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Mjeteconer Just perfect...

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

passingview Sorry, but if you have seen the 1977 version with Nicola Pagett and Stuart Wilson, you have seen the best. It does take a serial installment versus a movie rendering to give this vast story justice. This updated version attempts that, but lacks the authenticity of the superior qualities of casting, direction, acting and storyline found in the 1977 offering. This 2000 version is quite crude by comparison, only surpassing in the more up-to-date production techniques available. Who care about those when dealing with a classic work, and who misses them for the vast difference in foundational qualities. This is the cruder offering in every sense of the word. The leads are weak, ineffectual and even far less attractive. The age factor is disregarded as Anna appears older than either her husband (who is 20 years her senior in the book) and her lover. This project is much weakened by the gratuitous and tasteless animal sexual element ascribed to the principals to the expense of heart connections. Untrue and violating of the classical source material. Disgusting contribution. Even the earlier shallower movie contributions avoided the offenses of this shoddy offering.

sp_rose2005 I've seen almost all the versions of Anna Karenina, and I'm trying to compare them with the book. So far, this version is the most true one to Tolsty's novel. It is very detailed which helps to express the true feelings of the characters the way Tolstoy created them. I didn't like the actors much, especially Anna, she's not attractive enough to play Anna. The perfect actors for Anna Karenina are in the 1997 version. Sophie Marceau made an excellent Anna, with her beautiful young flirtatious look, and the confidence with which she carries herself even when she's in despair.Helen McCrory just looks ill all the time, even in the beginning, she just doesn't have that presence that Tolstoy's Anna does. If the actors and settings of this movie were substituted with the ones from 1997 version, this movie would be absolutely perfect! Although it doesn't give the whole picture of 19th century Russia the way Tolstoy pictured it and the way the 1997 version does, this is still the most accurate version, and expresses the true meaning of the novel. Definitely recommended for people who haven't read the book, as well as those who have!

ReluctantFan I agree with the previous reviewer in finding that the main characters (Anna and her lover) though played by very good actors lacked both screen presence and chemistry. As a result the series seemed very tedious to watch and the love between them difficult to believe in - which in turn left me indifferent as to their predicament or its outcome. On the other hand, I found that the "Moscow set" stories and actors brought life to the series. In particular, Mark Strong (Oblonsky), Amanda Roots (Dolly), Paloma Baeza (Kitty) and Douglas Henshall (Levin) all gave lively performances. In the case of Henshall and Paloma Baeza the chemistry between the couple made the romance believable and moving. Henshall impersonated Levin's self-doubt and moral guilt particularly well. He made Kitty's delivery scene very memorable. His Scottish accent (which I normally like very much) seemed a bit distracting in this setting - especially in the scenes with his "brother". It reminded me of Billy Boyd in The Lord of the Rings!

michel.anctil Anna Karenina is one of the great novels of the nineteenth century that has inspired a great many adaptations for cinema or television. This most recent TV version (aired now in North America) is one too many. It is appallingly rudderless, maybe because it is increasingly more difficult to see a point in adding to the already high stack of versions. The acting lacks zest for the most part, the length or the treatment of this version does not do justice to the richness of the novel, and the sex scenes are so disingenuously artsy as to be laughable. More critically, the key characters of Anna and Vronsky are played by actors lacking both presence and chemistry. In my opinion, this version fares very poorly compared with the other TV miniseries, that of 1977 starring Nicola Pagett (Anna), Eric Porter (Karenin) and Stuart Wilson (Vronsky).