SnoReptilePlenty Memorable, crazy movie

Steineded How sad is this?

Stevecorp Don't listen to the negative reviews

Pacionsbo Absolutely Fantastic

kidboots For all June Collyer's second billing she didn't have much to do as the bewildered heiress in this first Columbia entry in a short series featuring Ralph Bellamy as laid back Inspector Trent. Still, she was definitely easy on the eyes and she would soon retire from movies to concentrate on being Mrs. Stuart Erwin. In 1934 "The Thin Man" showed how witty and stylish mysteries could be but for now (1933) policemen were very straight down the line.When a young rookie cop demands a promotion for solving the "Penthouse" murder, his superior pulls him back into line by telling him the story of the Arnold case. Inspector Trent arrives at Forest Lake on a stormy night "just the night for a murder" at the request of Mr. Arnold, who is convinced someone is trying to kill him. He has seen all the signs - a stopped clock, a pool of blood under a portrait and with a storm battered window and a flash of light, Mr. Arnold lies dead.This movie isn't half as exciting as "The Crime of Helen Stanley", an Inspector Trent set in a movie studio and featuring a temperamental movie star (Gail Patrick). This particular mystery features the old standby, a secret diary that everyone, except the wide eyed Janet (Collyer), wants to get their hands on. There's the usual suspects, a crooked lawyer, mysterious Mrs. Fry (silent screen beauty Betty Blythe), a young doctor, who seems to have all the evidence stacked against him as he just happens to be treating Mr Arnold and a nervous Japanese houseboy Kono. The only person who seems to be taking a back seat is Mr. Fry (Claude Dillingwater, who I could remember as the crusty old Mr. Peck in Shirley Temple's "The Poor Little Rich Girl") and he is the key to the whole mystery. Ralph Bellamy is at the start of a long career and even in this he is never anything less than dependable.

calvinnme ... or so says a chief of police in reference to a tale of mystery he is about to tell in flashback. In spite of the the fact that this film doesn't have much in the way of production values and has only one major star of the studio era - Ralph Bellamy - this little murder mystery that clocks in at a little over an hour in length is very entertaining with a script full of surprises.Inspector Steve Trent (Bellamy) is called out to a remote estate one stormy night by wealthy Edward Arnold who presumes he will die before midnight just because he found blood on the hearth of his fireplace, exactly as did one of his ancestors the night before he was killed. What is odd is that the police would take this seriously. What is odder is that the man does indeed die before midnight and now Trent has to figure out who did it. He's got plenty to work with too in the way of suspects. There's Arnold's estranged wife who has traveled 3000 miles just to get more money out of him and admits she hates him, there's Arnold's young beautiful ward on whom he lavishes great unexplained attention and to whom he refuses to give his blessing for her intended marriage, there's the girl's fiancé who resents the fact that their wedding is being held up by all of this, then there is Arnold's servant, Kono, who speaks broken English although it is revealed he is a college man.Bellamy is great at this part. This is not the Ralph Bellamy you may be used to seeing, always managing to get his girl stolen by Cary Grant in just about every picture they appeared in together. Here Bellamy plays it cool and appears firm and in control without getting heavy-handed to the point of being silly.The film's poverty row roots do show at some points though. There is a particularly silly line half-way through the picture when Bellamy has a suspect at gunpoint and says "One bullet could settle this case" all because the unarmed man won't talk. Then there is George Cooper as Stubby, supposedly a policeman learning the ropes from a fine investigator like Trent, but I never saw a point in which he was the least bit helpful. Stubby was more like a reader of dime store mystery stories getting in the way of an investigation than anything else.I'd recommend this as a pretty good precode film.

blanche-2 "Before Midnight" was done in 1933, before "The Thin Man," when the style of mysteries would become a little breezier, more stylish, and employ more humor. Ralph Bellamy stars here as Inspector Trent, out to solve a very complicated murder. It has that "dark and stormy night" feel to it, but it's done with a straightforward seriousness, without the good-natured laughter of someone like Warren William or the tipsiness of a William Powell. As Trent, Bellamy interrogates like a real cop: "You did it, didn't you!" The story, however, is very good.I'm always amazed to see Ralph Bellamy as a young man and realize what a long, huge career he had. His first film was in 1931 (stage from 1929), at the age of 27, and his last was "Pretty Woman" in 1990, one year before he died. Here he's a lead, but as someone else pointed out, he probably lacked the excitement of a true leading man and was soon relegated to supporting roles. As a stage actor and as an older man, he really thrived on stage, in film, and on television; besides doing "Tomorrow the World" and "State of the Union" on Broadway, he enjoyed a tremendous success as FDR in "Sunrise at Campobello" in 1959. "Before Midnight" will keep you interested. What it lacks in pace and style, it makes up for in story.

boblipton It's a well-directed mystery with more twists than a pretzel. This movie times in at just over an hour, and had to be filled out with a prologue, epilogue and long takes of Ralph Bellamy thinking to bring it up to that. Carefully directed with full Old Dark House look and feel by long-time director Lambert Hillyer -- he had directed William S. Hart to stardom but had retreated, as had so many, to the B list when sound came in -- there's only one flaw in the mystery plot: the detective has the motive before the audience does.This was one of a short and probably unofficial series of movies starring Ralph Bellamy as Inspector Trent of the New York Detective Bureau. He is rather straightforward in his characterization, which probably explains why in another couple of years he was relegated to the role of Second Man in the movies, even if he could act up a storm when given the opportunity. Still, the story is the thing in this movie. The mystery will probably stump you and it's only an hour.