FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

utgard14 Fine movie for what it is but 'what it is' won't be to everyone's tastes. Leonard Maltin's Film Guide calls it an adventure story but that's not really accurate. There's very little action in this film. This is a melodrama, a soaper even, as evidenced by the fact it stars Kay Francis. She was one of the queens of the melodrama in the '30s, often torn between two men as she is here. The plot is trite. Francis plays a woman who lost her pilot fiancé in an accident. She meets honorable and all-around-swell-guy Ian Hunter, who quickly falls in love with her and proposes. She marries him despite not being in love with him. Later she meets hotshot pilot Errol Flynn and, well, you can figure the rest. For his part, Flynn is as charming as ever and has good chemistry with Francis. The highlight of the film is the Erich Korngold score, which makes things seem more exciting than they ever really are. A nice production, great actors, and a beautiful score are nothing to dismiss. Still, how much you enjoy this will depend on how much you enjoy romantic melodramas from the 1930s, where everyone stares off at some point and recites a soliloquy like they're in a stage play.

JLRMovieReviews Errol Flynn and Kay Francis star in this movie about love and adventure. Ian Hunter meets Kay first and promptly falls in love with her, even though she admits she doesn't love him. But he does convince her to marry him and move to where he lives and works, a British outpost in the desert. By this means, she meets his second-in-command and right-hand man Errol Flynn. At first she doesn't take to him, even though most of the female viewers have already at first sight. (But he took to her; that's without saying.) But his hearty laugh startles her as it's similar to someone she loved very much and lost. Then, she begins to see him in a new light and spends a lot of time with him, as husband Ian has to travel to trouble-shoot, etc. Therefore, Kay and Errol, well.... Errol and Kay's good looks and chemistry and the movie's mysterious and menacing locale uplifts the material. And, their love scenes together are very exotic and romantic, with them walking hand in hand and getting caught in the moment, kissing.... Even if you don't consider the leads your favorites, I think you'll agree that Errol Flynn and the lovely Kay Francis do make a very passionate couple, and that you'll enjoy 73 minutes of them.

bkoganbing In Another Dawn, Kay Francis marries Ian Hunter after a whirlwind shipboard romance when he's on leave in Britain. He's an army captain out there patrolling the far reaches of the Indian frontier and he likes to fly a plane in his spare time. She's already had a romance with a flier who was lost.Of course upon arriving in India she discovers she likes his number two man Errol Flynn a whole lot more. In addition Flynn's got a sister on the post, Frieda Inescourt who is crushing out on Hunter, but never tells anyone.Although Errol does have a brief skirmish with the Moslems to fulfill his action image requirement, the film is one gigantic soap opera with the people behaving as we Americans have come to expect in that stiff upper lip British tradition. These characters are way too noble, too self sacrificing because 'they're building a nation' as Ian Hunter so floridly puts it.How the players managed to get through this romantic drivel is beyond me.

jaykay-10 On the positive side, the makers of this film did leave over a few cliches for someone else. And it is entirely possible that when this picture was made the story elements had been used only dozens, rather than hundreds, of times before. But while numerous movies more than fifty years old have held up very well, this is one that has become an unintentional parody of itself.The romantic femme fatale, mourning a lost love of her youth, and convinced she can never love again; the dashing, devil-may-care adventurer, certain that no one female could ever hold him; the middle-aged paragon of duty, service and principle, asking only to be allowed to worship that desirable woman, expecting not love, but merely loyalty, in return; the coward scorned by his mates, living for nothing but a chance to redeem himself. And much more, including British colonials, devious Arab chieftains, the burning desert, a suicide mission, memorable dying words, and of course, a young, spectacularly handsome Errol Flynn.They don't make them like this anymore.