AKA

2002 "Lies are like wishes: tell enough of them... some of them come true."
6.3| 2h3m| en| More Info
Released: 19 January 2002 Released
Producted By: Bard Entertainments
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

In 1970s Britain, 18-year old Dean feels hampered by his working-class background and his family. In order to make something of himself, he assumes another identity and manages to enter high society.

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Reviews

Lawbolisted Powerful
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.
epeegrrll I enjoyed this film. I started out with the full screen version on the DVD. The story is interesting. Leitch gives a quiet sparse performance. The general feel of the film matches the story line...a little tattered and edgy. When I watched the first 20 minutes of the film in the triptych I really liked it. Had my TV been bigger, and had I not just watched the whole film, I think the original presentation would have been even more interesting. This film, to me, is more of an art piece than what one might expect of a perfectly polished Hollywood blockbuster. Anything it may lack can easily be overlooked in deference to the gestalt. Finally, the soundtrack is really good.
hshowe This movie is better than Ripley or old-time Vanity Fair (both from British writers) because the last tinge of the seventies had that "maybe you can be anyone" potential still being born. This is also a true story. This contrasts against England's "birth first, achievements second" class structure still alive today. A handsome young man might very well follow "Lord' Gryffoyn"'s road every day. What are also allowed to see is the pathos and confusion that whips and buttresses the choices behind such pathways.I think my favorite moment is when privileged Lord Glendenning tries to Charlton Heston his way to rifling Thatcher off the TV screen, and when he belittles her, across the room, an obviously Labor class guy, "Lord Gryffoyn" watches wide eyed, while the third member of their troika mocks her hair. So much political correctness has washed out current cinema, it's eye opening to see gay life the way it was in New-York/Britain/France capitals among the upper class. Practically a history lesson in class consciousness, this movie roves from the main character's motivation, to shifting maturity, to the shifting sands underneath and around him.Most of the reviews I've read fasten on the split screen as topic and almost ignore the film as a whole. The version i downloaded had split screen in areas, but not a jaw dropping medium at all, merely a savvy cinematic comment on the media of the press.What I found most entertaining was that the "slut" character was for once played by a man. It's tired to see every floozy and hustler portrayed as a woman, Youngblood Hills really energizes the film with his attempts to work two men who are so chained by their secrets they are immune to his lures, and his desperate "fixes" only precipitate more conflict and pushed them into negating him. His character's attempts to be used by these men and thus be used by him backfire in ways we can see through even when he can't.An excellent film to watch, for discussion, study, and enjoyment of cinema.
DBre104574 What can I say about this movie, it really is one of the worst gay themed movies, ever to come out of the UK. I can only imagine the likes of Diana Quick and Georgina Hale, needed the money. What story there is, is such a rambling mess that you loose interest pretty quickly. It's supposed to be based on real life events. Well, all I can say to that one, is that it's an insult to the real life characters. The DVD is out at the moment in the UK. It's available in either the split screen format, which must make it even worse that the full screen version I watch. Gay cinema can be so much better than this, and we deserve more.
KiwiBoinAussie I was so looking forward to seeing this at the film festival in Sydney. I left the theater, like many others, before the end credits because I couldn't sit through it any longer. It was badly shot, the sound sucks, and the acting was worse than an episode of The Love Boat. Now I know why this film hasn't been able to find an American distribution company to release it in the United States. This screams of a low budget high school production.