Advertising Rules!

2001
5.7| 1h48m| en| More Info
Released: 04 April 2001 Released
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Budget: 0
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Synopsis

Edward Kaminsky, an aging ad man, wants a golden parachute from his agency; he must first land the Opel auto contract. Rosa, a youth with wealthy parents, wants to establish herself as an artist. The clumsy and enthusiastic Viktor, not quite honest, wants work. When he wanders into Kaminsky's meeting with Opel and says something about irony, the Opel director wants him in on the campaign. Then he steals an idea from Rosa that the Opel director loves. Before Rosa discovers he's expropriated her idea, Rosa and Viktor become lovers. Father-son feelings materialize between Kaminsky and Viktor. Can the impulsive Viktor hold it together before Rosa learns the truth and flies away?

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Reviews

Micitype Pretty Good
XoWizIama Excellent adaptation.
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Horst in Translation (filmreviews@web.de) "Viktor Vogel - Commercial Man" is a German film from 2001, so this had its 15th anniversary last year. It is the first theatrical release by writer and director Lars Kraume and the Italian/German filmmaker was still in his 20s when this came out. Having seen some of his more recent stuff, there is no denying that he clearly stepped up his game since then as his Fritz Bauer film was top-notch for example. This one here not so much. In these 105 minutes, we follow the life of a young man and how he breaks through on the professional level in the world of advertising, but at the same time deteriorates in terms of his likability and drifts away from his friends and the girl he loves. This case of morally questionable behavior through success in business is one you could witness in many many films already and I think most of the time it was better than here. This may also have to do with the fact that I didn't like lead actor Scheer a whole lot, but maybe it wasn't him, but the way the character was written. The supporting cast doesn't add much more either. Chulpan Khamatova's felt a bit odd and the fact that Schrader wasn't as bad as usual doesn't mean she was good.Apart from that, the story was also way too fast. It could have worked as a mini-series perhaps. But not as one film. The way the romance and friendship struggles were rushed in did not feel too great. And honestly the entire character transformation of Viktor did not feel authentic and same can be said about the career path rising quickly and then falling as quickly towards the end. It was all just too much for one film and honestly it also takes considerably away from how seriously you can take this film. In my opinion, it is more on the drama than on the comedy side. There were many scenes that sucked, but lets just mention one, namely when he presents his hunter supermarket idea for the first time and Schrader's character and the others immediately stand up, so we think she must have really hated it, but in fact she loved it. There is a great deal of make-believe in this one sadly. If there is anything this film succeeds at, then it is pointless entertainment, but as a character study or as even a film critical about current society, it is not even close to a success. And with the latter I mean the reference to how everybody in the business world is interchangeable and that it is a cold and ruthless place to exist. It never gets below the surface to that regard and that's a negative deal breakers as succeeding there is one of the major ambitions. To end the review still on a positive note, it can be noted that Götz George once again elevates the material here every time he is on screen and that he gives a bold portrayal that turns a pretty gimmicky character into something truly interesting. You never know with him if he is friend or foe. But George alone is not enough to make up for all the weaknesses here and the overall outcome. I cannot recommend checking it out. Instead I give it a thumbs-down and suggest you watch something else instead.
groggo When I rented this mess, I neglected to notice that it was released worldwide by Columbia Pictures-Sony. As soon as I saw this on the screen, I knew what I was in for: yet another formulaic Hollywood-style 'comedy' (excuse the expression) dressed up in the German language.Advertising Rules (AKA Viktor Vogel) is only occasionally funny, and is full of American references and 'comic situations' (we've seen similar scenes in roughly 500 'comedies,' give or take, churned out by Hollywood in the past 20 years alone). Included in the usual suspect list are some of the same weary visual clichés that are varied in Advertising Rules only slightly (attempt at 'freshness' I guess) -- there's the frantic (and obligatory) out-of-control car crash, a chase in a supermarket (complete with dumbkopf cops), a brawl that ends up in garbage heap, a 'hero' (hapless of course, what else?) who gets smacked in the kisser at least four times, a hero who demonstrates the use of a chainsaw and -- what a shock!! -- sees it go out of control and destroy a table. I could go on and on (vacuous insights into the world of advertising; crusty veteran ad man throws young wannabe on his keister in the opening scenes, ends up being a father figure toward the end; sweet-as-candy, talented Hepburnesque gamin falls for dorky 'hero').You've seen it all before. Here it is again, replete with German voices. The same movie could easily have been made in Hollywood (maybe a remake is already underway -- something with, say, Ben Stiller, Will Ferrell or Jack Black as the lead actor and Drew Barrymore, Gwyneth Paltrow or Katie Holmes as the ever-so-sweet love interest.If you're like me (i.e. long ago fed up with derivative, repetitive, juvenile 12-20 age-group drivel that passes for 'adult' comedy in Hollywood), you'll be more vigilant in selecting films that are released internationally by major American studios. If you don't, what you'll almost inevitably get is yet another Hollywood movie with very 'safe,' by-the-numbers story lines. Exhibit 'A' is this film.
StupidMick-1 Spoilers!!!!I think the ending would have been better if after he goes to the big meeting it shows him at his desk and A man ask him what "is it like to save the whole company", and he just smiles and says "Have I ever told you about my Father" And then the movie ends without showing what idea he pitched If death was just a long sleep with everlasting dreams, couldnt we be dead now.
tinskies03 I found that this movie was very light-hearted and hysterical. I am in the German Club at my school (being a German speaker) and found this movie to be one of the funniest I have seen yet. Simply wonderful. The story is good, the actors are convincing, and the end is strange yet happy. An overall enjoyable film!