Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

judithh-1 "A Yank at Oxford" is one of several films intended to "toughen up" Robert Taylor's image after his success in a number of boudoir romances. Taylor plays Lee Sheridan, a college boy who has been spoiled rotten by his newspaper owner father, played by Lionel Barrymore. Father Sheridan's habit of holding the presses for Lee's latest athletic triumph has only contributed to the boy's swollen head.Despite his lack of academic focus, Taylor is offered a place at Oxford. Upon his arrival, he immediately encounters a group of his fellow students, who begin a campaign to humiliate him. He also meets the leading lady, Maureen O'Sullivan.The rest of the delightful and humorous picture focuses on the relationships among three people: Taylor and O'Sullivan, boyfriend and girlfriend; Taylor and Griffith Jones, his leading tormentor; O'Sullivan and Jones, brother and sister. A nymphomaniac Vivien Leigh adds spice to the mix."A Yank at Oxford" allows Robert Taylor to show that he is not only a fine actor but also a fine athlete. Granted that the script specified that he would always win, Taylor is believable as a runner and as a rower. He can also swim.O'Sullivan is a charming coed torn between her boyfriend and her loyalty to her brother. Jones and Taylor cover up for one other for different peccadilloes. They evolve from antagonists to teammates to friends. A remarkable scene that deserves special mention concerns the venerable English tradition of "debagging." The cast is uniformly good. Taylor looks and acts younger than his twenty-seven years. Jones is one of a fine contingent of British actors including Edmund Gwenn, Robert Coote and Edward Rigby. Lionel Barrymore shines as the older Sheridan. A pre-Scarlett Vivien Leigh is lovely and engaging."A Yank at Oxford" was MGM's first British-made film. Jack Conway, the American director keeps things moving at a brisk pace. Harold Rosson's photography has a newsreel-like immediacy. And Oxford, of course, looks wonderful.

Denny Kelly Taylor was entirely too old (27) and WAY too "meaty" to play a star athlete in this film. His fat legs show to disadvantage, and the scenes of him outpacing the track team are absurd. Thers is no possibility of someone of his weight beating the skinny competition shown in this film. If the character had shown some spark of humility & a desire to learn better, this would have been a much more enjoyable story. Think of Harold Lloyd in "The Freshman", where his character wants to succeed by his own efforts, and learns early-on that he can't fake it. Heart warming was that, while this is just a demonstration of a notion of Yankee Superiority and how 'We Americans' can overcome the 'Snooty Englishers'. Spare us.Taylor's character ultimately fails to win our hearts with sincerity; his "nerve" is all he has, and while that's enough to turn the story to his favor, it really isn't sufficient to make us believe he's a good egg after all.Of course, all of this is tainted by Hollywood's habit of using 25-30-35 year olds in the roles of college students (and even 40 year olds, in the case of The Nutty Professor of Jerry Lewis - several of his supposed Football Heroes were OLDER than he was, at the time of filming)

MartinHafer A young Robert Taylor plays an obnoxious but highly talented athlete who wins a scholarship to one of the colleges at Oxford. Unforutunately for him, his brash ways immediately alienate him from his classmates and the going is very rough. But, of course, there are people pulling for him--including some wonderful MGM stock actors.Despite a very good score of 7, I actually enjoyed the film more than the score might indicate. However, I really couldn't give the film a higher score since it was a tad formulaic and a tad hokey. You see, for me, I don't mind if a film from Hollywood's Golden Age has these qualities, as the studios knew this when they made some of these films. Sure, there was some predictability and a few clichés, but the films were highly entertaining and fun--so the secret is counter-balancing these aspects with a quality production. So, when braggart Robert Taylor (in one of his best early roles) appears, you KNOW that eventually he will learn humility and to become a team player. But, the journey along the way is so well done (thanks to excellent acting, writing, direction and music) that you just suspend disbelief and enjoy the ride.

Neil Doyle ROBERT TAYLOR is refreshingly natural in the role of a brash American Yank who immediately succeeds in alienating his fellow Oxford classmates to the extent that they play practical jokes on him. The entire tone of the film seems to want to portray Americans as distinctly out of their element among the British elite. There's a distinctly mean-spirited flavor to some of the proceedings.MAUREEN O'SULLIVAN is pleasant as Taylor's chief love interest, but it's hard to detect any of the qualities VIVIEN LEIGH would later show as Scarlett O'Hara in her role as a flirtatious bookstore worker. Her pencil thin eyebrows and unflattering hairdo don't suggest any of the attractive make-up that transformed her into a Southern belle just a year later. She looks almost dowdy here before Hollywood gave her the glamor treatment.Taylor and Leigh would exhibit much better chemistry in 1940's WATERLOO BRIDGE. Here she is somewhat irritating in a small role.Sports-minded individuals will get more of a kick out of this than the casual movie-goer looking for a good romantic comedy.