Angels from Hell

1968 "LOOK OUT...HERE THEY COME!"
4.9| 1h26m| R| en| More Info
Released: 05 June 1968 Released
Producted By: Fanfare Films
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Budget: 0
Revenue: 0
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Synopsis

Mike, a biker, returns to California after serving in Vietnam. He uses his war-hero experience to organize a new, united super outlaw gang. When one member is shot by police because he killed a girl at a pot orgy, an all-out cop vs. biker war results.

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Reviews

Micitype Pretty Good
Micransix Crappy film
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Wizard-8 Although I'm usually a big fan of drive-in movies, I have to confess that motorcycle gang movies kind of leave me cold. So I might be writing this review with some prejudice, but I think that this particular motorcycle movie will be badly judged by other drive-in movie fans. The biggest problem with it is how slow and uneventful it is. In the first half of the movie, almost nothing of consequence happens. It's almost all padding. There's a bit more plot in the second half of the movie, but the movie still feels slow and lacking bite. Another big problem with the movie is that the main character (played by Tom Stern) is not developed very well; we never quite sense what makes him tick and what motivates him. By the way, while the movie got an "R" rating back in 1968, it's not very explicit by today's standards; it would get a "PG-13" rating at most if submitted to the MPAA today.
gavin6942 Mike (Tom Stern), a biker, returns to California after serving in Vietnam. He uses his war-hero experience to organize a new, united super outlaw gang. When one member is shot by police because he killed a girl at a pot orgy, an all-out cop versus biker war results.I have no idea why there existed a period in time where all you had to do was throw bikers, hippies and cops in a film and it just wrote itself. This idea spawned some good films (notably "Easy Rider") and plenty of bad ones. And it seems like many of the bad ones were brought to life by American International Pictures.This is no exception, and unfortunately they did not even manage to cast a single big star. Without the name talent or crew, this is a largely forgettable film from a largely forgettable genre. The most notable name is Von Dutch who designed the titles -- decades before the brand became famous.
Scott LeBrun Tom Stern ("Hell's Angels '69") stars as Mike, a Vietnam veteran who returns home determined to form his own biker gang and stick it to the man. He assumes control of his former cronies, who were better behaved before he came along. He wants to make his gang all-powerful, and their antics lead to fairly predictable results.Overall, as directed by Bruce Kessler ("The Gay Deceivers"), "Angels from Hell", which gets a special 'story consultant' credit for famed Angel Sonny Barger, is typical for the genre, with decent action and a cast full of tough guys and sassy, sexy ladies. The music score is most groovy, with a priceless theme song to boot. Perhaps most interesting is that the movie isn't quite as anti-establishment as other entries in this genre, at least in its even handed portrayal of lawman Bingham (played by the late, great actor / director Jack Starrett).The swaggering Stern does alright in the central role. Among the supporting players are Ted Markland ("Fighting Mad") as Smiley, the enticing Arlene Martel ("Zoltan: Hound of Dracula") as the independent-minded Ginger, Paul Bertoya ("Hot Rods to Hell") as the unstable Norman, Jimmy Murphy ("Mister Roberts") as Tiny Tim, and, in his film debut, wrestler Pepper Martin, famous for his role in "Superman II".The ending fails to be all that satisfactory, but it does have a feeling of somber inevitability as Mike tries to make the case that the law should protect those of his kind as well as the average citizen. The end credits give the performers an appreciated "curtain call", and the movie does entertain if never really catch fire.Seven out of 10.
propsguy AIP does what it does best, exploitation of stereotypes. Good fun though with the real bikers being used. The real actors aren't as good as them. Incredibly terrible soundtrack.

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