witnessing what Hitler was doing against the Judaism... Nevermore, please! And even though some raw footage is missing when US troops discovered the death camps, the narration accomplished the feelings of those who watched back then... Hopefully Michael Moore sees this documentary to make him to shift their style of film documenting, where serious stuff can be covered straight forward, without all the comic gimmicks he used to abuse them on his films...