AniInterview Sorry, this movie sucks

Konterr Brilliant and touching

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Raymond Sierra The film may be flawed, but its message is not.

Prismark10 A melodrama that looks at the legal system that suddenly adds dashes of Perry Mason into the mix. Richard Attenborough plays a local friendly cabbie who gets trick or treated by a gang of kids early in the morning. He goes after them more in jest and later helps one of the girl's looking for her lost doll in the streets of post war London which still was littered with bomb sitesWhen the young girl is found dead Attenborough turns out to be the wrong man in the wrong place but all the evidence, circumstantial it might be points to him being the murderer. Of course we know it's not him as we see a man in a bowler hat shown in silhouette who approached he girl after Attenborough left the girl and this shadowy man pops up later on. It really wants you to shout out 'its that man again' every time you see himAttenborough's wife has a hard time to get a criminal solicitor who believes in his innocent, only later a dogged barrister reluctantly turns detective in order to unmask the real culpritThe film has a very realistic location setting of the post war London with kids running about on their own. Even the reluctance of the lawyers to take the case on was very much on the mark. The latter part of the film based on some random circumstances allowing the Barrister to think it the murderer is someone else and nearby is rather convenient but the film just about gets away with it.

writers_reign This is something of a mish-mosh all round, not least with a title that leads a potential audience to believe it is about a condemned man waiting to take the eight o'clock walk to the gallows and whilst it is true that the protagonist is accused of and stands trial for murder he is in fact acquitted. Director Lance Comfort made a handful of interesting films like Hatter's Castle, Bedelia and such but laid a colossal egg when entrusted with Portrait of Clare and was somewhat persona non grata ever afterward, mostly making do with TV fodder and the odd title like this one. For some reason Dickie Attenborough had a penchant for importing US actresses to appear opposite him; in The Angry Silence it was Pier Angeli and here it is Cathy O'Donnell. In fact the cast is one of the most interesting aspects of this with appearances by Kynaston Reeves, Victor Maddern etc plus in-vogue Derek Farr improbably unmasking the real killer a la Perry Mason. Worth a look as a curio.

James Oliver Watching this film from the 1954, was an unexpected enjoyable movie,Richard Attenborough is very good in this film, while not a film to mark out on his long film career, it certain should not be forgotten. Cathy O'Donnell has an accent which is not Canadian.The Film is like a moment of the 1950's caught on film. The film deals with whole criminal investigation of the UK criminal justice system from the discovery of victim to investigation, collecting witness statements, including forensic investigation, jury selection, arrangement, and the actual trial, the film has a good story line than most crime dramas on TV's.

Jem Odewahn What I shame that I appear to be one of the few people out there (well, at least on IMDb) that have seen this very credible little film. I viewed it on a VHS double bill with another Richard Attenborough film, the better known "Brighton Rock", and found it well worth the time. Attenborough find himself accused and on trial for the murder of a little girl. He is innocent, but all circumstantial evidence points against him. Only his sweet, devoted wife Cathy O'Donnell and his stand-in lawyer, Derek Farr, are willing to believe him.I thought that this film captured the trial scenes particularly well, and they feel real. Richard Attenborough, a fine choice for the role, does well in conveying his character's fear and confusion at a situation he never expected to happen. The murder of children was not a subject touched very often in American films in those days, and this must be one of the first post-"M" (Fritz Lang's brilliant, groundbreaking German film with Peter Lorre as the whistling pedophile)films to deal with the subject. The film is neatly directed and edited, and it really is worth checking out. Hopefully this won't be the only comment that this film ever receives!