Clevercell Very disappointing...

BoardChiri Bad Acting and worse Bad Screenplay

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Pranavist First of all I'd like to express my sincere gratitude to Mr. Abinandhan Ramanujam for such a great cinematography. Amen as it claims itself, is a divine comedy, directed by Lijo Jose Pallissery. The primary objective of the films which comes under this art-movement called "magical realism" is to create an illusion to the viewer despite the existence of some supernatural being or something bizarre to be blended with. Spontaneously the user would hesitate to think that the visual clusters are purely hypothetical. In spite of fabricating the VIRTUAL REALITY to end-user, the director could emphasize the same chunk of conditions in the story-plot as well as makeup aspects. It could extrapolate an extraordinary time-period of Kerala that I guessed it might be around 1980's.Even though the script was dull at the beginning, audience forgot to notice it because of the consistent sitcom. Regarding the essence of comedy throughout this movie, is inherently related to the culture of Kerala especially the middle-aged Christian culture. So I presume, even if some non-native people of Kerala try to see it with subtitles it's not going to hit at the comical point that's supposed to be. Apparently audience adopted the situation comedies as in dialog as well as in trace movements of camera like zooming and panning which was captured with a mediocre high definition camera and was often shown it in extremely slow motion. I've seen a lot of internet-memes of this movie in social media networking sites so far. Peculiar twist at the climax was another highlight.Twist No.1 : Although some of the audience could predict what was going to happen after the instrumental extravaganza, a significant part of audience remained stunned especially when the remarkable character(Kalabhavan Mani) eventually died keeping the statue of the Saint beside him. Yes! Have you noticed the silence a few seconds after the instrumental climax? It's rather picturesque and bizarre chunk of clip at the same time. It was good way of representing as the breeze of calm air to the countryside up next. Twist No.2 The metaphor of God as a representative of the new Bishop to be in charged. When the foreign girl realized whether it was a dream or illusion, I literally felt an experience resembling to Deja Vu at the denouement part especially when the new Bishop was rendering in front of the local store at the bay of the lake that has already been shown before at the arrival of the same Bishop.Evidently the movie "Amen" is subjecting magical realism into theistic objectives, Optimistically it's been blended smoothly with the mesmerizing sitcoms. Music was innovative, the first song uses minimal instruments while the ending is embellished with a lot of instruments. I'd say music would be a mediocre attempt. Now I'm more anticipated and looking forward to watch phenomenal extravaganzas like this in Malayalam as well as Indian movies. In short I'm absolutely convinced by what a new generation film looks like. NEW GENERATION film is not just an blurred imitation of modern life in hallucinations of drugs or sexual euphoria as a dignity or an extraordinary love story of an ordinary nerd.PS: The peculiar cinematographic style reflected in this film was adopted from a french movie "Amelie(2001)". So is style of narration. Having said that assertion I might have watched it for 5 times. Obviously I have to emphasize that Amen can be recommended as a typical example of a NEW GENERATION movie. Once again thanks to the entire team of Amen in this regard.

Vibijithnair Amen probably India's first ecumenical movie surely a magical movie indeed. Well i was not that impressed by the script except for the climax but i was more mesmerize how they all executed it. All the actors were performed exquisitely & here we got a new villain (Joy mathew) and he is not Siddique. Among bunch of actor Joy mathew was my best pick-up & his countenance and grudging sound was perfect. Songs by Prashant pillai were aberrant and apt which add feel to the film. Cinematography by Abhinandan ramanjum was transcended, he brilliantly captured all the beautiful scenery of mystical Kumarakom. Direction was fine but pace was stagnate and there were many slow motion which by default unnecessarily increases the running time. It could be better if it get trimmed by at least 20 min. What i liked the most among was the Aura, way they created was terrific & surely renaissance in theism will evoke up at the end when climax get revealed. Amen is ostensibly romantic satire in between which do didactic about faith in theism and gospel.+ve: ¤Actors. ¤Songs. ¤Cinematography. ¤Direction. ¤Technical department. ¤Climax.-ve: ¤Editing could have been better. ¤Script except climax.¤Watch it if you like experimental movie. Amen is magical movie which revive faith in God in you.

PimpinAinttEasy AMEN is one of the biggest hits in Malayalm cinema in 2013. AMEN aspires to be a magical love story set against the backdrop of the beautiful Kumarankari village which has a colorful and boisterous Syrian Christian culture. The director Lijo Pallisery is obviously inspired by Emir Kusturica's BLACK CAT WHITE CAT and Fellini's AMARCORD.The script and the performances are so weak that the director has to resort to slapstick in slow motion and beautiful visuals to shore up audience interest. The film is like a collection of every single cliché in Malayalam cinema - the feuding families, cruel priest, star crossed lovers, naughty kappiar and the supportive grandmother. The first 40 minutes of the film is used up in introducing the boisterous, naughty and hard drinking but highly devout villagers of Kumarankari. Some of the characters are just there to get excreta thrown at them or fall off bridges or get chicken curry thrown at them by fiery and defiant Christian women. Some of the comedy scenes seem to have been added only to increase the length of the movie or because the writer did not know what to do with the main plot which is the love story between two individuals that can be fulfilled only if the bumbling guy can pull up his socks and lead his church music band to a victory in a fierce domestic clarinet competition. So you have the usual cringe worthy scenes where the heroine and the hero grin at each other and the hero's sister reprimands them and the heroine and the hero's sister lash out at each other for no obvious reason. Most of the villagers are loud imbeciles and the writer cannot come up with even one witty or biting piece of dialog so every other line is filled with expletives and all of the dialog has to be delivered at the top of the actor's voice almost as if the actors could shout the audience into liking the movie. The whole film is a bunch of beautiful visuals strung together by banalities.The performances indicate the continued decline in acting standards in Malayalam cinema. None of these new character actors can hold a candle to nedumudi or tilakan or jagathi sreekumar. I have been watching malayalam movies for the last 25 years and as far as acting performances were concerned, it was like travelling in a mercedez benz but nowadays its like going around in a Marathi 800. Fahad Fazil is his usual dull and flat self. Swathi Reddy doesn't do much except smile with her crooked teeth (which is nice to look at) and act defiant. Indrajeet does a decent job as the liberal minded priest. John Paul was mostly convincing as the cruel head priest. But the guy looked like he was hammered most of the time. Everyone else was below average.Anyway, this is a huge opportunity lost. If the director had paid as much attention to the script as he did with the visuals and the sets, this could have been a very entertaining and magical film.(3/10)

Jibu James Taken in a previously unseen manner, Amen promises what it gives by the title, a pure divine comedy. The story has all what is needed in optimum level, along-with an excellent performance by an ensemble cast. The technical brilliance in camera and every other aspect of the film are to be noted. Director Lijo Jose, who had already shown his class with the critically acclaimed movies "Nayakan" and "City of God" proves he is a man to look out for in the future. Fahadh Faasil, Indrajith, Swati Reddy did their roles with full commitment, and so did the film's entire crew. The audience will surely be surprised at the film's way of making, and undoubtedly, the climax was one of the best in Malayalam cinema!